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3.72 AVERAGE
3.72 AVERAGE
For a book that didn't really make me feel much while reading it, I certainly have a lot of feelings about it post-read.
I don't shy away from dark themes in fiction by any means, and I was more than excited to read a book with a trope that I have come to enjoy. The problem that arises with this book - one that is going to sound counterintuitive, but hear me out - is that I'm left utterly confused as to why I should feel any empathy for Ty.
As the narrative is all from Gemma's perspective, Christopher attempts to muddy our own views on Ty, forcing us to attempt to morally justify his actions in one breath and condemning them in the next. However, I felt as though the reader was not given enough time to emotionally invest ourselves into Ty and Gemma's plight at all. The pacing was incredibly slow, which I normally prefer, but the writing just felt so...lacking? Whatever it was, I just felt bored out of my mind rather than on the edge of my seat waiting to see what happened next.
This also brings me to my next issue: the genre. This was marketed as a romance book with a certain, though not explicitly stated theme of Stockholm Syndrome. Instead, it felt more akin to a thriller which was too scared to fully delve into that genre headfirst and instead teetering on some weird middle ground. The more "romantic" scenes and the subtext start after the 100 page mark, but the narrative before this was so uneventful and lacking in substance that it felt like it came out of nowhere. It also doesn't give the reader enough time to properly digest the switch between what was setting itself up to be a straight thriller and now attempting to be some weird psychologically twisted romance...yet lacking in both respects.
As stated before, both of these culminate back to my biggest issue: Ty. Gemma is bland, don't get me wrong, but Ty's character just stuck out to me with how strange it was. It felt like Christopher really wanted a part of ourselves to sympathize with him, even to the very last page. I understood why Christopher wanted us to feel this way as she wanted the reader's emotions to mirror Gemma's own conflictions, but aside from the kidnapping aspect, the biggest unspoken issue with this is that Ty is a literal pedophile.
This is definitely going to cause some people to disagree with me, but there is no doubt in my mind that Ty is a pedophile (or at least exhibited pedophilic/predatory behavior), no matter how Christopher tried to justify their age gap or what her original intentions were. Here are some quotes straight from the camel's horse's mouth:
"You chewed on the corner of your thumb. 'It's amazing what living on the streets in a city can do.' You bit off a piece of your nail and spat it aside. 'Anyway, you were a child then; I'd look old to you regardless, even if I was barely an adult myself.'
I wiped my palms over my T-shirt. Every part of me felt clammy. You noticed, but you kept going anyway, enjoying my confusion . . .
. . . 'You're sick,' I hissed. 'You were obsessed with a ten-year-old girl, then abducted her six years later? What kind of freak . . . ?'" (Christopher, 104-105)
Then later, Christopher seems to try and justify these actions as being "protective" or something by revealing that Ty actually protected Gemma from a guy who attempted to SA her in the past...and that's actually when he fell in love with her!
"'And in case you were wondering,' you began softly, ' . . . that was the moment.'
'What moment?'
'The moment I first knew I wanted you . . . the moment I knew I had to bring you here. Not when you were ten - that night. From then on, this was all geared towards you. I worked harder to make sure it was finished, trying to rescue you as quickly as I could.'" (Christopher, 151)
Like...okay? He's still a creep? Just because Ty protected her from a creep doesn't suddenly make him not weird and predatory for stalking a literal child for years. Again, I'm not saying you can't explore these themes in what's supposed to be a darker book, but I just don't feel these topics were covered with the care they needed to be.
I really don't think this should have been marketed as a YA romance. If anything, it could have been an interesting YA thriller, but it doesn't seem to meet the criteria. The pacing is slow, the characters are one-dimensional and boring, and while I did enjoy some of the worldbuilding and scenery descriptions, it really could not save the book. If anything, the only thing I felt emotionally connected to in this book was the camel who I still miss dearly.
If you want to read a GREAT book with a similar "guy kidnaps girl" plot, check out [b:The Collector|243705|The Collector|John Fowles|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1394828024l/243705._SY75_.jpg|1816452] by [a:John Fowles|10039|John Fowles|https://images.gr-assets.com/authors/1486678092p2/10039.jpg]. That is an amazing novel which handles this exact trope with great class, and then some.
