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stephaniemcuervo's review
adventurous
challenging
medium-paced
- Plot- or character-driven? Plot
- Strong character development? N/A
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Content Warnings
Graphic: Confinement, Death, War, Violence, Genocide, Murder, and Blood
Moderate: Death of parent, Gore, Grief, and Kidnapping
briely's review against another edition
adventurous
dark
emotional
mysterious
tense
slow-paced
- Plot- or character-driven? A mix
- Loveable characters? Yes
- Diverse cast of characters? Yes
4.75
Content Warnings
Graphic: Blood, Death, Slavery, Violence, and War
Moderate: Genocide
Minor: Body horror and Confinement
julesadventurezone's review against another edition
adventurous
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
I liked the general plot and the characters (Martha Wells makes such compelling characters), but the worldbuilding is a lot to try and memorise as you read. I feel like if I reread this and made graphs and diagrams as I went, I'd enjoy it more.
Content Warnings
Graphic: Colonisation, Death, and Injury/Injury detail
Moderate: Kidnapping, Child abuse, Genocide, Blood, Body horror, Child death, Fire/Fire injury, and Violence
Minor: Pregnancy, Adult/minor relationship, Alcohol, and Self harm
artstitute's review
adventurous
hopeful
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
4.5
I thought Bashat and Bashasa were the same person for an embarrassingly long time. "Oh but it says Bashasa is dead in the present timeline—" Yeah. I know. And yet!!
That aside — loved it! Martha Wells never misses. I love her sf and I loved this too. Lovable characters as always, and (Bashat/Bashasa notwithstanding) I think she did a commendable job maintaining two timelines while also telling a consistent and not-confusing story. The way that past and present events were linked made the timeline fairly easy to follow without it feeling too much like she was holding the reader's hand.
That aside — loved it! Martha Wells never misses. I love her sf and I loved this too. Lovable characters as always, and (Bashat/Bashasa notwithstanding) I think she did a commendable job maintaining two timelines while also telling a consistent and not-confusing story. The way that past and present events were linked made the timeline fairly easy to follow without it feeling too much like she was holding the reader's hand.
Content Warnings
Graphic: Genocide, Death, and War
Moderate: Blood and Torture
Minor: Body horror and Child death
scifi_rat's review against another edition
adventurous
emotional
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Loveable characters? Yes
4.25
Plot: 4★
Prose: 4★
Pace: 3.75★
Concept/Execution: 4★/5★
Characters: 4.5★
Worldbuilding: 4★
Ending: 4.25★
Prose: 4★
Pace: 3.75★
Concept/Execution: 4★/5★
Characters: 4.5★
Worldbuilding: 4★
Ending: 4.25★
Content Warnings
Graphic: Death, Violence, War, Blood, Body horror, Injury/Injury detail, Murder, and Self harm
Moderate: Cursing, Physical abuse, Torture, Colonisation, Grief, Kidnapping, Confinement, and Fire/Fire injury
Minor: Abandonment, Animal death, and Vomit
chris_reads's review against another edition
adventurous
mysterious
reflective
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Content Warnings
Graphic: Violence, Death, Colonisation, Injury/Injury detail, Blood, and War
Moderate: Fire/Fire injury, Genocide, and Murder
Minor: Self harm, Slavery, and Trafficking
alisonvh's review
adventurous
dark
funny
mysterious
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Not sure I should have listened to this one on audio. There’s so much world building and jumping back and forth in time that I had a hard time keeping track of the plot and all the different characters.
That said, once I got into it, I really enjoyed it. It’s fast paced, action packed, smart, and had me laughing out loud throughout the book. All things at which Martha Wells excels.
That said, once I got into it, I really enjoyed it. It’s fast paced, action packed, smart, and had me laughing out loud throughout the book. All things at which Martha Wells excels.
