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challenging
dark
emotional
sad
slow-paced
Plot or Character Driven:
Character
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
⭐ 5/5
📙 This review is going to be a doozy. I have a lot of thoughts after this one. As literary fiction exploring the ugly sides of British colonialism and academia, this work is a masterpiece; it's a well-done character study of the pressures and pain of marginalized populations trying to fit into a world that doesn't feel like it wants them. As a work of speculative fantasy (or as a fantasy novel in general), from a storytelling perspective, I have some complaints. But, the method isn't the point and never was, so I've decided that a 5-star review is probably most accurate when I consider this work for what it was meant to be, rather than what I wanted it to be.
📗 I feel like I should start by saying: This is not the story to read if you are trying to escape from the harsh realities of our world. It throws them at you repeatedly, in both subtle and undeniable ways. As a white woman in academia, I'm going to be honest and say this was at times profoundly uncomfortable to read...which is exactly what it was meant to be. To again go with honesty, there were times that the thought crossed my mind that I didn't need to finish this, that I didn't have to spend my weekend feeling angry on behalf of fictional people living these real life injustices. And that's a privilege that needs acknowledged, for there are so many people who can't just "turn off the audiobook" so to speak, not when these stories so closely mirror their daily experience.
📕 R.F. Kuang does an excellent job of keeping the reader engaged despite this discomfort, which is a feat of its own, but is also a terrible contradiction when considering that the overarching moral of this story is to encourage listening to understand, not to respond. Much the same as even writing a review to try to convey my experience also feels antithetical, as this is not a book designed to entertain, but a book to convey emotion and an experience. Yet I still found myself oscillating between being disappointed in the story structure while being blown away by the rhetoric throughout most of the book. So take where's hereafter for what you will; it's far less important than the rest that I've already said.
📘 Do I think this book was unnecessarily long and at times heavy handed? Yes. Do I wish it had a more satisfying conclusion that actually answered the titles promise to explore the necessity of violence? Also yes. But I also feel like it delivers incredibly well in the way that it conveys its broader themes and morals. Let me explain.
For a book about the power of words, this delivers in it's precise use of them to convey it's point and I think, for the most part, does so most successfully at the micro level. I understood fully why the characters did or did not find necessity in violence themselves, how their tragedies unfolded, and why hope may have still remained despite it all. But I think where we're left to struggle is to see if violence was actually something that made a difference on the macro level. For writing that hammered points over the reader's head at times, there is no actual discussion of whether the broad end justifies the means, because we don't actually see a macro level end in the books, just a micro level end for the characters. Maybe that's the point; maybe the purpose is just that we're if we truly listen to characters who never felt heard and that the story HAS to end with them. The existentialist part of me loves the idea that individual meaning trumps the universal experience. The collectivist part kind of hates the idea that only we alone matter in the end. Regardless, especially as a fantasy reader, the loose ends are tough for me.
Now, I don't mind ambiguity in a book in general. In fact, I think particularly in books that dive into social issues, nuance is crucial for understanding. This book approaches that nuance incredibly holistically in that it is very precisely, clearly delivered. I think this in part comes from the author's academic career and in part to convey the underlying need to be precise and clear in an attempt to be understood. I just wish the author would have either backed off this directness throughout OR carried it through all the way to the end. Make the point, however unpalatable, or leave it up to the reader to infer entirely. (But I again feel like I should acknowledge that may be easier said than done.)
📚 In the end, I can only truly speak to my experience of this work, as it exists through my own biases and experiences. I hope that honors Kuang's intentions with this story, and I hope that others take the time to read her words. There are so many layers here that I'm sure I'll be unfurling for a while to come.
📙 This review is going to be a doozy. I have a lot of thoughts after this one. As literary fiction exploring the ugly sides of British colonialism and academia, this work is a masterpiece; it's a well-done character study of the pressures and pain of marginalized populations trying to fit into a world that doesn't feel like it wants them. As a work of speculative fantasy (or as a fantasy novel in general), from a storytelling perspective, I have some complaints. But, the method isn't the point and never was, so I've decided that a 5-star review is probably most accurate when I consider this work for what it was meant to be, rather than what I wanted it to be.
