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fifinlayson's review against another edition
funny
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.75
flick_reads's review against another edition
dark
funny
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
phoebe912's review against another edition
dark
funny
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
siria's review against another edition
dark
funny
tense
slow-paced
- Plot- or character-driven? Character
- Loveable characters? No
- Flaws of characters a main focus? Yes
3.75
The St Charles family, like many other members of the Ascendancy in 1920s Ireland, find themselves on the brink of an economic and cultural abyss. There's no more money to maintain their crumbling Georgian manor, and the rules of Good Behaviour constrain them from talking openly about all the ways they are horrible to one another or about how the world is changing around them. (Neither Independence nor the Civil War are so much as mentioned her.)
Good Behaviour is narrated by the daughter of the family, Aroon, who is naive and passive, an inveterate observer who can't or won't see what's happening under her nose, an unlikable character who occasionally stirs the reader's sympathy. Molly Keane had a keen eye for all the ways that families can hurt one another, and for the acute, cringing horror of awkward social situations—I spent much of my time reading the book with my shoulders up around my ears in vicarious humiliation. The dark humour on display here is poisonous, congealing, unfailingly bleak—tapping into that vein of Irish humour that refuses the possibility of hope.
Good Behaviour is narrated by the daughter of the family, Aroon, who is naive and passive, an inveterate observer who can't or won't see what's happening under her nose, an unlikable character who occasionally stirs the reader's sympathy. Molly Keane had a keen eye for all the ways that families can hurt one another, and for the acute, cringing horror of awkward social situations—I spent much of my time reading the book with my shoulders up around my ears in vicarious humiliation. The dark humour on display here is poisonous, congealing, unfailingly bleak—tapping into that vein of Irish humour that refuses the possibility of hope.
msliz's review against another edition
challenging
dark
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
limbs's review against another edition
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
2.0
angie_ranck's review against another edition
dark
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Flaws of characters a main focus? Yes
3.0
affiknittyreads's review against another edition
dark
funny
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25