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bea_reads_books's review
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.0
Moderate: Bullying, Child abuse, Deadnaming, Panic attacks/disorders, Blood, Police brutality, Death of parent, Fire/Fire injury, and Classism
Minor: Drug use, Genocide, Hate crime, Transphobia, and Abandonment
bookcheshirecat's review
2.5
“I am not the golden goose. I am more like an actual goose, hissing and honking and attacking small children who just want to give me bread.”
➽ I finally ended up reading The Witch King! I've had this book on my TBR for so long. The story follows Wyatt, a witch who ended up fleeing his arranged engagement and is now hiding in the human world. After his fiance finds him, he's forced to go back to the Fae, who treat his kind like outcasts. I liked the general idea of this setup so much that this book made it on to my anticipated releases list. There was potential in this story, especially as it discusses Wyatt's feeling of being other both as a witch and a trans boy who doesn't fit into the rigid bioessential expectations of the fae. While he was messy, I liked him for the most part, as he was the most interesting character in the story! Unfortunately, I didn't end up liking much else about The Witch King, which was a big disappointment for me!
➽ The romance didn't work for me at all. It's a soulbond, arranged (more like forced) marriage type of relationship which can always be a hit or miss. I didn't like how it was executed here and thought that Emyr's and Wyatt's relationship was unhealthy. They weren't good for each other, something the story even somewhat acknowledged, but in the end, it's what 'makes them perfect for each other'. The beginning of the story is already iffy as it consists of Emyr hunting down Wyatt and forcing him to come back to the Fae to fulfil the marriage. He threatens and blackmails Wyatt, so he doesn't have much of a choice as Emyr promises to keep hunting him down if he flees. The way he talked about Wyatt like he was a pawn was so uncomfortable. He's literally like 'because I might lose the throne, you have to marry me and carry my babies' without considering if this is what Wyatt wants, especially now that he has come out as trans. Emyr immediately makes a bad impression with how he decides everything for Wyatt and then has the gall to say that Wyatt came willingly. He was trying too hard to absolve himself of any lingering guilt by insisting Wyatt find happiness with the Fae.
➽ It was so icky how he kept saying he wouldn't let Wyatt go (so he's basically a prisoner) and use their marriage contract against him. It didn't help that the contract kills whoever breaks it. The whole situation was so iffy and uncomfortable. How am I supposed to root for Emyr as a love interest when he manipulates Wyatt into fulfilling the marriage and point-blank admits to killing him if he attempts to escape? The fact that Emyr has a one-sided soul bond with Wyatt was even worse. Their meant to be the perfect genetic match, but Wyatt can't even feel the bond, so it's just strange. The second half of the story wasn't as bad, because we learn more about Emyr and he stops being so overbearing. However, it was difficult to reconcile his earlier actions and believe he genuinely cared about Wyatt beyond the bond. Everything was just too messy for me and I wish the author had deconstructed the soulmates trope!
➽ I didn't get along with the writing style. It utilized too much modern slang, including memes and phrases that sound like they come straight from a Tumblr post. I enjoy pop-culture references and the occasional modern slang, especially in an Urban Fantasy book. However, the Witch King was oversaturated with these kinds of references to the point that it made me cringe. The writing itself could have been much better if it hadn't tried so hard to sound cool.
➽ I also wasn't invested in the plot itself. I appreciated the discussion of many real-life issues, coupled with the in-universe discrimination of witches. However, everything was so heavy-handed and lacked any subtlety. I wish the author had trusted the readers to understand what was being said. Unfortunately, the book ended up sounding preachy instead and I think it would have been better if it had focused on fewer topics but then done so more in-depth. There was definitely potential in the Witch King, but combined with the writing, it missed the mark.
Graphic: Deadnaming, Sexism, Transphobia, Violence, Murder, Fire/Fire injury, Sexual harassment, and Classism
Minor: Police brutality, Dysphoria, and War
az13's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Genocide, Sexual assault, and Slavery
Moderate: Body shaming, Bullying, Deadnaming, and Domestic abuse
nightshaderoots's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Body horror, Cursing, Death, Drug use, Gore, Panic attacks/disorders, Physical abuse, Suicidal thoughts, Transphobia, Violence, Blood, Death of parent, Murder, Fire/Fire injury, Abandonment, Dysphoria, War, and Injury/Injury detail
Moderate: Deadnaming, Sexual content, and Vomit
Minor: Sexual assault and Sexual violence
wardenred's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.5
I am not the golden goose. I am more like an actual goose, hissing and honking and attacking small children who just want to give me bread.
Damn. This was so promising! That in media res opening really hooked me, and also, I listened to this one as an audiobook and the narrator did such a good job with the angry, self-deprecating POV character’s voice. A book with a trans MC, found family, angrily dealing with trauma, standing up to oppression, and deconstructing the fated mates trope sounded amazing. But alas, the further I got into it, the more I felt like the execution of the novel didn’t live up to its amazing potential.
Honestly, this felt very much like an early draft in need of editing. There are numerous sections that read like they were written only as means of figuring out what comes next. Plenty of characters have the exact same shrugging, lip-biting, fangs-gnashing mannerisms. The MC regularly pauses in the middle of dialogue and action to contemplate a bunch of stuff and go off tangent, to the point that I genuinely kept forgetting where the current scene was taking place or what was even happening in it by the time he stopped with the musings. The worldbuilding is full of holes, and the way the fae society functions is more just… a vague collection of ideas that need a lot of thinking through. There was really no need to explicitly spell out that the witches’ position in the fae society is a metaphor for trans/queer kids in the real world. The magic system is all over the place and doesn’t stick to its own rules. All in all, the book feels like someone excitedly telling themself or their closest friends a story, occasionally pausing to insert their own strong opinions in the style of a viral Tumblr post. Which is a perfectly valid state for a book to be in! But, uh, maybe some of this should be fixed before publication.