📗 I feel like I should start by saying: This is not the story to read if you are trying to escape from the harsh realities of our world. It throws them at you repeatedly, in both subtle and undeniable ways. As a white woman in academia, I'm going to be honest and say this was at times profoundly uncomfortable to read...which is exactly what it was meant to be. To again go with honesty, there were times that the thought crossed my mind that I didn't need to finish this, that I didn't have to spend my weekend feeling angry on behalf of fictional people living these real life injustices. And that's a privilege that needs acknowledged, for there are so many people who can't just "turn off the audiobook" so to speak, not when these stories so closely mirror their daily experience.
📕 R.F. Kuang does an excellent job of keeping the reader engaged despite this discomfort, which is a feat of its own, but is also a terrible contradiction when considering that the overarching moral of this story is to encourage listening to understand, not to respond. Much the same as even writing a review to try to convey my experience also feels antithetical, as this is not a book designed to entertain, but a book to convey emotion and an experience. Yet I still found myself oscillating between being disappointed in the story structure while being blown away by the rhetoric throughout most of the book. So take where's hereafter for what you will; it's far less important than the rest that I've already said.
📘 Do I think this book was unnecessarily long and at times heavy handed? Yes. Do I wish it had a more satisfying conclusion that actually answered the titles promise to explore the necessity of violence? Also yes. But I also feel like it delivers incredibly well in the way that it conveys its broader themes and morals. Let me explain.
For a book about the power of words, this delivers in it's precise use of them to convey it's point and I think, for the most part, does so most successfully at the micro level. I understood fully why the characters did or did not find necessity in violence themselves, how their tragedies unfolded, and why hope may have still remained despite it all. But I think where we're left to struggle is to see if violence was actually something that made a difference on the macro level. For writing that hammered points over the reader's head at times, there is no actual discussion of whether the broad end justifies the means, because we don't actually see a macro level end in the books, just a micro level end for the characters. Maybe that's the point; maybe the purpose is just that we're if we truly listen to characters who never felt heard and that the story HAS to end with them. The existentialist part of me loves the idea that individual meaning trumps the universal experience. The collectivist part kind of hates the idea that only we alone matter in the end. Regardless, especially as a fantasy reader, the loose ends are tough for me.
Now, I don't mind ambiguity in a book in general. In fact, I think particularly in books that dive into social issues, nuance is crucial for understanding. This book approaches that nuance incredibly holistically in that it is very precisely, clearly delivered. I think this in part comes from the author's academic career and in part to convey the underlying need to be precise and clear in an attempt to be understood. I just wish the author would have either backed off this directness throughout OR carried it through all the way to the end. Make the point, however unpalatable, or leave it up to the reader to infer entirely. (But I again feel like I should acknowledge that may be easier said than done.)
📚 In the end, I can only truly speak to my experience of this work, as it exists through my own biases and experiences. I hope that honors Kuang's intentions with this story, and I hope that others take the time to read her words. There are so many layers here that I'm sure I'll be unfurling for a while to come.
Content Warnings
Graphic: Child abuse, Confinement, Death, Emotional abuse, Gun violence, Misogyny, Physical abuse, Racial slurs, Racism, Sexism, Slavery, Suicidal thoughts, Suicide, Torture, Violence, Forced institutionalization, Xenophobia, Islamophobia, Grief, Religious bigotry, Death of parent, Murder, Gaslighting, Toxic friendship, Sexual harassment, Colonisation, War, Injury/Injury detail, Classism
Moderate: Addiction, Drug abuse, Drug use, Genocide, Hate crime, Trafficking, Kidnapping, Fire/Fire injury, Cultural appropriation, Alcohol
challenging
emotional
informative
inspiring
reflective
sad
tense
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
Content Warnings
Graphic: Colonisation, Classism
Moderate: Sexism, Slavery, Violence, War
Minor: Domestic abuse
challenging
dark
emotional
hopeful
informative
inspiring
sad
tense
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
No
A masterpiece. Wonderful magic system, complex characters, tense adventure, and emotional decisions. A story that cleverly tackles colonialism, violence, privilege, and revolution.
