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beepbeep101's review against another edition
challenging
dark
emotional
inspiring
mysterious
reflective
sad
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Emotional abuse, Physical abuse, Racism, and Murder
Moderate: Murder, Violence, Confinement, Gun violence, Police brutality, Ableism, and Racial slurs
Minor: Cursing, Injury/Injury detail, Mental illness, and Suicide
d_nice_'s review against another edition
dark
mysterious
tense
slow-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
This book would have more compelling if it had been shorter. Bern was not a sympathetic protagonist and the contemporary part of the novel was too drawn out. Also, Eboni’s Bronx accent in the audiobook lacked authenticity. Conversely, the black male protagonist doubting the sharp instincts of the black female supporting character was all too authentic.
I loved Josephineand I’m glad she eventually asserted herself with Freddy . But even the historical chapters could have been trimmed. We get it, Freddy/Fred/Fredric was a dick and either didn’t believe or didn’t care that he exploited Josephine. But how many chapters of proof did we need?
I stayed through the end but just to hear the conclusion. This easily could have been a DNF, and the book’s editor would have been just as if not more responsible for the abandonment than the author.
I loved Josephine
I stayed through the end but just to hear the conclusion. This easily could have been a DNF, and the book’s editor would have been just as if not more responsible for the abandonment than the author.
Content Warnings
Graphic: Emotional abuse, Physical abuse, Ableism, Gaslighting, Police brutality, Racism, and Toxic friendship
scmiller's review against another edition
dark
emotional
informative
sad
tense
medium-paced
3.75
Content Warnings
Graphic: Confinement, Bullying, Emotional abuse, Police brutality, Cultural appropriation, Ableism, Domestic abuse, Gaslighting, Misogyny, Racial slurs, Racism, Toxic relationship, and Toxic friendship
Moderate: Alcohol, Gun violence, Injury/Injury detail, Hate crime, Murder, Sexism, Death, and Violence
Minor: Drug abuse, Addiction, Drug use, Classism, and Suicide
jennamalena's review
challenging
dark
emotional
mysterious
reflective
tense
slow-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.25
Content Warnings
Graphic: Domestic abuse, Racism, Racial slurs, Ableism, and Murder
Moderate: Sexism
evanmcomer's review
dark
emotional
mysterious
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.25
Slocumb describes “Symphony of Secrets” as a musical thriller. However, the slow pace of the plot and the rushed pay-off at the end made this book just OK for me.
Let’s start with the good. For me, the strongest parts of Slocumb’s book were the chapters set in the 1920s. The author clearly did a lot of research and had a good feel for setting. The characters in that part of the book were richer and more fully drawn. And Josephine, who is neurodivergent, was written with significant care and depth. The book shines brightest when it’s in historical-fiction mode.
As for the bad, this book’s plot felt stagnant. It really only felt like a “thriller” in the last third. The rest seemed like set-up. The portions of the book written in modern times were slow, and Bern and Eboni were both less interesting than Josephine and Fred. Bern’s character arc, where he tries to navigate the internal politics of and comes to terms with the realities of the philanthropic organization for which he works, felt boring. The interesting parts of Eboni’s storyline all seem to happen off page. This meant that, for me, some of the big reveals that happened at the end of the book felt unearned.
As I said above, it wasn’t until about the last third of the novel that “Symphony of Secrets” lurched into the thriller genre. We see Fred’s psychological manipulation of Josephine transform into physical abuse. This all builds to Fred murdering Josephine and another music publisher in the final chapters of the book. That was also a deeply unsatisfactory development tor me. I never had any sense of justice or closure from this part of the story. The nuance that Slocumb used to show how Fred manipulated and gaslit Josephine at the beginning of the book fell by the wayside, and Fred spent the last part of the story being little more than a cartoon villain. Reading the end, it felt like the plot that Slocumb spent so much time setting up became too much for him to handle, so he opted for the most abrupt, shocking ending he could think of.
