Reviews with content warning for Forced institutionalization - Her Majesty's Royal Coven

Reviews tagging 'Forced institutionalization'

Her Majesty's Royal Coven by Juno Dawson

28 reviews

frmeden's review against another edition

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adventurous emotional funny inspiring lighthearted mysterious fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.5

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bookforthought's review against another edition

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challenging dark tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

I'm always up for a witchy read, and even more so if it's a queer one! In this respect, Her Majesty's Royal Coven completely met and surpassed my expectations. Honestly, if I'd written this review immediately upon finishing it, I had been so caught up in it, it probably would have been 5 stars. Yet, as I gave myself some time to reflect a little bit more on it, I realised there were quite a few things that didn't quite work well for me.

The book is centred around Niamh, Helena, Elle and Leonie, a group of friends who have known each other since they were children and, at one point, were all inducted into Her Majesty's Royal Coven, a secret coven of witches protecting the UK from magical threats. Yet, a long war and painful events have left their scars, none of the women is left unscathed, and their friendship is more fragile than ever. The arrival of a mysterious child, Theo, is linked to a prophecy that may destroy the coven itself: dormant tensions will rise to the surface and lines will be drawn in what promises to be a war to eclipse all others.

The story is told in alternating POVs and right from the start I immediately warmed up to Niamh. When we meet her, she has retired from HMRC to conduct a simple life as a vet, at least until trouble comes knocking on her door. Niamh was by far my favourite character and she felt like the best-developed one too. She is well-rounded and complex, fiercely loyal and ready to use her considerable powers to defend those who need help and fight for what she feels is right. I enjoyed every moment spent with her!

In contrast, none of the other characters felt quite as well-developed. I'll keep it vague to avoid spoilers, but one of the witches has quite a dramatic personality shift at one point which, while it certainly serves the plot, felt just a bit too radical in a way that was unexplained. I was also sorry not to spend more time with Leonie and her new coven, which she founded as a more inclusive coven after breaking away from HMRC. The book is steeped in political and social issues, especially those of representation, so to devote so little time to the more inclusive coven and its founder felt a little... off. This is only the first book in the series though, so this may be developed further in future books, but I would have liked to see some of that here.

With only a few exceptions, the secondary characters are also quite thin and mostly interchangeable. This is always a risk when there's a big cast of main characters, but I felt it a lot towards the end of the book when I realised I actually kept mixing some people up and could barely remember their names, let alone any other distinctive traits. This is especially true of the male characters, who are virtually non-existent except as causes of the suffering of the main characters. Now, I'm the first to champion female-centred books and to recognise the harmful role of the patriarchy in society, but the way relations between people of different genders were handled here seemed a bit too simplistic and reductive.

I don't think it's a big spoiler, but one of the characters identifies as trans. I loved this (and this character!), and having this kind of representation is so, so important. However, a lot of the conversations between different characters end up being centred on whether trans women are women, but we barely ever hear directly from this character about her experience and feelings. One POV character is also a TERF and a fair bit of time is spent with her, which is very uncomfortable and might be triggering for some.

Still, the story is extremely engaging and kept me wanting to come back until the ending (that ending!), even despite the multiple UK-centred pop culture references which were cute at first but grew old pretty quickly. I also partly listened to the audiobook for this and that was amazing! Nicola Coughlan is a brilliant narrator and SO good with accents, I could have kept listening to her for many, many more hours.

So, while this wasn't exactly the super-empowering queer feminist witchy urban fantasy of my dreams, Her Majesty's Royal Coven is a highly engaging, page-turning book with some memorable characters and a good start to a series. I'll be looking forward to reading the next book!

I received an advanced review copy of this book for free from the publisher via NetGalley. This did not affect my opinion of the book in any way.

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georginathelibrarian's review against another edition

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fast-paced

Plot- or character-driven? Plot
Strong character development? No
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

Great story, love the characters, I did find the pace a bit too much at the beginning though. It almost put me off reading more because I felt I’d been plunged in the deep end not knowing what was going on. By about 25% I was glad of the pace though as it made me not want to put it down.

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miniingrid's review against another edition

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adventurous dark emotional mysterious sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes

Tiene puntos interesantes y que son necesarios visibilizar. Pero ha intentado acaparar tanto que la mayoría se quedan en poco más que una mención.
La historia es un cliché detrás de otro, y quiero creer que el dumping superficial de la diversidad en los personajes de debe a que es la primera novela de la serie. Quizás sea el tono, que me parece muy básico y simple.
En general me gustan las novelas de fantasía/ciencia ficción que tratan temas importantes y duros, pero sin perder ese punto de desconexión con la realidad que te permite evadirte aunque solo sea un poco. Aquí se recrea tanto en la transfobia sin aportar una réplica al mismo nivel, que me parece una oportunidad perdida y un simple (pero perfectamente comprensible) desahogo. Y me ha dejado con la sensación de estar leyendo a las terfas de Twitter más que una novela de fantasía.

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leanne_miron's review

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adventurous reflective tense medium-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

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blueberries's review against another edition

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dark mysterious tense fast-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

2.0

This author uses trans people for entertainment value & gives TERFs equal time to talk in this book. The constant misgendering is a reason to avoid it: it's painful to read.

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