Content Warnings
Graphic: Child abuse, Death, Gun violence, Misogyny, Physical abuse, Racial slurs, Racism, Sexism, Slavery, Suicidal thoughts, Suicide, Torture, Violence, Xenophobia, Grief, Death of parent, Murder, Cultural appropriation, Toxic friendship, Colonisation, War
Minor: Alcohol
emotional
inspiring
reflective
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Complicated
Flaws of characters a main focus:
Complicated
Content Warnings
Graphic: Racism, Murder
Moderate: Death, Sexism, Suicide, Torture, Violence, Toxic friendship, Colonisation
Minor: Emotional abuse, Infidelity, Slavery, Blood, Grief, Death of parent, War
dark
reflective
sad
tense
medium-paced
Plot or Character Driven:
Plot
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
So good, but some disappointments.
Reasons not to pick up:
This reads like a detached historical account of events that happen over 4 years, honed in on the perspective of Robin. If you want to spend a lot of time seeing vs. being told about character development and relationships, this won’t be it. Kuang also leans hard into the language nerd and school aspect so you might not enjoy if you’re not here for class lectures and lots of tangents on the meaning of language. Also lots of footnotes that provide historical and narrative context if you tend to not like that. Feels a bit pretentious at times.
What’s great:
If you are a nerd for language and breaking down the meaning of words, this will be really exciting. Kuang does the academia setting so well. The footnotes are great - providing very dry, meta commentary from the narrator that was often very funny. The characters are great. And the magic system is very very cool (but soft if you don’t like that).
There are lots of strong and very relevant critiques surrounding colonization, including ideas on translation as a colonial tool and whether you can fight the system from within. However, I was a bit surprised some of these ideas weren’t explored in more depth. The book primarily makes a few high-level points repetitively and can lack subtlety. But, it's still great sitting with the characters and being angry with them about everything unjust and wanting to take action.
What might disappoint:
The pacing is very uneven. I found the beginning incredibly boring, but it picked up for me once Robin went to school. The middle is slower which I didn’t mind. Then the end is breakneck fast which was amazing but it felt like it escalated way too quickly. I would have liked more time developing things leading up to the climax.
There isn’t much time with the main characters outside Robin which costs later when you have to trust the narrator/character dialogue to tell you about the key character traits that are behind conflicts and motivations.
Most of these disappointments I didn’t mind too much but my gosh was the heavy-handed foreshadowing so annoying. Not even just obvious offhand foreshadowing - like if I ever hear some variation of “Everything was great…They had no idea it was all going to fall apart.” one more time…. !!!
Major TW:
The content of this book is very heavy and very real. Some more specific TW than what the SG feature has:Literally anything you'd expect related to racism - microaggressions, macroagressions including physical violence and stereotypes, white fragility and ignorance, tokenism. Anything you'd expect with colonization, cultural appropriation, and capitalism - exploitation, paternalism, active and sinister efforts to exert force and control, awful treatment of the working class, neglect of those impoverished. Some other things related to growing up as a marginalized immigrant in a white supremacist society - grief over loss of language and culture, complicated desire to fit in. Also just exhaustion, hurt, anger, etc. from living in a horrible system that is so hard to change.
Major TW:
The content of this book is very heavy and very real. Some more specific TW than what the SG feature has:
Content Warnings
Graphic: Child abuse, Death, Emotional abuse, Racial slurs, Racism, Violence, Grief, Murder, Cultural appropriation, Colonisation, War
Moderate: Misogyny, Physical abuse, Sexism, Slavery, Suicidal thoughts, Torture, Death of parent
Minor: Drug use, Suicide, Islamophobia, Religious bigotry, Sexual harassment, Classism, Pandemic/Epidemic
challenging
dark
emotional
sad
tense
slow-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
“They would never change the fabric of the world by simply wishing it.”
