Reviews

The Progress of a Crime by Julian Symons

kathlgpa's review

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3.0

Julian Symons writes really great classic mysteries that don't follow the detective/whodunnit style of the Golden Age of mystery writing. Unfortunately I do like that more. However, his writing and characterization are exceptional but this plot and structure didn't appeal to me as much.

The plot is loosely based upon something Symons had seen when younger. In the novel, a report is at a bonfire when a man is stabbed to death by a gang of youths. What follows is the story of how eyewitness reports and reconstruction can affect trials and convictions.

fictionfan's review

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3.0

Bleak realism…

Hugh Bennett is a young reporter, working on a provincial newspaper covering all the small-town stories. On Guy Fawkes night, he is sent to cover the annual bonfire in the village of Far Wether. But there’s been trouble in Far Wether recently, when a gang of youths caused a disturbance at a local dance and were roughly ejected by a local resident, James Corby. During the bonfire the youths return and, in the darkness, Corby is killed. There are plenty of witnesses, but none who can swear to having seen the actual stabbing. The police have to make sense of the conflicting reports, but eventually, after interviewing the members of the gang intensively, they build up a case against “King” Garney, the leader of the gang, and his faithful follower, Leslie Gardner. The evidence, especially in the case of Gardner, is pretty circumstantial, and one of the big national newspapers decides to pay for his defence…

This is well written and very believable, with a good deal to say about the alienation of youth and the psychology of young men who get caught up in gangs. Hugh knows Leslie’s sister, Jill, and is in the process of falling in love with her, so he finds himself becoming personally as well as professionally involved in the case and, having been at the bonfire, he is also a witness. Symons gives what feels like an authentic portrayal of the life of a reporter on a local paper, covering relatively trivial stories and dreaming of making the big-time on one of the national newspapers. Hugh finds himself working with Frank Fairfield, a major crime reporter from one of those nationals, a man with a reputation for good investigative journalism, but who has an obvious drink problem.

Unfortunately, this one didn’t really work for me. The sordid type of crime and the array of unlikeable characters meant that I didn’t much care whether Gardner was guilty or innocent. First published in 1960, Symons concentrates on gritty realism and social issues, at the expense, in my opinion, of mystery and entertainment. The introduction by Martin Edwards tells us that Symons was inspired by a real crime and I rarely find real crime as enjoyable as imagined crime. However that’s a subjective opinion – many other readers will probably appreciate the emphasis on realism. The moral, upstanding Golden Age policeman has given way to the bullying, violent type who always leave me wondering whether they’re actually any better than the criminals. It may be a more accurate portrayal of the policing of that era, but again it meant I couldn’t find myself fully on the side of “law and order”.

The latter part of the book covers the trial of the two youths, and this is the best part, with all the traditional surprises being sprung by the defence barrister, while the equally competent prosecutor smoothly responds. Gardner’s family is well developed too, so that we see the tensions among them even before the trial, with young Leslie and his father at loggerheads and Jill, the daughter of the family, trying to mediate. But again I found them all unpleasant people to spend time with, even Jill, whom I suspect we were supposed to like. For Hugh, it’s a bit of a coming-of-age story, as his youthful idealism about journalism takes some serious knocks as he sees the lack of compassion the top reporters have for those caught up in their stories.

So I appreciated the feeling of authenticity Symons manages to create, and am sure this will appeal to people who like their crime fiction to have an air of realism. But for me it was too bleak a read, lacking any elements of warmth or humour to lift the tone.

The book also includes a short story, The Tigers of Subtopia, again about disaffected youth and the reaction of a man who usually thinks of himself as liberal when he feels his own family under threat. I felt much the same about this as about the novel – very well done, authentic and realistic, but too bleak for me.

NB This book was provided for review by the publisher, the British Library.

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claudia_is_reading's review against another edition

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3.0

Gritty and well written, this is not as much a mystery as the events surrounding one and the follow-up of it. The police interrogations, the papers trying to get a headline, the social issues of police corruption, youth isolation and gangs mentality from about half a century ago.

There is not much of a doubt about the guilty of the crime, so there is no sense of urgency to the story and... it really didn't get me invested in any of the characters, not even the supposedly good ones.

It's interesting, but not a page-turner.

efbeckett's review

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3.0

3.5 would be more accurate. Always interesting, but never exactly a page turner, this took me longer to read than others 2-3 times more lengthy. Nothing's bad about it, but it doesn't really have any momentum or urgency. You're never in much doubt as to the culpability of the suspects, and don't have much involvement in their situation because you only (briefly) view them through the eyes of others. This was probably a much more exciting and impressive novel when it was first released, before cynicism about the news media and the justice system was hard-wired into our brains. Then again, the film Ace in the Hole predates this by 10+ years so Symons wasn't exactly groundbreaking on that front.
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