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distraughtplant's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
The main issue I found in this book is that we could've had more insight and "behind the scenes" looks at why the Luca and Tourraine especially make the decisions they do. Sometimes decisions are made that don't feel like they ever have space to be processed because we glaze over the internal processes and struggles of the characters.
However! I loved this book. The Unbroken is loyalty and betrayal and heartbreak and revolution and political pressures and magic and a little bit of lust. It is gorgeous and heart wrenching and real. There are no moments any characters actions felt rushed or out of place. I love this book for it's perfect pacing, it's immaculate queer representation (and non binary representation! I NEED to see more of Niwai and their lioness). I love it most for it's many showcases of the complexities around human emotions and thought processes and why people may do the things they do. I also love it for it's calculated witholdings of full explanation. Humans don't always even know why they've done something, just that it feels it's the right way, or the only option. I love The Unbroken for it's raw depictions of humanity, which will stick with me long after the images of blood, shit, and gore fade away.
Graphic: Police brutality, Religious bigotry, Gore, Racism, Death, Colonisation, Violence, and Xenophobia
Moderate: Grief, Slavery, Classism, Cultural appropriation, Physical abuse, and Sexual assault
Minor: Alcohol, Confinement, Chronic illness, Cannibalism, and Animal death
taratearex's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
This is a fantasy loosely based on French colonization of a North African country, I was on board from the start with that premise as I studied Arabic and lived in Egypt for a summer, so I really enjoyed seeing the fantasy elements that referenced this and I thought this worked really well and was really well done, the world felt real and the worldbuilding interesting and detailed. I enjoyed the absolutely messy characters in this, even if I was like WHAT ARE YOU DOING a lot of the time, I think the messiness also did make sense when you think about Luca's desire for power fighting with her desire to be a good leader, this gets very white savior too so it's hard to sympathize with her character at all sometimes, but her as the opposing character to Touraine did make for interesting dynamics. And then Touraine, oof, her being deeply brainwashed by the military and then being thrown back into a world she should have known and dealing with a lot of trauma trying to free herself and find herself, she's a mess and it makes sense why- but the in world motivations for why characters sympathized with her did get a bit hard to believe. BUT everyone in this book is deeply flawed and so messy I went with it, and they are all handled with care, even side characters have stories to make them fuller people. Also the disability rep was great and I loved that it was a queer normative world.
Where I think it goes off the rail a bit is just that there are a lot of loose ends that get left dangling as you go through the book and so when I got to the last quarter I expected to see some of those tied up and instead it went kind of more off the rails. Motivations of characters became even more murky, the magic that gets introduced doesn't really get much explanation or time so I'm still not really sure what happened in a couple of the last scenes, and there's an alliance that seemed crucial sort of disappears?
Knowing that this is a trilogy it's always hard to know if some things are just being saved for the next book, so maybe some of these will be explained more in the next book, and I do think I will continue with the series as it was really engaging - it was very dense though so I totally see where some people lost interest in the complicated military and political dynamics, but I thought it was all very interesting, sometimes I'd look up and I'd just read for an hour without looking up, which is kind of rare for me.
Graphic: Blood, Gore, Injury/Injury detail, Physical abuse, Colonisation, Death, Racism, and Violence
Moderate: Kidnapping, Medical content, Medical trauma, Panic attacks/disorders, Excrement, Grief, Cannibalism, Fatphobia, Sexual assault, and Vomit
talonsontypewriters's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Graphic: Murder, Gore, Gun violence, Slavery, Violence, Grief, Blood, Classism, Confinement, Xenophobia, Colonisation, Death, Injury/Injury detail, Police brutality, Racism, and War
Moderate: Chronic illness, Torture, Emotional abuse, Religious bigotry, Ableism, Medical content, Sexual harassment, Pandemic/Epidemic, Trafficking, Child abuse, Fire/Fire injury, and Kidnapping
Minor: Animal death, Child death, Vomit, Death of parent, Sexual content, Rape, Sexual assault, Suicidal thoughts, and Alcohol
Execution by hanging. Power imbalance in relationship (representative of colonizing government/colonized subject).rorikae's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Touraine is a soldier sent to quell a rebellion in the homeland that she was stolen from. After arriving, she realizes that there is more going on in the country than she suspected and that there are still some personal connections that exist for her. She also meets Luca, the princess who is secretly trying to steal the throne from her uncle. As the two women connect, they begin to learn more about how they can create peace in this country but it may require them to come close to committing treason.
Clark creates a fascinating story rooted in complex characters that it is easy to care for. This world is filled with political intrigue and a cast of fascinating and sometimes despicable characters. Touraine and Luca are both easy to care for and easy to curse at in the same breath. They feel like living people with all of their flaws painfully obvious. The story took a number of twists and turns and Clark keeps the reader guessing about what will happen next. I'm fascinated to see where the story goes in the second installment.