The fact it took me six months to actually get this review written is appropriate, a book called Babel leaving me speechless.
Babel drove me into the cliff of insanity. It is a dark academia novel heavy on both the dark and the academia. Its magic system focused around linguistics in an alternative history where translators work literal magic. At the center of it is a found family doomed by the narrative that absolutely destroyed me and the main character, Robin Swift, who is a poor little meow meow. The first half of the narrative is slow, getting the reader familiar and comfortable with this cast and world before throwing you off the aforementioned cliff of insanity as the second half is a metaphorical avalanche built up from the first.
It mainly discusses colonialism, and here is where I’ve seen readers get the most divided over the story. My interpretation is not that Kuang was preaching the reader, but rather that the characters are contradictions. They say a lot about fighting colonialism, but they struggle to actually turn that talk into actions, specifically with how much of their privileges they are willing to give up and what methods are the most effective. When the stakes heighten in the second half and they have to actually put their talk into practice, it is no longer a debate and lives are on the line as they try to figure out how to strike in a way that hits the most important people.
With all this praise, I will critique the historical inaccuracies. It opens with an author’s note about the intentional inaccuracies and I found the excuses kind of weak, mostly chalking up to Kuang wanting the characters’ experiences to reflect her own at Oxford. They’re mostly small details and I don’t see why she couldn’t have just stuck to the actual history. The dialog is also a little too modern. These mostly didn’t bother me, but I do think the world building would have been stronger and I imagine these inaccuracies might annoy people who really know this history.
Babel was my favorite book of 2023, or my Roman Empire to use a very 2023 term. It’s an extremely clever and shocking dark academia fantasy that follows a tragic cast of translators dealing with colonialism in academia.
The fact it took me six months to actually get this review written is appropriate, a book called Babel leaving me speechless.
Babel drove me into the cliff of insanity. It is a dark academia novel heavy on both the dark and the academia. Its magic system focused around linguistics in an alternative history where translators work literal magic. At the center of it is a found family doomed by the narrative that absolutely destroyed me and the main character, Robin Swift, who is a poor little meow meow. The first half of the narrative is slow, getting the reader familiar and comfortable with this cast and world before throwing you off the aforementioned cliff of insanity as the second half is a metaphorical avalanche built up from the first.
It mainly discusses colonialism, and here is where I’ve seen readers get the most divided over the story. My interpretation is not that Kuang was preaching the reader, but rather that the characters are contradictions. They say a lot about fighting colonialism, but they struggle to actually turn that talk into actions, specifically with how much of their privileges they are willing to give up and what methods are the most effective. When the stakes heighten in the second half and they have to actually put their talk into practice, it is no longer a debate and lives are on the line as they try to figure out how to strike in a way that hits the most important people.
With all this praise, I will critique the historical inaccuracies. It opens with an author’s note about the intentional inaccuracies and I found the excuses kind of weak, mostly chalking up to Kuang wanting the characters’ experiences to reflect her own at Oxford. They’re mostly small details and I don’t see why she couldn’t have just stuck to the actual history. The dialog is also a little too modern. These mostly didn’t bother me, but I do think the world building would have been stronger and I imagine these inaccuracies might annoy people who really know this history.
Babel was my favorite book of 2023, or my Roman Empire to use a very 2023 term. It’s an extremely clever and shocking dark academia fantasy that follows a tragic cast of translators dealing with colonialism in academia.