Content Warnings
Graphic: Violence, Injury/Injury detail, Fire/Fire injury, Kidnapping, Murder, Blood, Forced institutionalization, Death, and War
Moderate: Grief
booksthatburn's review against another edition
adventurous
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
THE WITCH KING is excellent and I had a great time reading it. The worldbuilding is nuanced and well-developed, with factions and history in a way that implies much more going on, but not getting bogged down in little details that don’t matter to this particular story. It deals with colonization and empire from the perspective of a quasi-immortal character (Kai) who has not been around forever, but has been around long enough that things which are part of his culture and history are now details that would fascinate only historians. The narrative shifts between two time periods in his life. This means that some events are mentioned before they were actually shown, but it was generally in a way that made the whole thing easier to follow. The two timelines are connected, as the main characters are trying to figure out whether the plan they were working on when they were betrayed is still salvageable.
I like the friendship between the two main characters, with zero hints of any romance. Kai is trying to figure out their next moves, piecing together what changed in the years since they were shut away. They’re stalwart companions in a way that is frustratingly rare in an opposite gender pairing of protagonists, but is very good here. I love the worldbuilding and characterization, and especially how those are intertwined in the person of the Witch King. He explains things in a way that inform the current plot points without slowing down the story. Kai's method of quasi-immortality is a neat bit of worldbuilding, one of several kinds of magic which are practiced by different groups. There's the feeling that they're all part of one world but are following different culturally-specific pathways to magic. Kai's work-around for accessing magic which should be off-limits to him helps to bolster this initial impression. I want there to be more in this world, I want more time with these characters. The story is very self-contained and, narratively speaking, doesn’t need a sequel, so I just have to read some of this author's earlier fantasy books to get what I’m looking for.
I like the friendship between the two main characters, with zero hints of any romance. Kai is trying to figure out their next moves, piecing together what changed in the years since they were shut away. They’re stalwart companions in a way that is frustratingly rare in an opposite gender pairing of protagonists, but is very good here. I love the worldbuilding and characterization, and especially how those are intertwined in the person of the Witch King. He explains things in a way that inform the current plot points without slowing down the story. Kai's method of quasi-immortality is a neat bit of worldbuilding, one of several kinds of magic which are practiced by different groups. There's the feeling that they're all part of one world but are following different culturally-specific pathways to magic. Kai's work-around for accessing magic which should be off-limits to him helps to bolster this initial impression. I want there to be more in this world, I want more time with these characters. The story is very self-contained and, narratively speaking, doesn’t need a sequel, so I just have to read some of this author's earlier fantasy books to get what I’m looking for.
Content Warnings
Moderate: Blood, Violence, Genocide, Self harm, War, Torture, Animal cruelty, Murder, Death, and Slavery
micheala's review against another edition
4.25
I did really enjoy this book, however: I think it would have been better if the two timelines were separated into their own novellas/short novels.
In the present timeline we are following Kai and Zeide as they attempt to deal with all the stuff discussed in the blurb. The past timeline is following Kai (and co.) during the historic war that set up the current political world.
I was equally interested in both timelines, however that did mean that no matter which timeline we were switching to, I didn't want the switch. And because of that feeling, plus the fact that the past timeline felt like it was mainly just being used to flesh out the worldbuilding, rather than dropping hints about the present timeline situation, I would have rather it be a duology situation.
The other main issue I had, was that the timeline itself was unclear. The blurb makes it seem like Kai has been trapped in the prison for a very long time, however you find out right at the beginning that it's only like a year. It also took a very long time to work out how long ago the past timeline was - eventually it gets referenced as being a "mortal lifetime ago", so like 60-100 years? The problem with this, was that it became very unclear on how much information people other than Kai and Zeide had about what happened during The War, which in turn made the political motivations of events hard to keep track of.
All that said, I had a great time reading it, and I wish we were getting more in this world as it has super interesting worldbuilding and characters.
In the present timeline we are following Kai and Zeide as they attempt to deal with all the stuff discussed in the blurb. The past timeline is following Kai (and co.) during the historic war that set up the current political world.
I was equally interested in both timelines, however that did mean that no matter which timeline we were switching to, I didn't want the switch. And because of that feeling, plus the fact that the past timeline felt like it was mainly just being used to flesh out the worldbuilding, rather than dropping hints about the present timeline situation, I would have rather it be a duology situation.
