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4.08 AVERAGE

reflective sad tense slow-paced
Plot or Character Driven: Character
Strong character development: Complicated
Loveable characters: Complicated
Diverse cast of characters: No
Flaws of characters a main focus: Yes

Superb. Beautifully written and I loved the characters. So complex and sad
adventurous challenging funny reflective sad medium-paced
Plot or Character Driven: Character
Strong character development: Complicated
Loveable characters: Complicated
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes
emotional reflective medium-paced
Plot or Character Driven: Character
Strong character development: Complicated
Loveable characters: Complicated
Diverse cast of characters: No
Flaws of characters a main focus: Yes
reflective sad slow-paced
Plot or Character Driven: Character
Strong character development: Complicated
Flaws of characters a main focus: Yes

This leaves me so deeply sad. Stevens (and his adherence to the societal norms of his position, even more importantly, the pride he takes in his occupation) is the architect of his own tragedy, though he is not so self-aware that he would say so. The novel's end -- not with a bang, but a whimper -- fails to effectively evoke in Stevens the melancholy that, as readers, we feel in our bones to see his life so summarily bereft. Excellent choice of setting and spot-on stuffy British dialogue. 
challenging emotional slow-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: Complicated
Diverse cast of characters: Complicated
Flaws of characters a main focus: Yes

A delightfully written book with all the quirks and charms of British, upper-class sensibilities and the thoughtful introspection of a man reflecting on his life serving as a butler during the two Great wars.

There are perhaps two types of good books: those that have such a cool idea you can’t help but know you’re going to love them beforehand and those that offer such a simple premise but manage to make it bloom splendidly without you being too sure how. Kazuo Ishiguro has written both kinds: Never Let Me Go is one of the most loudly wrecking great stories, but The Remains of the Day is that quiet child who can secretly calculate three-digit square roots or something.

Stevens, a butler who has worked all his life at Darlington Hall, decides to take up on his new boss’s suggestion to do a road trip around the English countryside and to go visit an old housekeeper of Darlington Hall. During this trip, he browses his memories of the last thirty years: coincidentally, the years that lead to the Second World War.

This is a first person narrative; therefore, Stevens’ narration is limited by his own narrow-sightedness – as a reader, you must be very aware of that limitation. Throughout the book, though, his point of view seems to shift progressively, becoming slightly more transparent.

This book is a study on the meaning of "dignity". In here you will find a hidden fierce criticism of the idea that regular citizens do not have to be involved in great-scale decisions: you cannot be held by the small picture, whatever you do, you have to be aware of the great picture of world affairs. Or else, it might turn out to be too late.
I was lucky enough to be reading this when this The Guardian podcast came out. You should check it, I found it extremely enlightening.
informative relaxing medium-paced
emotional informative reflective sad medium-paced
Plot or Character Driven: Character
Strong character development: No
Loveable characters: Complicated
Diverse cast of characters: No
Flaws of characters a main focus: Yes

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