There *are* things here that I found consistently interesting and promising, but I kept thinking of ways to fix the execution more than I was thinking about the story. Like, we have this premise: Wyatt escaped to the human world years before the book starts, now he’s getting dragged back by his fae prince fated mate. Once there, he gets a proposal from the villain whose beliefs clearly go against Wyatt’s own: make everyone hate you so that the wedding never happens, which would weaken the prince’s position and strengthen the villain. Wyatt wants to go back to the human world and also wants to cause chaos, so he agrees, and some shenanigans do follow—except they feel more like a series of loosely connected vignettes than a plot. Yeah, he does some chaotic stuff. The results of it get promptly fixed with magic, and no one’s opinion on Wyatt or the impending wedding changes much. He doesn’t have any real plans to meet his goal, he just wonders around the plot and makes intentional bad decisions.
Then we’ve got Briar, his best friend from the human world whose parents kind of adopted Wyatt in the backstory. When Emyr appears to drag Wyatt back to Asalin, she allegedly follows because she wants to help Wyatt with his goal of NOT marrying Emyr. But once they’re there, she’s just running around excitedly learning about the new world and nods along whenever the locals talk about Wyatt’s future marriage like it’s set in stone. Does anyone here know how to have consistent agendas??? Though she’s still a way better friend to Wyatt than he is to her.
Speaking of Briar and her parents, I’ve got a lot of questions to them. It was very nice of Briar’s mom to pick up a lonely struggling teen in a library and bring him home (I keep wondering how the family sorted out the legalities around it all, but okay, maybe Wyatt legitimately doesn’t care and doesn’t know). But it sounds like the family just literally tossed this teen into a room with their own teenage daughter and left it up to her to put him together, help him figure himself out, have a short-lived romance with him, become his codependent best friend, try to, in her own words, “be everything he needs her to be,“ etc, etc. Oh, and then they just let the two of them wander off with some winged, horned stranger. I have questions for these adult people. Big questions. Are they even characters, or are they just plot devices existing to make Wyatt and Briar’s story possible?
And the trouble here is, it could be a very good book! Such a good book! There’s SO MUCH potential here if only it got polished. I really loved all the poking at the fated mates trope—some of those moments were the most subtly done, leaving the reader to draw their own conclusions, and I really liked how those were written. I liked Wyatt as a character, if not as a person; honestly, his unapologetic, unreserved anger at the trauma he’s faced was refreshing. I liked where his storylines with Emyr and Briar were going, although a lot more was fumbled by the execution here. I liked a lot of the rep. But honestly, if it wasn’t for the audiobook’s narrator being so thoroughly entertaining, I would have DNFed this halfway at best.
Graphic: Death, Xenophobia, Death of parent, and Fire/Fire injury
Moderate: Child abuse, Deadnaming, Sexual assault, and Transphobia
Minor: Infertility and Miscarriage
chase0w0's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Graphic: Child abuse, Child death, Confinement, Death, Xenophobia, Kidnapping, Murder, Fire/Fire injury, Abandonment, and Classism
Moderate: Deadnaming, Drug abuse, Drug use, Gore, Panic attacks/disorders, Sexual violence, Transphobia, and Violence
Minor: Genocide, Hate crime, and War
jennireadsmaybe's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
A queer normative fae world is the most powerful aspect of The Witch King, because so much of fae fantasy romance revolves around cishet fated mates. Wyatt is unapologetically trans and not falling for the pressure to become the baby-making mate the kingdom needs him to be. I loved everything about it!!
I'm excited to see what's to come in the second book after where things left off.
This book is perfect for anyone looking for queer fantasy, messy and chaotic trans/queer characters, and just a funny time.
Graphic: Death, Violence, and Fire/Fire injury
Moderate: Deadnaming, Sexual assault, and Transphobia
Minor: Child abuse
bohemianhermit04's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Moderate: Body horror, Child abuse, Emotional abuse, Violence, Blood, Vomit, Death of parent, Murder, and Fire/Fire injury
Minor: Deadnaming, Genocide, Sexual assault, Sexual content, Toxic relationship, Alcohol, and Colonisation
asahome's review against another edition
3.5
Graphic: Fire/Fire injury
Moderate: Deadnaming, Gore, Racism, Violence, Death of parent, Abandonment, Colonisation, and Classism
Minor: Cursing, Drug use, Infertility, Miscarriage, Sexual assault, Sexual content, Suicidal thoughts, Toxic relationship, Vomit, Pregnancy, Toxic friendship, and Sexual harassment
saracat's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Despite all of Wyatt's flaws, there is almost never a moment I was not on his side. All decisions he made that from the outside were bad, could be understood based on how he'd been treated in the past and how he continued to be treated by others. This is not to say that Wyatt doesn't have responsibility for his actions, but the reasoning behind them makes sense. And really, when someone is so violently backed into a corner, it shouldn't be a surprise if they lash out.
Watching the evolution of Wyatt as an individual and his relationship with those around him really pulled at my heart so often. I cannot wait to start the next book in this duology.
Moderate: Deadnaming, Death, Racism, Sexual content, Transphobia, and Violence
Minor: Sexual assault
The 'racism' is not between humans, but from the fae towards the witches.