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nebraskanwriter's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Alcoholism, Cursing, Death, Sexual content, Vomit, Grief, Death of parent, Pregnancy, and Alcohol
dianaschmidty's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Graphic: Drug use, Toxic relationship, Gaslighting, Toxic friendship, and Alcohol
Moderate: Vomit, Grief, Death of parent, and Pregnancy
Minor: Infidelity
merlesstorys's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
This was my first Emily Henry book and honestly because the e-book was on sale, and I very much loved it. I liked the chemistry of Harriet and Wyn, their friend group and everything.
It was very easy to read and the journeys of Harriet and Wyn each and together were inspiring.
Also, gotta give love for Cleo and Kim being a functional sapphic couple whose history in this book didn’t include homophobia because I wouldn’t have been able to survive that as well. I was already crying on the train ride home because of this book.
Moderate: Drug use, Panic attacks/disorders, Terminal illness, Death of parent, Alcohol, and Injury/Injury detail
Minor: Vomit and Pregnancy
Terminal Illness means Parkinson, and Wyn’s mother has it.abbyluvsfrogs444's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Mental illness, Panic attacks/disorders, Grief, and Death of parent
Moderate: Cursing, Drug use, Sexual content, Pregnancy, and Alcohol
Minor: Vomit
jenn_reads's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Alcohol
Moderate: Death of parent
Minor: Vomit and Pregnancy
thatswhatshanread's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I know. It took a lot for me to say that but with my whole chest I must confess that after reading this one, I think no other books need to exist. I mean, literally, that’s not true, but figuratively I mean that this right here is as good as it gets.
Somehow, each of Emily Henry’s books has found me at the exact right time I needed it. Like somehow the release date always coincides with whatever existential crisis I’m having at the time. I don’t know how she does it, how her writing answers questions I didn’t even know how to ask. How my heart and mind is so deeply ingrained in her stories that I feel like she’s stolen my identity or something.
“Happy Place” feels like your own personal love language, the characters are your very best friends, the setting is that of your daydreams without even realizing it. Goosebumps with every new jolt of affable dialogue, each new description of another word for love.
Harriet—sweet Harriet—is an over-thinker, kind and charming and brilliant, and whose destiny seems to be making others at ease before herself. Wyn—handsome, careful Wyn—is self-deprecating, afraid of his goodness, earnest and loving, better than he gives himself credit for. They are magical and beautiful and full of emotion, flawed yet puzzle-piece-perfect in their yearn for each other. They are both hard on themselves, but in different ways. For different reasons. An awareness of too much self. They are two people who so obviously still care for each other, who know each other better than themselves, trying to find their way back together. They are each other’s gravitational pull. Possibly the best depiction of the forced proximity trope I’ve come across because it is so specific and makes so much sense for the storyline, for them. God, I loved every nook and cranny of their relationship.
This book is like meeting up with a close friend you don’t see very often, similar to the characters’ situation in the book: you pick up right where you left off, everything is comfortable and feels like home but also different in a new way with the passage of time, of endings and beginnings. “Happy Place” is a lot about that. Things changing and moving, though keeping enough sweet sameness that can never be taken away from an established magic.
I adored the friend group in this book. Everyone has their own developed personalities. Every relationship has its own give and pull. I wanted to live inside that summer cottage in Maine with them, soaking in the happy, breathing in the nostalgia, aching with feeling.
I really loved how this book is about finding your own happiness, and the struggle it is to actually do that. I think for a lot of people at this age, happiness seems like it has to be this concrete thing that has to be achieved a certain way. But it’s not like that. It can’t be like that. Your happiness ultimately has to be rooted in yourself, not in what you see in others, or what others think they see for you.
“Happy Place” is witty but natural, edgy but soft, sexy but delicate. Every scene, every situation is created by Henry but doesn’t feel made up, not really. This is actually happening, people have likely experienced this in real life, everyday.
Books like this are the definition of sentimental, if a book you’ve never read before can be. I think it can—it’s happened every time I’ve read a book written by my favorite author, aka Emily Henry.
Graphic: Chronic illness, Cursing, Death, Mental illness, Panic attacks/disorders, Sexual content, Terminal illness, Grief, Death of parent, and Alcohol
Moderate: Confinement, Drug use, and Medical content
Minor: Infidelity, Vomit, Car accident, Pregnancy, Injury/Injury detail, and Classism
theespressoedition's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Drug use, Sexual content, Grief, Death of parent, and Alcohol
Moderate: Cursing, Mental illness, Toxic relationship, Vomit, and Toxic friendship
Minor: Pregnancy
kfmcf's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
I don't know what the focus of this book was. Was it Wyn & Harriet's relationship? Was it the evolution of Harriet's friend group? Was it Harriet's struggles with her family and career? I don't know. And I think each of then suffered.
Tbh - I think Harriet's problems wirh her parents and her job were superficial and bogged down the last few chapters of the book.
In regards to her friends - I wanted more from them. Why did they all fall in platonic love with each other and what made the relationship so magical? I was hoping for something like Nora and Libby's connection in Book Lovers. Yes they're sisters, but these girls always say that they're family and I feel that it is equally important to them as characters.
Finally, Harriet and Wyn. Their break up felt very based in realism as to why they called things off (cheating assumption aside that was a bit trite). But...I didnt...really feel that pull between them that I felt in PWMOV or Beach Read. Those are both characters who have known each other for many many years but with this one...I didn't really understand why Harriet loved him. It DID feel like she had outgrown who she was with him and with the amount that he said he was "happy now" - I...kind of didn't want to see them back together. This HEA felt forced in many ways and that broke my heart as much as the story did.
There was also SO much of the miscommunication trope throughout all parts of the story that I did want to grab the characters by their shoulders and shake them. I am a believer that the miscommunication trope is thrown around more than it should be - but this was true miscommunication. And it did all come to a boiling point ABOUT not talking to each other (friends AND lovers) but it was mind boggling.
All this to say - but the book was still very good. I don't need everything she writes to be PYMOV (a masterpiece imo) or be humorous or lighthearted or what have you. I think this book didn't need the dual timelines and the sprinkling of flashbacks were more effective. BUT again, I still barreled through this book in a day and it is still taking up space in my brain.
Graphic: Grief and Death of parent
Moderate: Mental illness, Sexual content, Pregnancy, and Alcohol
Minor: Infidelity, Toxic relationship, Vomit, Medical content, and Toxic friendship
purplepenning's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
3.75
Graphic: Alcohol
Moderate: Cursing and Drug use
Minor: Chronic illness, Mental illness, Sexual content, Vomit, Death of parent, and Pregnancy
uranaishi's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.75
Graphic: Sexual content and Alcohol
Moderate: Chronic illness, Confinement, Death, Drug use, Grief, Death of parent, and Classism
Minor: Infidelity, Mental illness, Vomit, Medical content, Pregnancy, and Fire/Fire injury