The Delaney Foundation, which Slocumb paints as a corrupt philanthropy project, was so exaggerated that it took me out of the story. If Kurt Delaney started twisting his mustache at some point in the book, I would not have been surprised. This really boils down to a problem of stakes. The basic conceit of the plot—a musical historian discovers that a famous composer stole his most famous works from a black woman–was strong enough. Giving the philanthropy trying to cover up that discovery the kind of reach that they could buy off the NYPD, pay criminals to hunt down the main character, and manufacture criminal charges against him ratcheted things up to a high enough level that I was no longer able to suspend my disbelief. While things like police corruption and the racism inherent in white philanthropy are real, a book about intellectual property theft doesn’t seem like the proper forum to address them. My brain just could not make sense of the idea that a nonprofit foundation would go to such extremes to protect a piece of classical sheet music—one that it intended to release to the public anyway!
Many of my negative feelings about the ending stem from Slocumb’s treatment of Josephine. While I think Slocumb wrote Josephine well by-and-large, he does give savant-like properties to her neurodivergence, which is a stereotype that is harmful to people living with Autism Spectrum Disorder and other conditions. And to make matters worse, he uses the richness of her character to set up her death. He wanted us to love Josephine and to see her complexities, only so he could make her a victim. Josephine really doesn’t get to tell her own story; she’s there so that Fred, Bern, and Eboni can tell it.
3.25⭐️
Let’s start with the good. For me, the strongest parts of Slocumb’s book were the chapters set in the 1920s. The author clearly did a lot of research and had a good feel for setting. The characters in that part of the book were richer and more fully drawn. And Josephine, who is neurodivergent, was written with significant care and depth. The book shines brightest when it’s in historical-fiction mode.
As for the bad, this book’s plot felt stagnant. It really only felt like a “thriller” in the last third. The rest seemed like set-up. The portions of the book written in modern times were slow, and Bern and Eboni were both less interesting than Josephine and Fred. Bern’s character arc, where he tries to navigate the internal politics of and comes to terms with the realities of the philanthropic organization for which he works, felt boring. The interesting parts of Eboni’s storyline all seem to happen off page. This meant that, for me, some of the big reveals that happened at the end of the book felt unearned.
The Delaney Foundation, which Slocumb paints as a corrupt philanthropy project, was so exaggerated that it took me out of the story. If Kurt Delaney started twisting his mustache at some point in the book, I would not have been surprised. This really boils down to a problem of stakes. The basic conceit of the plot—a musical historian discovers that a famous composer stole his most famous works from a black woman–was strong enough. Giving the philanthropy trying to cover up that discovery the kind of reach that they could buy off the NYPD, pay criminals to hunt down the main character, and manufacture criminal charges against him ratcheted things up to a high enough level that I was no longer able to suspend my disbelief. While things like police corruption and the racism inherent in white philanthropy are real, a book about intellectual property theft doesn’t seem like the proper forum to address them. My brain just could not make sense of the idea that a nonprofit foundation would go to such extremes to protect a piece of classical sheet music—one that it intended to release to the public anyway!
Many of my negative feelings about the ending stem from Slocumb’s treatment of Josephine. While I think Slocumb wrote Josephine well by-and-large, he does give savant-like properties to her neurodivergence, which is a stereotype that is harmful to people living with Autism Spectrum Disorder and other conditions. And to make matters worse, he uses the richness of her character to set up her death. He wanted us to love Josephine and to see her complexities, only so he could make her a victim. Josephine really doesn’t get to tell her own story; she’s there so that Fred, Bern, and Eboni can tell it.
3.25⭐️
Content Warnings
Graphic: Physical abuse, Police brutality, Toxic relationship, Gaslighting, Racial slurs, Ableism, Death, Emotional abuse, Misogyny, Hate crime, Racism, Toxic friendship, Violence, Classism, Confinement, Domestic abuse, Kidnapping, and Mental illness
znvisser's review against another edition
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Sometimes I read a premise that I am so intrigued by, I am fairly certain I am going to love the book - so once the writing doesn’t disappoint my tastes in early chapters, I know I’m in for a great ride. Symphony of Secrets definitely delivered for me, but eesh this book stressed me out and raised my heart rate at times. Fred Delaney is a completely terrible character and despite my annoyance I couldn’t stop reading. Every time he says “swell” I was reminded of Mad Men’s Pete Campbell so well, that’s the vibe, but then more successfully evil. In this story Delaney is introduced to this brilliant woman, Josephine, and exploits her labour in any way he can while claiming it is actually she who benefits from their arrangement. This goes from very bad to even worse. Delaney himself is however so utterly unworthy of any praise or fame for his musicality, that he is not even able to hear the differences between his composed and stolen work, remaining completely stunned every time he disappoints just any mediocre critic or musician around him. And unfortunately as time goes on he grows unsurprisingly more obnoxious.