Content Warnings
Graphic: Death, Emotional abuse, Gore, Gun violence, Misogyny, Physical abuse, Racial slurs, Racism, Sexism, Suicide, Torture, Violence, Xenophobia, Islamophobia, Grief, Death of parent, Murder, Cultural appropriation, Gaslighting, Toxic friendship, Colonisation, Injury/Injury detail, Classism, Pandemic/Epidemic
Moderate: Child abuse, Drug use, Blood, Medical content, Religious bigotry, Fire/Fire injury, Alcohol, Sexual harassment
challenging
emotional
reflective
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
Content Warnings
Moderate: Racism, Sexism, Sexual assault, Sexual harassment
challenging
dark
emotional
tense
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
Content Warnings
Graphic: Child abuse, Death, Emotional abuse, Gun violence, Misogyny, Physical abuse, Racism, Sexism, Suicidal thoughts, Suicide, Torture, Violence, Xenophobia, Police brutality, Grief, Death of parent, Murder, Fire/Fire injury, Colonisation, Injury/Injury detail, Classism
Moderate: Confinement, Drug use, Gore, Slavery, Islamophobia, Religious bigotry, Cultural appropriation, Sexual harassment, War, Pandemic/Epidemic
Minor: Addiction, Child death, Vomit, Alcohol
challenging
dark
emotional
informative
tense
slow-paced
Plot or Character Driven:
A mix
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
Content Warnings
Graphic: Racial slurs, Racism, Colonisation
Moderate: Sexism
challenging
dark
informative
reflective
sad
slow-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
La relación tóxica que tengo con este libro es inexplicable. Me lo compré por todo el hype que tenía y por la sinopsis me pareció un libro bastante interesante. Me tarde un poco en ponerme con él porque tenía otros libros pendientes hasta que, después de unos meses, por fin he podido leerlo. La verdad es que la autora escribe increíblemente bien, su pluma es una pasada. Sé perfectamente que es un libro de ficción histórica pero a mí me lo habían vendido como un <i>dark academia</i> con mucha magia con vibes de Harry Potter pero no ha sido así para nada. En algunas ocasiones hasta parecía que estaba leyendo mi libro de historia del instituto y la verdad es que eso me desilusionó un poco, ya que la magia aparece bastante menos de lo que pensaba y sinceramente hay información que se podría haber omitido del libro (porque, en mi opinión, le sobran bastantes páginas) y haber sido mucho más corto.
El mensaje que quiere transmitir la autora con este libro sí que me ha parecido súper bueno, además que en el libro ves cómo los personajes son tratados y estereotipados por sus razas/colores de piel, así como una misoginia tremenda hacia las mujeres que, por desgracia, aún sigue pasando. Los personajes me han encantado, sobretodo Victoire y Ramy, y me encanta cómo la autora ha plasmado a Letty para representar lo que una persona blanca nunca podría llegar a entender (la razón por la cual llevaron a cabo el desmantelamiento de los planes que tenían entre manos los profesores de Babel con respecto a China) básicamente porque nunca ha tenido que pasar por racismo.
Aunque yo tenía otras expectativas, no es un libro para nada malo, pero ha habido veces que se me ha hecho insufrible, y no es hasta más de la mitad del libro que empiezan a pasar cosas interesantes. Lo del tema de la traducción me ha parecido bastante interesante, eso sí. A eso me refiero a lo de mi relación toxica, porque me parece un libro súper pesado pero que está increíblemente escrito.
Por supuesto, leeré más libros de R. F. Kuang. La verdad sea dicha: ella es increíble.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
The toxic relationship I have with this book is inexplicable. I bought it because of all the hype it had and from the synopsis it seemed like a pretty interesting book. It took me a while to get to it because I had other books on my tbr, but after a few months, I was finally able to read it. The truth is that the author writes incredibly well, her pen is amazing. I know perfectly well that it is a historical fiction book but I had been told that it was a a dark academia with a lot of magic (Harry Potter-ish vibes) but it wasn’t like that at all. On some occasions it even seemed like I was reading my high school history book and the truth is that that disappointed me a bit, since magic appears much less than I thought and honestly, there’s information that could have been omitted from the book (because, in my opinion, it had more pages than needed) and it could’ve been much shorter.
