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hisdarkmaterials's review against another edition
2.0
JCO is NOT the author for me. I generally detest short stories as is, so I was holding out slim hope for this. I just found the stories odd and distasteful, and they weren't delivered in that wonderful creepy way King manages to do in his work...really when I read the words 'her cut', that just finished it for me. Something twisted in my gut and I could no longer enjoy any of the stories. They were well written although the copy I read had a shocking amount of typos!
rorolouisa's review against another edition
4.0
Mixed bag of stories. The last one made me feel physically ill.
hendersonj84's review against another edition
5.0
This is an excellent collection of unsettling and frightening stories. Each one has a near-perfect ending as well.
lafee's review against another edition
3.0
I was looking forward to reading another JCO after loving Foxfire a couple of years ago but this collection of short stories was underwhelming. I wonder if she just needs more room to write, as it often seemed like what might have been a good idea didn't have the space to be fleshed out properly. It all felt a bit half-arsed. I'll definitely try another of her characteristically huge books but her short stories aren't for me.
indiarosey's review against another edition
dark
sad
slow-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.0
suneaters's review against another edition
dark
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.0
I have read another Joyce Carol Oates story that will stick with me for the rest of my life. "The Corn Maiden" is probably my favorite. I was on the edge of my seat reading it, hoping that that poor girlwouldn't be sacrificed. "Fossil Figures" and "Beersheba" and "Nobody Knows My Name" were also great. By great, I mean spooky and disturbing. From a girl self-immolating after trying to sacrifice a classmate to a doctor drilling into a patient’s skull and accidentally killing her to twins being inescapably intertwined, every story is fresh and disturbing.
concertina's review against another edition
challenging
dark
emotional
reflective
sad
tense
medium-paced
4.75
jsilber42's review against another edition
3.0
The Corn Maiden and Other Nightmares is a collection of dark short stories (and one novella, "The Corn Maiden") which straddle the boundary between suspense and horror, though (with one possible exception), the horror is all of the human variety, and the usual human motivations for bad behavior (jealousy, greed, loneliness, desire, desperation) are behind it.
The titular novella, which features the kidnapping of a girl by a teenage sociopath interested in recreating a native American sacrificial ritual, is the longest and most ambitious story in the volume. Oates jumps between perspectives including the victim, the perpetrator, the perpetrator's disciples, the victim's mother, and an innocent teacher who becomes the primary suspect. She writes urgently, sometimes in staccato sentence fragments to convey panic, or in a group first person (we) to show the group-think of the perpetrator's followers. In one unusual section, she writes in alternating sentences or paragraphs contrasting the teacher and the victim.
The remaining six stories are much shorter, and generally from a single perspective. "Beersheba" is a simple revenge tale, and "Nobody Knows My Name" was an ambiguous tale of childhood jealousy. The paired stories "Fossil-Figures" and "Death-Cup" continue the sibling rivalry theme, both featuring twin brothers, one of whom is ambitious and strong and cruel, and one of whom is more sickly and passive, and shows how their paths diverge and then converge. "Fossil-Figures" is more experimental, though, with a distant, fable-like storytelling, while "Death-Cup" is much more straightforward and features well-executed slow-burn suspense. "Helping Hands" was the most delicately written story, featuring a recently widowed wife struggling to rejoin the world. Her awkwardness and desperation for human connection were almost too vividly rendered, making the story an emotionally tough read (though well-done) and making the eventual dark turn and ambiguous ending even more unpleasant and startling. The final story, "A Hole in the Head" is an effective bit of medical horror, which made me cringe more than once.
Overall, I respected Oates' writing more than I loved it, and I'm not entirely sure why. Some of the stories had an experimental feel that didn't always work for me (for example, her overuse of sentence fragments was sometimes effective but often distracting), and I felt a certain distance from her characters. Nonetheless, she is clearly a skilled writer and kept me turning the pages.
The titular novella, which features the kidnapping of a girl by a teenage sociopath interested in recreating a native American sacrificial ritual, is the longest and most ambitious story in the volume. Oates jumps between perspectives including the victim, the perpetrator, the perpetrator's disciples, the victim's mother, and an innocent teacher who becomes the primary suspect. She writes urgently, sometimes in staccato sentence fragments to convey panic, or in a group first person (we) to show the group-think of the perpetrator's followers. In one unusual section, she writes in alternating sentences or paragraphs contrasting the teacher and the victim.
The remaining six stories are much shorter, and generally from a single perspective. "Beersheba" is a simple revenge tale, and "Nobody Knows My Name" was an ambiguous tale of childhood jealousy. The paired stories "Fossil-Figures" and "Death-Cup" continue the sibling rivalry theme, both featuring twin brothers, one of whom is ambitious and strong and cruel, and one of whom is more sickly and passive, and shows how their paths diverge and then converge. "Fossil-Figures" is more experimental, though, with a distant, fable-like storytelling, while "Death-Cup" is much more straightforward and features well-executed slow-burn suspense. "Helping Hands" was the most delicately written story, featuring a recently widowed wife struggling to rejoin the world. Her awkwardness and desperation for human connection were almost too vividly rendered, making the story an emotionally tough read (though well-done) and making the eventual dark turn and ambiguous ending even more unpleasant and startling. The final story, "A Hole in the Head" is an effective bit of medical horror, which made me cringe more than once.
Overall, I respected Oates' writing more than I loved it, and I'm not entirely sure why. Some of the stories had an experimental feel that didn't always work for me (for example, her overuse of sentence fragments was sometimes effective but often distracting), and I felt a certain distance from her characters. Nonetheless, she is clearly a skilled writer and kept me turning the pages.