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sas_lk's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Graphic: Death, Violence, Sexism, and Animal death
Moderate: Sexual content and War
Minor: Rape, Vomit, and Slavery
wordsofclover's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
5.0
Moderate: Animal death, War, Violence, and Death
basil_touche's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25
There were some things that I felt were too quickly explained and others where I wished there were more details about but overall this is a fine conclusion to the triology.
Graphic: Blood, Torture, Suicidal thoughts, Sexism, War, Death, Sexual assault, Misogyny, Animal death, Fire/Fire injury, Grief, Murder, Physical abuse, Religious bigotry, Suicide, Violence, and Vomit
Moderate: Sexual content, Gore, Pregnancy, Panic attacks/disorders, and Xenophobia
micallab's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
Graphic: Animal death, Violence, Blood, and War
Moderate: Sexual content
Minor: Torture and Vomit
kaiyakaiyo's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.0
There was a lot of suffering in this book! Some of it was gratuitous, but overall I really like when fantasy doesn’t gloss over how fucking disgusting and dreary life could be in these historical settings. Battle half-planned half-freestyle, mud everywhere, cold as fuck, and everything sucks until the fight is over; it felt more accurate than if Vasya had ridden up in shiny armor with the perfect plan and giant allies. Still have complaints about the heavy-handed sexual assault & harassment throughout these books as an attempt at “historical accuracy” but … whatever
My biggest complaint that took this down a full star: The Bear actually liking Konstantin was… weird. I don’t love retroactive queering of villains, and this iteration of it felt especially shoehorned and strange. The author could have easily written in a few queer monks or cheyrti if they were that anxious to inject queerness after like 600+ pages of het-fest… loads of potential material given how willing they were to bend and freestyle mythology… Having the murderous mentally ill monk with a fetish for harming women he desires and the giant chaos bear that literally possessed and assaulted said monk be lightly gay for each other was ill-timed and ill-chosen. Don’t get me wrong, I live for queerness in historical fantasy but i thought we’d long ago established that throwing a little fruit into abusive, horrible villain characters was not an okay way to add diversity…
Graphic: Blood, War, Death, Violence, and Misogyny
Moderate: Torture, Sexual harassment, Religious bigotry, Toxic friendship, Grief, and Toxic relationship
Minor: Vomit
olma's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.0
Graphic: Blood, War, and Death
roxyline's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
4.75
Graphic: Violence and War
emtees's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
In The Girl in the Tower, Vasilisa Petrovna saved Moscow and its Grand Prince, Dmitrii Ivanovich, from the Tartar invasion and the scheming of the sorcerer Kasyan Lutovich. But in the process, she was revealed to be a witch and she almost got the city burned to the ground. Thanks to her recklessness and mistakes, her old enemy, the mad priest Konstantin, is able to rouse the people of Moscow against her, and to escape being burned to death, Vasya is forced to flee to the lands of Midnight, a sort of world-between-worlds. There, she finds out the truth about her family’s mysterious heritage and learns that, by rejecting the offers of both Morozko the Winter King and his brother, Medved the Bear, she has set herself up as a third power in their eternal war. Whoever she sides with will have a huge advantage, but some of the chyerti, the Russian folk spirts, believe that Vasya should forge her own third path, not just for herself but for them. Meanwhile, back in Moscow, Vasya’s disgraced brother, the warrior monk Sasha, is fighting to protect the Rus from the growing Tartar threat. It is a war that will eventually require the help of all Russians: Christian and pagan, human and chyerti.
This book went in all kinds of directions that I wasn’t expecting. It had all the strengths of the previous books in the series - interesting magic, good use of Russian folklore and history, a main character who is complicated and makes lots of mistakes but is easy to root for, unconventional romance alongside a lot of important non-romantic relationships - but it took the series up a step with the twists and the themes it was exploring. I was a little confused when I got halfway through and it seemed the main plotline had been resolved, but instead, Arden introduced new threats and a lot more moral ambiguity. Vasya’s destiny was not what she thought it was; instead it was something a lot messier and more painful, but also better for both her and her people, Russian and chyerti. Her relationship with Morozko in this book was really strong and interesting; I took a while to care about them in the earlier books in the series but this time I was definitely rooting for them. And I continue to really love her sibling bonds with Sasha and Olga. The book also introduced a couple new characters; my favorite was Ded Grib, the mushroom chyerti, who may be small and of limited skill but is really proud of being Vasya’s first follower.
This book was the most emotional of the three. There were some painful deaths (
The book ends with an author’s note that explains the aspects of Russian history that Arden used in the series, which enhanced my appreciation for the series.
There were a few minor things in the book didn't work for me, mainly in the revelations about Vasya's family, which were paced oddly and didn't end up seeming as important as they were set up to be. But overall I loved this series and especially this very satisfying conclusion.
Moderate: War, Death, Injury/Injury detail, and Animal death
simp_librarian's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Graphic: Animal death, Suicidal thoughts, and Murder
Moderate: Sexism, War, and Violence
happy_book's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
Graphic: Animal death, Death, and War