I don't shy away from dark themes in fiction by any means, and I was more than excited to read a book with a trope that I have come to enjoy. The problem that arises with this book - one that is going to sound counterintuitive, but hear me out - is that I'm left utterly confused as to why I should feel any empathy for Ty.
As the narrative is all from Gemma's perspective, Christopher attempts to muddy our own views on Ty, forcing us to attempt to morally justify his actions in one breath and condemning them in the next. However, I felt as though the reader was not given enough time to emotionally invest ourselves into Ty and Gemma's plight at all. The pacing was incredibly slow, which I normally prefer, but the writing just felt so...lacking? Whatever it was, I just felt bored out of my mind rather than on the edge of my seat waiting to see what happened next.
This also brings me to my next issue: the genre. This was marketed as a romance book with a certain, though not explicitly stated theme of Stockholm Syndrome. Instead, it felt more akin to a thriller which was too scared to fully delve into that genre headfirst and instead teetering on some weird middle ground. The more "romantic" scenes and the subtext start after the 100 page mark, but the narrative before this was so uneventful and lacking in substance that it felt like it came out of nowhere. It also doesn't give the reader enough time to properly digest the switch between what was setting itself up to be a straight thriller and now attempting to be some weird psychologically twisted romance...yet lacking in both respects.
As stated before, both of these culminate back to my biggest issue: Ty. Gemma is bland, don't get me wrong, but Ty's character just stuck out to me with how strange it was. It felt like Christopher really wanted a part of ourselves to sympathize with him, even to the very last page. I understood why Christopher wanted us to feel this way as she wanted the reader's emotions to mirror Gemma's own conflictions, but aside from the kidnapping aspect, the biggest unspoken issue with this is that Ty is a literal pedophile.
This is definitely going to cause some people to disagree with me, but there is no doubt in my mind that Ty is a pedophile (or at least exhibited pedophilic/predatory behavior), no matter how Christopher tried to justify their age gap or what her original intentions were. Here are some quotes straight from the
"You chewed on the corner of your thumb. 'It's amazing what living on the streets in a city can do.' You bit off a piece of your nail and spat it aside. 'Anyway, you were a child then; I'd look old to you regardless, even if I was barely an adult myself.'
I wiped my palms over my T-shirt. Every part of me felt clammy. You noticed, but you kept going anyway, enjoying my confusion . . .
. . . 'You're sick,' I hissed. 'You were obsessed with a ten-year-old girl, then abducted her six years later? What kind of freak . . . ?'" (Christopher, 104-105)
Then later, Christopher seems to try and justify these actions as being "protective" or something by revealing that Ty actually protected Gemma from a guy who attempted to SA her in the past...and that's actually when he fell in love with her!
"'And in case you were wondering,' you began softly, ' . . . that was the moment.'
'What moment?'
'The moment I first knew I wanted you . . . the moment I knew I had to bring you here. Not when you were ten - that night. From then on, this was all geared towards you. I worked harder to make sure it was finished, trying to rescue you as quickly as I could.'" (Christopher, 151)
Like...okay? He's still a creep? Just because Ty protected her from a creep doesn't suddenly make him not weird and predatory for stalking a literal child for years. Again, I'm not saying you can't explore these themes in what's supposed to be a darker book, but I just don't feel these topics were covered with the care they needed to be.
I really don't think this should have been marketed as a YA romance. If anything, it could have been an interesting YA thriller, but it doesn't seem to meet the criteria. The pacing is slow, the characters are one-dimensional and boring, and while I did enjoy some of the worldbuilding and scenery descriptions, it really could not save the book. If anything, the only thing I felt emotionally connected to in this book was the camel who I still miss dearly.
If you want to read a GREAT book with a similar "guy kidnaps girl" plot, check out [b:The Collector|243705|The Collector|John Fowles|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1394828024l/243705._SY75_.jpg|1816452] by [a:John Fowles|10039|John Fowles|https://images.gr-assets.com/authors/1486678092p2/10039.jpg]. That is an amazing novel which handles this exact trope with great class, and then some.
