Reviews tagging 'Body horror'

Brown Girl In The Ring by Nalo Hopkinson

14 reviews

margolovie89's review against another edition

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adventurous challenging dark emotional informative inspiring medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated

3.75

The story of the women from the West Indies who live in apocalyptic Toronto was a solid story line. I had my phone out to take note of the language  and spirits. The vocabulary was a bit difficult to understand, but was interesting. The ending was a bit hard to understand with so much going on and so many characters, but reading it slowly and taking notes helped. I’ll defiantly read another book by Nalo Hopkinson. 

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barry_x's review against another edition

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tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

 This is a book that really grew on me which after a slow start really wrapped me in which I couldn't leave.

'Brown Girl in the Ring' is the story of Ti-Jeanne, a young mother living with her grandmother in a dystopian Toronto where the city has effectively been abandoned by state authorities following an economic crisis. Ti-Jeanne's stuck with her drug addict loser on-off boyfriend Tony who is running with the city gang. Meanwhile, nationally, the right wing leaning Premier needs a new heart and the demographics suggesting rejecting animal transplants in favour of human donors is a vote winner. Rudy the gang boss is tasked to find a donor.

So I am really going to try hard to avoid discussing the plot so much, because when this kicks in I think the less the reader knows up front the better.

What I do feel comfortable talking about is the characterisation. I have read a few reviews criticising Ti-Jeanne and I can certainly see how she can annoy readers. I didn't mind her, but she is deeply flawed. She doesn't appear to be a good mother. She continually makes stupid choices, and in the early part of the book she seems quite immature and selfish. I like this, but if you are looking for a kick-ass heroine you aren't going to get one. Tony comes across as the most pathetic loser irrespective of the plot. Again he is not a hero in the slightest. Mami Gros-Jeanne, Ti-Jeanne's grandmother is brilliant and she reminded me of the title character in Mama Day which I read recently - an elderly black matriarch with a knowledge of healing and magic.

However, I must reserve my praise for the writing of Rudy. I don't think I have ever read a character I have despised in such a long time - he is just a horrible human being. Everyone else in the book has a rationale for their decisions, but Rudy is an out and out evil villain. No shade of grey at all. But when you have such an unredeemable character it helps the rest of the novel to pivot around it. He is definitely not an easy read, but at the same time he is someone I really wanted to get his comeuppance.

The dialect used by most of the characters is in Caribbean English and it's lovely to read - so rich and deep. I quite like reading books written where the language is written in non-standard English. I think it brings the characters to life and I can hear their voices much better. Chapters are interspersed with nursery rhymes, folk songs and poems which brings the culture of the book to life.

Central to the book are old African Gods who can provide aid and warnings, plus Obeah, Caribbean folklore sprits and monsters. I've only dipped into Afro-Caribbean folklore but it was good to see many of these stories crop up here.

I also really liked dystopia Toronto. It felt like a fully realised city without power or running water for many and no law or government structures. It had all the tropes of a city ripe for exploitation by outsiders, but it also had a functioning bartering and trade system, a health system of sorts. I didn't feel like everything was hell despite the poverty. I am struck by the notion that even in times of a breaking down of structures human beings instinctively find ways to collaborate and organise.

I've not seen this book marketed as horror, seeing it typically categorised as science fiction but there are definitely horror elements here, particularly body horror, and I think this book is genuinely creepy and scary at times.

Highly recommended 

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lmwanak's review against another edition

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adventurous challenging dark hopeful inspiring reflective tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

A hard story, but also a story about generational trauma and its effects. There’s also the thing of how awful actions can catch up with you. The Orisha gods are figured prominently in this in a way that is both scary and healing.  Ti-Jeanne is always led by her emotions, but in the end, she’s able to overcome them and take ownership of her thoughts and actions. 

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emalderwood's review against another edition

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adventurous dark inspiring tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.5

I enjoyed the concept and plot, and would read it again for that. The writing wasn't super polished and the main character was annoying for quite a while, but she managed to redeem herself in the end. The kind of protagonist I spent a lot of time annoyed with but she finally had some growth towards the climax which made the second half much more enjoyable. 