Graphic: Colonisation, Confinement, Violence, War, Death, Gun violence, Injury/Injury detail, Misogyny, Murder, Physical abuse, Gore, Racism, Torture, Blood, Body horror, Bullying, Emotional abuse, and Grief
Moderate: Sexual assault and Rape
Minor: Sexual content
ryankaybee's review
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Graphic: Ableism, Colonisation, Gore, Grief, Blood, Body horror, Gun violence, Death, Racism, Injury/Injury detail, Violence, and War
leanne_miron's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Graphic: Colonisation, Death, Injury/Injury detail, Murder, Sexual harassment, and Violence
Moderate: Grief, Chronic illness, Suicidal thoughts, Torture, and Ableism
Minor: Sexual assault
bisexualwentworth's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
The Unbroken is a military fantasy set in a fantasy version of North Africa (the former Shālan Empire) that has been colonized by fantasy France (Balladaire). It follows two point-of-view characters: Touraine, a Qazāli-born conscript of the imperial army, and Luca, the crown princess of Balladaire, and their complicated relationship with each other, both as individuals and as stand-ins and representatives for their nations and cultures.
I haven't read another fantasy novel that explores internalized oppression, empire, and white saviorism in quite the gorgeous and intertwined way that C. L. Clark does in The Unbroken.
When we first meet Luca, she is a princess and a scholar, passionate about doing right by her people—so that she can take the throne that is rightfully hers from her uncle the Duke Regent. As a scholar, she has theoretical knowledge of the horrors of empire. She expresses interest in and respect for Shālan culture in a way that no other Balladairan-born character does. These aspects of Luca endear her to the reader—and draw Touraine to her as the two women grow closer. And then she loses herself to the same colonizing impulses that she thought herself better than earlier in the novel.
When we first meet Touraine, all she cares about is the wellbeing of her fellow conscripts. They are her family, and she will do whatever necessary—even on behalf of the empire that took everything from them—to protect that family and do what she thinks is best for them. Unlike Luca, Touraine is fully grounded in the realities of her situation—and then her world shifts and expands. She makes mistakes. She fucks things up. And she is complex and heartbreaking and BRILLIANT. Touraine's growth over the course of this book stunned me. It made me feel so many things so deeply. Her entire mindset changes, gradually and painfully, over the course of the novel, without changing what makes up her essential self.
The worldbuilding is delicious. C. L. Clark obviously draws all of the aesthetics and language of both Qazāl and Balladaire from the real world, but she also incorporates trade, religion, political theory, and even disease in ways that make the world feel unique and fresh and lived in.
I don't want to talk about the plot too much because I think that readers should discover its twists on their own, but I cannot wait to discuss their book at greater length with more spoilers at some point.
My one real critique of this book is that I didn't feel like I understood the magic well enough for the heavy lifting it does in the climax and resolution of the book to be totally satisfying.
Additionally, if you are looking for romance, this is the wrong book for you. To be clear, it is VERY sapphic. And if you enjoy hot women with swords, you are absolutely going to eat this shit up. But I would not call the extremely fraught entanglement between the two main characters romantic. It is far more complicated than that, and I feel like boiling down Touraine and Luca's dynamic to the sexual or romantic desire of it would be an insult both to Touraine's character and to the overall goals of the novel. There is not a romance between the leads in this book, nor should there be.
There IS a sapphic side couple in this book that will likely break your heart, though.
Oh, and HOLY MOMMY ISSUES OH MY GOD.
Favorite quotes:
- "Maybe she had been a dog all this time, but she was ready to fight back."
- "It was easy to be a villain when she felt like on inside."
- "A smattering of applause. Less than she'd hoped for, more than she had any right to expect."
It likely goes without saying that this book handles its diversity brilliantly. The world is queernormative and seemingly lacking in any sort of gender roles, but it has all of the other violences and bigotries and evils of our own world. Luca is physically disabled, and the book handles her disability beautifully.
C. L. Clark is the sort of writer I want to be. I can't wait to read The Faithless.
Graphic: Gun violence, Death, Violence, Colonisation, War, Slavery, Murder, Racism, Blood, Gore, and Torture
Moderate: Xenophobia, Religious bigotry, Racial slurs, Child abuse, Sexual harassment, Kidnapping, Sexual assault, Rape, Grief, and Terminal illness
This is a very heavy book overall. One of the very first scenes is a hanging. Be prepared for that sort of thing throughout, and if that sounds like too much, it is likely not the book for you.vivavia's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Graphic: Animal death, Death, Medical trauma, Murder, Vomit, Sexual harassment, Sexual violence, Blood, Terminal illness, Injury/Injury detail, Colonisation, Bullying, Kidnapping, Toxic friendship, Violence, Classism, Emotional abuse, Grief, Gore, Physical abuse, Rape, Sexual assault, Torture, Toxic relationship, Confinement, and Slavery
fclancy93's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.75
Of friends and of faith
Or of watching it all fall
Graphic: Colonisation and Death
Moderate: War, Violence, Kidnapping, Grief, Blood, Animal death, Racism, Injury/Injury detail, Slavery, and Sexual harassment
Minor: Vomit
shelbyslifer's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Death, Racial slurs, Grief, Racism, and Colonisation
Moderate: Blood and Abandonment