Reviews tagging 'Racism'

Anita de Monte Laughs Last by Xochitl Gonzalez

51 reviews

lauren_lovestoread's review against another edition

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challenging dark inspiring reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

Yes, yes, yes!!!! I absolutely devoured and LOVED this powerful, rage-filled, sometimes snarky, feminist tale. Set in the ~art world~, told in multiple POVs over dual timelines (1980s/1990s), this novel explores so many universal themes: class, privilege, racism, power dynamics, gender roles, sexism, toxic masculinity, toxic relationships, the weaponization of culture… to name just a few. 

Gonzalez flawlessly swings back and forth from artist Anita and her chaotic marriage to the abusive Jack to Raquel falling under the spell of fellow student Nick and entering an ever so subtly suffocating relationship with him (read: toxic, racist, controlling, rich, white fxxkboy). The nuances of what abuse and privilege look like are crafted so perfectly, it reads and feels like a story that we’ve all heard so many iterations of so many times, too many times, or perhaps unfortunately are personally familiar with. 

Anita is at times unhinged and vengeful (which I love), but she is fundamentally what so many of us women are: seeking to be seen, heard, and appreciated in our own right.

This book made me laugh, made my blood pressure rise, made me punch the air in triumph. READ IT!!!!!!!

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lsartist's review against another edition

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challenging dark emotional informative sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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thecriticalreader's review against another edition

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emotional medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

1.5

TL;DR: So disappointing! Anita de Monte Laughs Last by Xóchitl González is another well-written, captivating read that I gave a low rating to because I have fundamental ethical issues with how the author chose to write this story. In short, this book champions the value of remembrance and the important role someone’s cultural background and life story plays in their art, but González betrays these very values in the act of writing this book.
 
Anita de Monte Laughs Last follows two timelines. The first follows the titular Anita de Monte, an upcoming Cuban American artist in a fractious marriage with Jack Martin, a minimalist darling in the art world. Jack’s cruel narcissism and Anita’s strong sense of self-worth clash repeatedly, until one day Anita is found dead after a fall from their New York City apartment in 1985. The second timeline takes place in the late 1990s from the perspective of Raquel, an art history student at Brown University who is eager to find her place in the elite art world. Raquel chooses to write her thesis on Jack Martin but discovers the forgotten art and life of Anita de Monte in the process, changing her life trajectory.
 
The chapters from Raquel’s perspective are the strongest part of the story. Raquel’s life, perspective, and relationships are fleshed out and vibrant; González expertly builds the world around her and explores how that world’s exclusivity, xenophobia, and racism negatively affects Raquel’s career and personal life. The little details make this story come to life, and it’s clear that it comes from a place that is close to the author’s heart and experiences. Through Raquel’s work in the art world, the book also makes some interesting points about culture, art, and storytelling.
 
Anita’s chapters are captivating due to González’s strong writing style, but something about Anita’s character feels off to me. Anita is significantly less developed as a character than Raquel; despite the book’s repeated assertions that Anita’s Cuban identity and past profoundly shape her character and her work, these elements remain blurry and underdeveloped. I looked up reviews of this book on GoodReads and discovered that Anita’s story is directly inspired by the true life and death of Cuban American artist Ana Mendieta, right down to the small details about Anita’s life and work. (Thank you to Avery Desmond for bringing this to my attention in their review!)
 
This is a problem for two reasons.
 
One, González never makes it clear to the reader that Anita’s story is a fictional retelling of a real-life tragedy. Nowhere in this book does it say that it was inspired by real people and events, and the author does not mention Mendieta by her full name; the most she gets is a quick first-name mention in the dedication. Which is so fucking weird, especially since one of the book’s biggest morals is how important it is to remember the names and contributions of women of color in art, especially for people like Anita, who were victimized and mistreated in their life and death. So why does it feel like González is intentionally deceiving her audience and burying the real story of Ana Mendieta? 
 
Two, González is a non-Cuban author fictionalizing the story of a real Cuban American person, and it shows. Her depictions of Cuba and Anita’s Cuban-ness feel way more stereotypical and flat compared to Raquel’s. The book asserts that Anita is more than just a “spicy Cuban” stereotype, but ultimately, that’s all she really gets to be in the story. The author relegates her background, family life, and relationship to Cuba to just a handful of sentences, and almost all we see of Anita are moments where she’s angry, spiteful, or vengeful. That’s not to say that Anita doesn’t have a good reason for her anger, but I think a Cuban author who truly felt strongly about doing service to Ana’s story would do a much better job at crafting a fully realized character. Again, González’s choice to write Anita clashes with the values espoused in the book, which makes clear the perils of divorcing art from a person’s cultural background. Why did González feel like she was the right person to tell Ana Mendieta’s story, and why doesn’t she even acknowledge that she’s telling it? 
 
