Reviews tagging 'Sexual violence'

The Secret History by Donna Tartt

101 reviews

emilysacharow's review against another edition

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dark emotional mysterious sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0


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_david_'s review against another edition

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challenging dark mysterious tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5

I somewhat enjoyed the book. 
I liked the niche approach of student choice: the outgoing introverted dark academia type of students of classic languages. This is a group which I can recognise in fellow students from my high school days, who coincidentally also studied classic languages. 
The plot is interesting to me. It's a very believable story of a group of people who make very bad choices which seem the easiest to them in the moment, but which have long lasting consequences.  

One thing I wish the story improved is character depth. The main character and Henry are interesting. Bunny is interesting but not very rounded. But Charles, Camilla and Francis are underdeveloped eventhough they were part of the main cast of characters. The main character's crush on Camilla also made my eyes roll. It was very over the top and often distracted from whatever she was doing. Her appearance got mentioned waaaaay too often. I'd rather have known more about her personality. 

Somewhere around the halfway point the story becomes very slow. You might have to push through long paragraphs about seemingly unimportant details. There shouldn't have been much more of it or I would've dropped the book. Speaking of Tartt's writing style: either do not mind having to look up words or be accepting of only understanding the general gist of a word/foreign sentence and moving on. 

The ending was very satisfying to me. The effect of the events in the story are different per character. I found this very interesting to read about. Something clicked when the main character described that the main cast is a group of naturally insecure people who have been taught to feel superior instead. This explains a lot of the behaviour shown.

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goldbs's review against another edition

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adventurous challenging dark emotional funny informative mysterious reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

5.0


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karenclare's review against another edition

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challenging dark mysterious tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5


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tayaingrid's review against another edition

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adventurous dark tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.25


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carefulfearanddeaddevotion's review against another edition

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dark emotional mysterious sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.75

 This book has been on my TBR for a decade, and sadly, it disappointed.

The only thing that saved this book from being a 1 star read is the writing. The scenes are well-paced, the conversations natural, the descriptions--both of location and feeling--are extremely vivid. Unlike The Goldfinch, I was able to finish this book. Like The Goldfinch, I found the characters bland and insufferable. I really just could not empathize or even sympathize with any of them. When Bunny was alive, he was bigoted and not very likeable. Once he died, I did feel bad for him, but only because I am not a psychopath and I think murdering a friend because they found out you murdered someone else is bad, actually.

I did find myself actively enjoying the book after
Julian finds out that Henry (and the whole friend group, really) killed Bunny
. Richard is finally able to see how he built up Julian and the whole group to be these perfect, aspirational people, when really they're not perfect, not at all. I could feel his panic, and his disgust, and this is when he started to feel more real, and therefore more enjoyable.

Not really that important overall, but was I actually meant to believe that he's in love with Camilla?? I'd sooner believe that he's in love with Cloke. He definitely had much more believable chemistry with all the boys in the group (or even Judy) than he did with Camilla. Just like Meredith and Oliver(?) in If We Were Villains I don't buy it, I really don't. Stop with the forced heterosexuality, stop shoving that shit down my throat. /lh

ALSO we find out that, actually, Bunny was right and Camilla and Charles ARE fucking. ewewewewewewwwwww.

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taylorc19's review against another edition

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dark reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

1.5

I think I should start with the few things I liked about this book, just to begin on a happy note. Donna Tartt is evidently a ridiculously gifted writer. Her descriptions of Vermont in the fall at the beginning of the novel are superb. She created a cast of rich characters with relatively distinct personalities. 
Now, for what I didn't like so much: 
  1. This book dragged. It took me two months to finish it, and I'm someone who usually can finish a book within a few days of opening it. I couldn't push myself to finish more than a chapter at a time. I found my eyelids growing heavy and my yawns becoming more frequent as I tried to slog my way through the dense yet uninteresting plot. This story could have been written in 300 pages. I gained absolutely nothing from the monotonous chapters of the character who died's funeral or from the search party for them. I found myself skimming through the last 40% of this book, and I wouldn't say I missed much. 
  2. Maybe I'm not made for character-heavy, low-plot books. But that brings me to my next grievance: how can you write a character-driven book and make every single character utterly vile? The only character who I found myself somewhat sympathizing with by the end was Judy, the neighbor of Richard who gossiped too much and frequently did drugs such as cocaine and meth. Could we really not give any more positive personality traits to the core six students or Julian? Camila and Charles (the twins) appear to be kind and relatively receptive towards Richard when he first joins the group, however, they spiral into a violent alcoholic (Charles) and a manipulative liar (Camila). Bunny goes from jovial and bubbly to a person who blackmails their friends and is so insecure he is driven to a mental breakdown. And, my God, don't get me started on Richard. He is possibly the most uninteresting person I have ever had the displeasure of reading about. He seems to live such a pitiful existence where all he wants is acceptance from others. With character-driven books, I feel like I have to actually care about the characters. I wish nothing but the worst for basically every single person in this book. These characters were snobby, elitist, reprehensible, borderline sociopathic criminals yet I'm still supposed to believe Richard's favorable descriptions of them?
  3. Why are we adding random bouts of incest into this book???? I don't understand what that added to any of the characters nor why it was important to the plot??? It felt included merely for the shock factor.
  4. I think this book would have benefited from switching narrators during the second half. After the murder (and I use that term rather loosely) occurs, Richard should not have been the narrator. He doesn't know what's going on at all, he isn't involved in any of the police proceedings, and he spends the last 300 pages of the book rambling in a drunken stupor about-wait for it-NOTHING! I wish we had switched narrators to Henry or even Charles. People who were actually being questioned and were actually plotting on how to get away with the murder. Henry is framed to be this psychopathic mastermind. However, we don't actually get any explanation of his thoughts after the murder, who he planned to pin it on, or how he explained virtually anything to the police. I understand it's not a police-proceedings book, but I mean, come on, give us some explanation as to how they got away with this instead of just throwaway comments at the end by a paranoid Charles. Giving us Henry's point of view would have also explained the ending more since that came out of nowhere.
  5. Why did we throw in that line about Richard having the urge to rape Camila????????????? And why did we never touch on that again??????????? 
It's strange, I read "If We Were Villians" a few years ago, and many people compare that book to "The Secret History." Critics of IWWV claim that the plot is ripped off from TSH and that TSH is worlds better. I disagree. I enjoyed IWWV far, far more than The Secret History. 
This book was dense, boring, and had no real point. Having superfluous, flowery language and rambling about Greek studies does not make for a good book! I almost DNF'd it hundreds of times while reading, but I needed to be able to say I gave it a fair shot. I wouldn't recommend it to anyone unless you enjoy reading about miserable creatures who think they're God's gift to the world. Someone please tell me what I'm missing that is so magical and life-changing about this book.
Good riddance, Hampden. I won't miss you.

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arthedgehog's review against another edition

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dark emotional mysterious sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.25


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ilsabelle's review against another edition

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challenging dark mysterious reflective tense
  • Loveable characters? Yes
  • Flaws of characters a main focus? Yes

4.25


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koiolee's review against another edition

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challenging dark mysterious reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.75

Maybe I'll up the star rating after i mull it all over. But this book was incredibly slow. Wonderful prose and addictive writing. I'm left feeling like I'm a pig trotting through mud. I'm happy, but still going so very slow. I think this book would be wonderful for people interested in classics or Greek for them to cross reference, find lil tidbits, analyze why certain paragraphs were there necessary or even what they're alluding to. Unfortunately that's not me, i did not do that and it was a fine enough read. A bit long, a bit tedious, but not a bad read at all. 

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