For all the things I loved about this book - the premise and plot, the two timelines and of course Josephine and her mind and experiencing music with her - there were two smaller things I didn’t love: the pacing (Bern and Eboni take so much time to unravel small bits of history, then they are on the run and there is no one they can EVER ask for help, and then suddenlythey got all details right and are lawyered up?! ) and the romantic angle (the tension was understandable but the writing once it happens was cringe and it didn’t really add much to it all). However, luckily neither really affected my love for this book.
For all the things I loved about this book - the premise and plot, the two timelines and of course Josephine and her mind and experiencing music with her - there were two smaller things I didn’t love: the pacing (Bern and Eboni take so much time to unravel small bits of history, then they are on the run and there is no one they can EVER ask for help, and then suddenly
Content Warnings
Graphic: Toxic relationship, Gaslighting, Racism, Racial slurs, Toxic friendship, Ableism, Cultural appropriation, and Emotional abuse
Moderate: Confinement, Blood, Police brutality, Murder, Sexism, Alcohol, and Death
emilb's review
adventurous
challenging
emotional
inspiring
mysterious
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.25
I enjoyed this book and it definitely made me cry. This is the authors second book and it shows in places, when it comes to certain stylistic choices and small stumbles new authors typically make. I don't mean that in a negative way, it's completely natural.
However, the amount of love, authenticity, knowledge, research and compassion that went into this book made me not care about the occasionally clumsy writing at all. On top of that, the character voices are so well done and so distinct, that it's a joy to follow along. It made my heart bleed for Josephine as her life slowly unfolds before us. The style and voice in which the historical bits were written were especially gripping, loved every minute of it.
I enjoyed this book a lot, and I'm definitely looking forward to more by Mr. Slocumb.
However, the amount of love, authenticity, knowledge, research and compassion that went into this book made me not care about the occasionally clumsy writing at all. On top of that, the character voices are so well done and so distinct, that it's a joy to follow along. It made my heart bleed for Josephine as her life slowly unfolds before us. The style and voice in which the historical bits were written were especially gripping, loved every minute of it.
I enjoyed this book a lot, and I'm definitely looking forward to more by Mr. Slocumb.
Content Warnings
Graphic: Police brutality, Murder, Gaslighting, Ableism, Racism, Toxic friendship, Toxic relationship, Mental illness, and Emotional abuse
Minor: Alcoholism, Confinement, Drug use, Addiction, and Alcohol
mezzythedragon's review against another edition
mysterious
tense
slow-paced
4.0
The lengths rich white people would go to protect “their” legacy, even if it means silencing the main source of their wealth and prestige.
I will say it starts kind of slow, but picks up halfway, especially when Bern runs afoul of the Delaney Foundation.
Overall, another hit from Brendan Slocumb. Do read the author’s note at the end.
I will say it starts kind of slow, but picks up halfway, especially when Bern runs afoul of the Delaney Foundation.
Overall, another hit from Brendan Slocumb. Do read the author’s note at the end.
Content Warnings
Moderate: Racial slurs and Racism
Minor: Violence, Ableism, and Police brutality
grubrednuf's review
adventurous
emotional
inspiring
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Toxic friendship, Racism, Racial slurs, Gaslighting, Emotional abuse, and Classism
Moderate: Confinement, Murder, and Ableism
Minor: Cultural appropriation
caseythereader's review
adventurous
dark
emotional
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Content Warnings
Graphic: Alcohol, Blood, Racial slurs, Sexism, Murder, Police brutality, Racism, Suicide, Ableism, Gun violence, Injury/Injury detail, Cursing, Violence, and Death
Minor: Sexual content and Outing
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