Reviews with content warning for Death of parent - Burial Rites

Reviews tagging 'Death of parent'

Burial Rites by Hannah Kent

6 reviews

kimmillington's review against another edition

dark mysterious sad slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.5

I was compelled to get through this book but I can’t say I particularly enjoyed it.
Much of the landscape and the plot is bleak, foreboding and inescapable so there is a dull misery and inevitability to the course of the story. There are no surprising twists and when Agnes finally tells her tale, it is much as the reader would anticipate.
This book therefore has very little in terms of plot development and is all about reflecting on the thoughts and actions of the characters.
There are a diverse range of complex characters which adds interest and the reader does become particularly sympathetic to Agnes. She is a well rounded character, illiciting a feeling of sympathy but also dread when she makes decisions and takes action to do things that are as damaging to herself as the actions and decisions of others.

I am unsure about why Tóti’s story includes some level of desire and romantic feeling for Agnes as this element didn’t have legs and didn’t develop into anything. Is this perhaps a spiritual aside- the difficulty for those that give their life to God to walk the line between feeling a higher spiritual purpose whilst experiencing carnal desires.

I am also unsure why Margrét laid out her clothes near to the end of the book. Obviously Lauga relinquishing her brooch was relevant to her realising all was not as it first seemed, but I don’t understand the relevance of Margrét’s actions.

I also don’t understand why Tóti suffered a long and debilitating illness- Agnes could have told her story through Tóti as easily as she did through Margrét so I’m unsure why the author chose to cut Tóti from the narrative for several months.

I did not like the historical letters included. I found them dull and two dimensional and did not really add anything to the story. I understand it was important to the author to include them to nail the narrative to the true story but I felt they were unnecessary.

A dark and mostly depressing read- well written but uneventful and unsurprising.

Content Warnings

friends2lovers's review against another edition

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mysterious sad slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

2.0

"We'll remember you, Agnes." She presses my fingers more tightly, until I almost cry out from the pain, and then I am crying. I don't want to be remembered, I want to be here!

This is a very slow, melancholy read with a bleak setting and a tragic ending. I thought the historical details were interesting, but I never became very invested in the story. While it's not a long book, it took me a long time to read because other books I was reading were far more engaging and less somber. I've owned a paperback copy of this for years, but will probably put it in a box to donate or sell as I don't see myself ever rereading it.

In the author's note at the end, Kent says some other books written about the Illugastaðir murders "hold a common view of Agnes as 'an inhumane witch stirring up murder'. This novel has been written to supply a more ambiguous portrayal of this woman." Unfortunately, I think by making Agnes an ambiguous and mysterious character, Kent inadvertently made her a bit flat and uninteresting.

The multiple points-of-view and tense in the first chapter made for a rough start to the novel. Agnes' perspective is in 1st person, present tense. Tóti's perspective is in 3rd person limited, past-tense. And the Jónsdóttir family is introduced in what I think is supposed to be 3rd person omniscient, but came across more like 3rd person limited with head-hopping between each member of the family. Luckily, after the first chapter, Kent mostly sticks to the perspective of one family member, Margrét, in 3rd person limited, past tense, like Tóti.

Other than those POV issues, the writing was decent, so I might try another of Kent's books in the future. Especially considering that Burial Rites was Kent's debut novel, so presumably her writing will have improved with later books.

If you're looking for another literary novel about a woman murderess in the 19th century I recommend Alias Grace by Margaret Atwood, which I remember liking a lot more than this.

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