I’m so disappointed, because Raquel’s story could have stood on its own as this book’s only narrative. As I said earlier, Raquel’s chapters are well-written, powerful, and engaging. González wouldn’t need to change anything about Raquel’s story, except to replace the name “Anita de Monte” with “Ana Mendieta” and mention the real-life artist in an author’s note. But because González decided to appropriate a historical tragedy without acknowledgment, this book left a bad taste in my mouth.
 
 

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little_literarian's review against another edition

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inspiring medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

This book was so good, loved the dual perspective and the audiobook narration was superb!

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readswithcocktails's review against another edition

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5.0


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bibliomich's review against another edition

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dark emotional funny mysterious medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

Following two parallel stories set a decade apart, Anita de Monte Laughs Last dives deep into the themes of art, ego, racism, classism, feminism, and love. And Xochitl Gonzalez does this with such brilliant wit that the book had me literally laughing out loud one second, and then dropping my mouth in astonishment in the next.

What I loved:
- The audiobook narration. If you can listen to this one, I highly recommend it. The book rotates between three different narrators, all of whom bring so much life and passion to the characters' voices.
- The characters: Anita de Monte is the queen of revenge, and I loved every second of it. Beyond the title character, though, Gonzalez has created a full cast of characters whom you love to love and/or love to hate.
- The way the author depicts the art world: I'll admit--I know nothing about the art world, art history, or art genres, but it didn't matter at all. Gonzalez swept me up into this world, and even though I was coming in with no prior knowledge, I felt like I understood it all. The elitism, the b.s., the racism--all of it was so well illustrated that I could see these scenes playing out in my mind as if I were standing there in those very galleries.

Thank you to NetGalley and Macmillan Audio for my advanced listener copy!

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katebrownreads's review against another edition

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3.0


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laurrelise's review against another edition

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dark emotional funny mysterious medium-paced
  • Plot- or character-driven? Plot
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

 Anita de Monte Laughs Last is the perfect book for anyone in the art world, especially women who may feel they don’t belong. 

I was not obsessed with this book, but I did immensely enjoy it. I found myself wondering what may happen next when I wasn’t reading. I really enjoyed the supernatural aspect and all the different POVs. The audio narration was spectacular. Jack’s POV was so well done that, at times, I found myself actually believing what he was saying. Anita and her art felt real; I found myself wanting to Google the art pieces mentioned. 

Good for fans of Yellowface, feminine rage, and dual timelines. 

Thank you Macmillan Audio and Netgalley for an advanced copy of this book in exchange for my honest review.
 

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macaronoui's review against another edition

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adventurous challenging dark emotional funny hopeful informative inspiring mysterious sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? N/A

5.0

narrators
  1. Anita de Monte, the artist. Dating Jack, a famous minimalist artist  in the 1980’s, born in Cuba and living in different places following Jack and his exhibits. She dies in 1985 and the story is told by her as her ghost. She is a naturalistic artist. 
  2. Raquel Toro in 1990 is an art history student from Brooklyn NYC, studying at Brown and interning at RISD for the summer. She is doing a paper on Jack Martin and dives into Jack and Anita’s life.
  3. Jack, the minimalist artist and wife murderer.

Both women are incredibly well rounded latina women. Strong, smart, witty and passionate trying to navigate a “white” world who sees them as the “other”. Racism both in big and small way as micro aggressions run through the book and will make your blood boil. 
Both timelines are very well fleshed out and I loved all the art history and artists mentions.
The book takes an interesting look at romantic relationships and what one has to give up for them.
Both characters though from different backgrounds and eras travel parts of the a similar path. They are both fascinating and have so many layers to them. They feel so vivid and like they are talking to you, one on one. 

The inspiration for this book is the mysterious 1985 death of Cuban American artist Ana Mendieta and her then husband. 
The book also touches on problems still pervasive in the museum industry, of choosing to ignore the problematic human behind the artist. And disproportionately heralding and displaying art made by white men. 
I could go on raving about this book for hours. I highly recommend it. 

Thanks to NetGalley for the eARC

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kimberpoi's review against another edition

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adventurous mysterious tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

This was simply incredible from start to finish. This novel surrounds two parallel timelines with similar couplings and a crime in the timeline of the past. This novel includes mystery, intrigue, art, family dynamics and so on, The multiple layers that the author was able to create and move the story along was masterful. I enjoyed her prior novel but this was just so much more than I expected! I found myself mentally yelling at the characters, questioning if events on paper actually occurred until the very end. I highly recommend this novel. 5 plus stars!

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