If you like this genre and are okay putting up with character flaws and some areas where the writing is still developing then it's worth the read. I would definitely be interested in reading more of this author's later works as my issues were less 'the author is terrible' and more 'the author hasn't fully come into her prime yet, but has good instinct.'

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wordsareworlds's review against another edition

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adventurous dark emotional mysterious sad tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5

This book had all the qualities of an excellent fable crafted into the modern dystopia with an incredibly evocative voice. Hopkinson wove in so much growth for Ti-Jeanne in a pretty short story, and the length felt just right for the the telling of myths, the ones where the scenery changes to fit the times but the core is the same, and the lessons remain true regardless of the era.

I found the worldbuilding slightly confusing, but that has to do with my own ignorance of both specific Caribbean cultural references and the city of Toronto. That being said, it didn't detract from my enjoyment of the story. Hopkinson's prose is evocative and impactful, and the ways she described the magic were both awe inspiring and terrifying.

Highly recommend for people looking for a fast paced, exciting, and in many ways heart breaking, coming of age story with strong themes of motherhood, family, and holding onto culture in a place that is often hostile to it. 

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rorikae's review against another edition

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adventurous challenging dark emotional tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5

'Brown Girl in the Ring' by Nalo Hopkinson is an engaging folklore filled novel set in nearfuture Toronto. 
Ti-Jeanne lives in postriots Toronto with her grandmother. Her mother disappeared when she was young and Ti-Jeanne has been working to find her place in the world. When Tony, the father of her child, comes to Ti-Jeanne's grandmother for help after the local crime boss taps him for a horrific project, Ti-Jeanne begins to learn more about her grandmother's spirits and how the violence in the city is tied to her own family. 
I am amazed that this was Hopkinson's debut novel. The prose is pristine and evocative. The characters are fully fledged and engaging. The reader is plopped down into a world that feels real. I love how Hopkinson has mixed Caribbean folklore with a nearfuture Toronto setting to create something completely new and unique. There is so much that happens in this book over a relatively short amount of time and yet it is easy to follow and exciting. I cannot wait to read more of Hopkinson's work. 

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sadie_g's review against another edition

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adventurous challenging fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Diverse cast of characters? Yes

3.25


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solenodon's review against another edition

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adventurous dark emotional medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes

3.75


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laurensilva's review against another edition

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adventurous dark medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.75


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a_davis's review against another edition

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challenging dark mysterious tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? It's complicated

3.0

this was a really interesting read… it’s the first Caribbean magical realism book I’ve read and I really liked the story, there were definitely some parts that were hard to get through though (both pacing-wise and content-wise) 

book 4 for afrofuturism seminar! will update with notes

we came to the fairly obvious consensus that this novel is about intergenerational trauma. Rudy is the embodiment of the patriarchy and the damage it does specifically on Black women. in the case of Mi-Jeanne, he extracts all her value until she remains as only a husk of a person, much like patriarchal structures drain women dry (i.e. women being primary caregivers in a family and also being expected to work full-time). we also discussed whether Hopkinson (and Butler from previous weeks) thinks apocalypse is necessary for the type of community bonding we see in the novel, and someone pointed out that the apocalypse has been happening over and over for Black people, from early slavery to chattel slavery to Jim Crow laws to the present... Hopkinson's story felt less like afrofuturism than afrohistory, describing the present for many inner-city communities. the question of whether this should qualify as sci-fi was answered by my prof: the author is Afro-Canadian and wrote this book for Black Canadians, and sci-fi is inherently American. making the plot overly science-y wouldn't have worked for the community it was written for, but qualifies as sci-fi in its own culture. someone also made the point that Baby breaks the intergenerational trauma started with Rudy because his soul is taken over by Dunston, who is not related by blood to Rudy. he is a new start- Ti-Jeanne, while the catalyst for Rudy's demise, still has his blood in her veins and is reminded of that by the spirits at the end

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