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nwhyte's review against another edition
3.0
https://nwhyte.livejournal.com/2846481.html
I've been digging into the detail of sixteenth-century Irish history so much that I thought it was time to take a step back and think about the wider European context. This is an Open University textbook (probably written to accompany a course) which does what it says on the tin, looking mainly at Western Europe. There is half a chapter on the Ottomans, Russia and the Americas; if Ireland is mentioned, I did not spot it. There are a lot of good set-pieces - Charles V, Henry VIII, the Dutch Revolt, Florence, Luther, Calvin; it was an exciting time in Europe.
I took three main things from it. The first is that the religious situation in the rest of Europe was confused and unsettled for much of the century, so the English flip-flopping between religious regimes in the 1550s and the uncertainty of the Elizabethan settlement has a wider context of which all policy-makers and most international merchants would have been aware. The second is just how marginal Ireland was; the authors go a great deal into the developed economics of the cities, the surrounding countryside and the wider realms, but I suspect that Ireland had never really recovered from the Black Death two centuries before and was only loosely connected to the wider European economy. And the third is that this was an amazing period in the arts and sciences - the authors make the claim that in the sixteenth century, "more of the finest paintings and fresoes of Europe were painted, and in a greater and more contrasting variety of styles, than in any other similar period." I just had a quick look at Wikipedia; it lists over a thousand Italian painters from the sixteenth century. Europe would never look at itself the same way again.
I've been digging into the detail of sixteenth-century Irish history so much that I thought it was time to take a step back and think about the wider European context. This is an Open University textbook (probably written to accompany a course) which does what it says on the tin, looking mainly at Western Europe. There is half a chapter on the Ottomans, Russia and the Americas; if Ireland is mentioned, I did not spot it. There are a lot of good set-pieces - Charles V, Henry VIII, the Dutch Revolt, Florence, Luther, Calvin; it was an exciting time in Europe.
I took three main things from it. The first is that the religious situation in the rest of Europe was confused and unsettled for much of the century, so the English flip-flopping between religious regimes in the 1550s and the uncertainty of the Elizabethan settlement has a wider context of which all policy-makers and most international merchants would have been aware. The second is just how marginal Ireland was; the authors go a great deal into the developed economics of the cities, the surrounding countryside and the wider realms, but I suspect that Ireland had never really recovered from the Black Death two centuries before and was only loosely connected to the wider European economy. And the third is that this was an amazing period in the arts and sciences - the authors make the claim that in the sixteenth century, "more of the finest paintings and fresoes of Europe were painted, and in a greater and more contrasting variety of styles, than in any other similar period." I just had a quick look at Wikipedia; it lists over a thousand Italian painters from the sixteenth century. Europe would never look at itself the same way again.
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