The message that the author wants to transmit with this book is incredible, in addition to the fact that in the book you see how the characters are treated and stereotyped because of their race/skin color, as well as a tremendous misogyny towards women which unfortunately it's still happening. I loved almost all the characters, especially Victoire and Ramy, and I love how the author wrote Letty to represent what a white person could never understand (the reason why they carried out the dismantling of the plans of the Babel professors regarding China) basically because they’ve never had to go through racism.
Although I had other expectations, it's not a bad book at all, but there were times when I found it insufferable, and it's not until more than halfway through the book that interesting things start to happen. However, all the translation stuff was quite interesting to me. That's what I mean about my toxic relationship with it, because it’s such a dense book but it's incredibly written.
Of course, I will read more books by R. F. Kuang. Truth be told: she is amazing.
El mensaje que quiere transmitir la autora con este libro sí que me ha parecido súper bueno, además que en el libro ves cómo los personajes son tratados y estereotipados por sus razas/colores de piel, así como una misoginia tremenda hacia las mujeres que, por desgracia, aún sigue pasando. Los personajes me han encantado, sobretodo Victoire y Ramy, y me encanta cómo la autora ha plasmado a Letty para representar lo que una persona blanca nunca podría llegar a entender (la razón por la cual llevaron a cabo el desmantelamiento de los planes que tenían entre manos los profesores de Babel con respecto a China) básicamente porque nunca ha tenido que pasar por racismo.
Aunque yo tenía otras expectativas, no es un libro para nada malo, pero ha habido veces que se me ha hecho insufrible, y no es hasta más de la mitad del libro que empiezan a pasar cosas interesantes. Lo del tema de la traducción me ha parecido bastante interesante, eso sí. A eso me refiero a lo de mi relación toxica, porque me parece un libro súper pesado pero que está increíblemente escrito.
Por supuesto, leeré más libros de R. F. Kuang. La verdad sea dicha: ella es increíble.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
The toxic relationship I have with this book is inexplicable. I bought it because of all the hype it had and from the synopsis it seemed like a pretty interesting book. It took me a while to get to it because I had other books on my tbr, but after a few months, I was finally able to read it. The truth is that the author writes incredibly well, her pen is amazing. I know perfectly well that it is a historical fiction book but I had been told that it was a a dark academia with a lot of magic (Harry Potter-ish vibes) but it wasn’t like that at all. On some occasions it even seemed like I was reading my high school history book and the truth is that that disappointed me a bit, since magic appears much less than I thought and honestly, there’s information that could have been omitted from the book (because, in my opinion, it had more pages than needed) and it could’ve been much shorter.
The message that the author wants to transmit with this book is incredible, in addition to the fact that in the book you see how the characters are treated and stereotyped because of their race/skin color, as well as a tremendous misogyny towards women which unfortunately it's still happening. I loved almost all the characters, especially Victoire and Ramy, and I love how the author wrote Letty to represent what a white person could never understand (the reason why they carried out the dismantling of the plans of the Babel professors regarding China) basically because they’ve never had to go through racism.
Although I had other expectations, it's not a bad book at all, but there were times when I found it insufferable, and it's not until more than halfway through the book that interesting things start to happen. However, all the translation stuff was quite interesting to me. That's what I mean about my toxic relationship with it, because it’s such a dense book but it's incredibly written.
Of course, I will read more books by R. F. Kuang. Truth be told: she is amazing.
Content Warnings
Graphic: Confinement, Death, Emotional abuse, Gun violence, Hate crime, Mental illness, Misogyny, Physical abuse, Racial slurs, Racism, Sexism, Slavery, Suicide, Torture, Violence, Forced institutionalization, Xenophobia, Blood, Islamophobia, Grief, Death of parent, Murder, Fire/Fire injury, Cultural appropriation, Gaslighting, Toxic friendship, Colonisation, War, Classism
Moderate: Suicide attempt, Alcohol
Minor: Drug use