The other main issue I had, was that the timeline itself was unclear. The blurb makes it seem like Kai has been trapped in the prison for a very long time, however you find out right at the beginning that it's only like a year. It also took a very long time to work out how long ago the past timeline was - eventually it gets referenced as being a "mortal lifetime ago", so like 60-100 years? The problem with this, was that it became very unclear on how much information people other than Kai and Zeide had about what happened during The War, which in turn made the political motivations of events hard to keep track of.
All that said, I had a great time reading it, and I wish we were getting more in this world as it has super interesting worldbuilding and characters.
Content Warnings
Moderate: Confinement, Blood, Death, Violence, War, and Torture
Minor: Self harm, Genocide, and Slavery
laurareads87's review
adventurous
challenging
dark
hopeful
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
4.0
The Witch King is a stand-alone fantasy novel set in two timelines, both following Kaiisteron, a demon. In the earliest timeline, here positioned as a backstory, the novel follows Kai's emergence into the mortal realm into his first human body, his meeting most of the supporting characters, and his participation in an uprising. The later timeline begins with Kai awaking from imprisonment and needing to figure out who betrayed him and to what end. Both timelines are, effectively, adventure stories, complete with magic artefacts, dangerous terrains, outmaneuvering enemies, and the need to keep complicated, messy coalitions and allegiances together.
This novel does a lot of things that I love: multiple timelines used effectively, political intrigue that isn't predictable, wonderful relationship dynamics between characters. It is worth noting that this is not entry-level fantasy - Wells throws the reader into the world with a list of characters and not much else to go on, and the reader must navigate a ton of new terminology (for peoples, organizations, forms of magic, etc.) without any real guidance. The benefit of this is that there is zero 'info-dumping' here. The drawback, I think, is that it can feel a bit hard to get into at the beginning. It's worth it: when it comes together, it's wonderful.
While not the focus of the book, there are ways that gender is addressed that are worth paying attention to -- demons (at least all the ones we meet throughout the book) seem to have fixed gender identities (Kaiisteron is unambiguously 'he' throughout) but may of course occupy any and all kinds of bodies, and the different cultures in this fantasy world do (or don't) distinguish gender in different ways (ex. sometimes dress is a distinguishing factor, sometimes it isn't).
This novel is, as I understand it, written as a standalone and it absolutely works as one: it is self-contained. I will say, though, that given the depth of this world-building, I'd love to see more works by Wells set in this series, whether with this same cast of characters or otherwise.
Content warnings: violence, murder, death, injury detail, war, colonization, forcible confinement, blood, torture
This novel does a lot of things that I love: multiple timelines used effectively, political intrigue that isn't predictable, wonderful relationship dynamics between characters. It is worth noting that this is not entry-level fantasy - Wells throws the reader into the world with a list of characters and not much else to go on, and the reader must navigate a ton of new terminology (for peoples, organizations, forms of magic, etc.) without any real guidance. The benefit of this is that there is zero 'info-dumping' here. The drawback, I think, is that it can feel a bit hard to get into at the beginning. It's worth it: when it comes together, it's wonderful.
While not the focus of the book, there are ways that gender is addressed that are worth paying attention to -- demons (at least all the ones we meet throughout the book) seem to have fixed gender identities (Kaiisteron is unambiguously 'he' throughout) but may of course occupy any and all kinds of bodies, and the different cultures in this fantasy world do (or don't) distinguish gender in different ways (ex. sometimes dress is a distinguishing factor, sometimes it isn't).
This novel is, as I understand it, written as a standalone and it absolutely works as one: it is self-contained. I will say, though, that given the depth of this world-building, I'd love to see more works by Wells set in this series, whether with this same cast of characters or otherwise.
Content warnings: violence, murder, death, injury detail, war, colonization, forcible confinement, blood, torture
Content Warnings
Graphic: Colonisation, Injury/Injury detail, Confinement, Violence, War, Murder, Blood, and Torture