Again...I'm not REALLY finished with this book. But I'm just finished reading it. If that makes any sense. And I don't think I'm gonna rate this book either, since there is a chance that I will one day pick this book up. Because it wasn't entirely dumb or boring. It's about this stupid British girl named Gemma(how do you pronounce that? Like a 'j' or an actual 'g'). Anyway, I didn't like her name. So...she's at the airport being a brat with her parents and she goes and gets some coffee(note: she's like...16?). And then this guy is like eying and he comes up behind her and pays for her coffee because she doesn't have the right kind of money. Right. So he puts 'sugar' and 'cream' into her drink while she finds a seat and...guess what? When she drinks it, it turns out that it wasn't 'sugar' and 'cream'! He drugged her! Oh gosh(sarcastically). Somehow, he(this creep named Ty) talks her into going to Australia(not that she can really argue)...and she ends up getting on a plane(s) and ends up in Australia. And then she learns to like him and blah blah.
The thing is, I could see that plot coming miles away. I mean, Ty is like this attractive looking 20 year old or something, who's in love with her or something. And this Gemma girl is like 16, so of course SOMETHINg's gonna happen. Sigh...I just wish that she hadn't spent so much time talking about how everything looked. I know that's the point of the story. But still...it was annoying anyway. Oh, and it was written in letter form(obviously), which means that it was in second person(i.e. 'you are' 'you did'). I guess that was okay but...I don't know. Overall, it wasn't a bad book(at least the half I read) but it had a few problems(that, and it was due at the library).
~After finally REALLY finishing this darn book~
(July, 2011)
Okay, so now I'm rating this book, because I actually honestly finished it. It was rough. I've been reading it since April for gosh sakes. APRIL! While I liked Ty and Gemma as characters and even thought that Ty's passion for the desert was cute and all, it just didn't do it for me.
I think the description of scenery and the fact that it was in 2nd person threw me off. And I just now realized how really much older Ty is than Gemma(however you say her darn name). Nine years! So she's 15 and he's a bout 24. Wow....
Anyway, to put it shortly, I didn't HATE this book as much as I thought I did. In fact, I read the last 100 pages in about five hours. But overall, it wasn't very captivating until the end (and parts of the beginning), and by then I just wanted to finish the darn thing.
The thing is, I could see that plot coming miles away. I mean, Ty is like this attractive looking 20 year old or something, who's in love with her or something. And this Gemma girl is like 16, so of course SOMETHINg's gonna happen. Sigh...I just wish that she hadn't spent so much time talking about how everything looked. I know that's the point of the story. But still...it was annoying anyway. Oh, and it was written in letter form(obviously), which means that it was in second person(i.e. 'you are' 'you did'). I guess that was okay but...I don't know. Overall, it wasn't a bad book(at least the half I read) but it had a few problems(that, and it was due at the library).
~After finally REALLY finishing this darn book~
(July, 2011)
Okay, so now I'm rating this book, because I actually honestly finished it. It was rough. I've been reading it since April for gosh sakes. APRIL! While I liked Ty and Gemma as characters and even thought that Ty's passion for the desert was cute and all, it just didn't do it for me.
I think the description of scenery and the fact that it was in 2nd person threw me off. And I just now realized how really much older Ty is than Gemma(however you say her darn name). Nine years! So she's 15 and he's a bout 24. Wow....
Anyway, to put it shortly, I didn't HATE this book as much as I thought I did. In fact, I read the last 100 pages in about five hours. But overall, it wasn't very captivating until the end (and parts of the beginning), and by then I just wanted to finish the darn thing.
adventurous
challenging
dark
emotional
reflective
sad
tense
slow-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Complicated
Could someone please tell me where the author first introduced Anna and Ben. I still don't really know who they are.
dark
sad
slow-paced
Plot or Character Driven:
N/A
Strong character development:
No
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
No
2/5 – not bad, but definitely boring for me story-wise. The pacing is super fast in the first 2–3 chapters, but after that it turns into a long, drawn-out stream of thoughts. I get that this book was written for a younger audience, but if I struggled to get through it—even at 1.75x speed—and it still took me six weeks to finish… I honestly don’t know how younger readers are supposed to get through it.
I also really wish we got to see more about what happened in her family’s and friends’ lives after she was kidnapped. And I don’t get why, at the end, she was missing him and even defending him? I guess Stockholm syndrome had really kicked in at that point.
dark
emotional
hopeful
inspiring
reflective
sad
tense
medium-paced
Plot or Character Driven:
Character
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
slow-paced
dark
sad
tense
slow-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
No
i mean i guess this was exactly what i was expecting to happen? still didn’t like it though.
dark
emotional
tense
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
No