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valiiidus's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.75
Graphic: Abandonment, Animal death, Religious bigotry, Racism, Death, and Racial slurs
Moderate: Alcohol, Blood, and Grief
sunlit_music's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Themes of racism and classism: Allison Saft examines the harm done by racism and classism with thoughtfulness and empathy, through Wes' and Margaret's eyes. Wes experiences racism for being a Banvishman, and Margaret has suffered racism for being Yuadir, and lives a solitary life for her own safety, to avoid harassment and violence.
Wes has also suffered classism for being working class, and this is handled well, with realism and compassion.
Disability representation: The author also writes about Wes's struggles in finding work due to his dyslexia with tact and understanding. Reading those passages moved me to tears (in a good way).
The romance: Wes' and Margaret's romance is beautifully touching and sweet, and makes a lot of sense. They complement each other's strengths and weaknesses, and help each other become braver, kinder, better people. The more Wes comes to understand Margaret, the more he finds her beautiful on the outside and the inside, which also rang true to me.
The plot: The plot makes sense and is unique and interesting enough to hold my attention. Wes and Margaret enter a hunting competition to find the last mythical and magical fox, the Hala - to stop it from destroying crops and killing people and animals. The prize money for winning the hunt will be enough to help Wes achieve his dreams of becoming a politician so he can make things better for poor people and his own family. Margaret wants to win the hunt in order to bring her mother home. Together, Wes and Margaret team up to help each other - and end up falling in love.
Pacing: the plot moves at a medium pace. The parts on the hunt are fast paced, and the action definitely speeds up a lot near the end. Pacing never feels too slow or too rushed, I always felt so invested in the story I didn't notice how much time had passed, and that is how you know you're reading an excellent book. When I listened to the audiobook, I always look forward to it, and never lost attention or focus.
Prose: the prose is gorgeous and magnetic, and reads like poetry. I mean that in the best possible way. Prose in the book makes the setting come to life, and the forest feels like a living, breathing entity, while the Hala fox feels like a monster out of a nightmare. The descriptions where Wes and Margaret slowly come to realise they love each other are so touching and achingly lovely, they feel like real people.
Characterisation: All characters in the book are realistic, and Wes and Margaret experience so much character growth - especially Wes! Wes grows more mature and understanding as the book goes on, and Margaret learns to open up emotionally and to trust people. I was so happy when Margaret found acceptance and familial platonic love with Wes's family, along with romantic love with Wes.
Ending: The ending is optimistic, and feels hard earned and uplifting.
I definitely recommend this book, and look forward to reading more books from the author. :)
Moderate: Violence, Abandonment, Animal death, Grief, and Racism
Minor: Classism
campisforever's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
3.75
Moderate: Classism, Gaslighting, Gun violence, Animal cruelty, Racism, Religious bigotry, Abandonment, Animal death, Antisemitism, Blood, Bullying, Child abuse, Emotional abuse, Gore, Hate crime, Panic attacks/disorders, Racial slurs, and Xenophobia
meliroo's review against another edition
3.25
Graphic: Animal death, Racism, Blood, Bullying, Gore, and Hate crime
katievallin's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Graphic: Animal death, Confinement, Hate crime, Injury/Injury detail, Racial slurs, Sexual content, Alcohol, Blood, Bullying, Gaslighting, Religious bigotry, Violence, Cursing, Emotional abuse, Gun violence, Mental illness, Panic attacks/disorders, and Racism
Minor: Child death, Colonisation, and Death of parent
beautifulpaxielreads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Graphic: Animal cruelty, Emotional abuse, Mental illness, Alcohol, Injury/Injury detail, Racism, Abandonment, and Religious bigotry
Moderate: Body horror, Death, Grief, Gun violence, Sexual content, Racial slurs, Antisemitism, Violence, Xenophobia, Blood, and Child death
Minor: War
Anti-Irish sentiments expressed.prynne31's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.75
Graphic: Racism
Moderate: Sexual content and Abandonment
booksthatburn's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
The narration is split between Wes and Maggie, and the balance is good. I like them both as narrators. This is definitely a place where the audiobook shines, as the audiobook narrator gives them distinct voices which fit the way their tone is described by the text.
Maggie's relationship with her (currently absent) mother looms large. The reasons for her mother's absence and obsession with alchemy is gradually unfurled as Maggie gets to know Wes and begins to fall for him. Wes's relationships with his sisters and mother are also very important to the story, but as a mostly positive influence. I like Wes's family, they're pretty great and I enjoyed his rapport with them. Maggie's mother is an excellent character and a pretty frustrating person. It takes Maggie a very long time to be able to recognize her mother's treatment of her as neglect and emotional abuse, with Wes calling it out long before Maggie is ready to deal with it on those terms.
The romance is a very slow burn. I've read slower, but only in books longer than this one. Maggie and Wes are great together, but first they have to get out of their own way about a lot of things. Maggie's anxiety felt realistic, and the romance isn't treated as a cure for it.
The worldbuilding is gradual in terms of character backgrounds, but pretty immediate for the town of Wickdon and the manor where Maggie lives. Maggie's background is definitely meant to be that she's this universe's version of half-Jewish, something that's more shown through the particularities of the bigotry against her more than its shown through any cultural or religious practices that I picked up on. She mentions a few things about her father, and most of the cultural touchstones I could recognize happened when she's thinking about him or talking about something he taught her. Wes is some version of Catholic, as best as I can tell, and the bigotry against him echoes the bits of anti-Irish and anti-Catholic bigotry that I'm aware of as someone who isn't Irish, Catholic, nor Jewish. A major part of Wes's storyline is about figuring out how to navigate the sea of local bigotry which Maggie has grown up in, informed by how he's used to handling it back home. It's very much about him and Maggie figuring out to exist together and what to do about their feelings for each other, but having to deal with bigots is a huge part of the narrative. I'm not in a position to say whether it was done well on a larger level, but I like how it worked in the story and I'm very pleased with how things turn out.
The narration is chock-full of metaphors, usually but not always similes. I didn't mind it, but by the end I was wondering if the characters were going to run out of ways that the color of each other's eyes could be like an entirely different substance, usually a pleasing food or drink. It's done well, I think, but I was starting to notice it each time as I got closer to finishing the story.
I was pleasantly surprised by the pacing. It's several weeks before the hunt begins, and the hunt itself plays out over several weeks because of various ceremonial and preparatory stages. I like the plot and I love the ending.
Graphic: Emotional abuse, Animal death, Antisemitism, Sexual content, Religious bigotry, Panic attacks/disorders, and Injury/Injury detail
Moderate: Racism, Alcohol, Death, and Xenophobia
Minor: Child death and Death of parent
lillianreadsalot's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.75
Graphic: Animal death, Racism, Blood, Antisemitism, Abandonment, Emotional abuse, Xenophobia, and Child abuse
alite428's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Moderate: Animal death, Antisemitism, Abandonment, Religious bigotry, Animal cruelty, Racism, and Blood
Minor: Sexual content