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kimmillington's review against another edition
dark
mysterious
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
I was compelled to get through this book but I can’t say I particularly enjoyed it.
Much of the landscape and the plot is bleak, foreboding and inescapable so there is a dull misery and inevitability to the course of the story. There are no surprising twists and when Agnes finally tells her tale, it is much as the reader would anticipate.
This book therefore has very little in terms of plot development and is all about reflecting on the thoughts and actions of the characters.
There are a diverse range of complex characters which adds interest and the reader does become particularly sympathetic to Agnes. She is a well rounded character, illiciting a feeling of sympathy but also dread when she makes decisions and takes action to do things that are as damaging to herself as the actions and decisions of others.
I am unsure about why Tóti’s story includes some level of desire and romantic feeling for Agnes as this element didn’t have legs and didn’t develop into anything. Is this perhaps a spiritual aside- the difficulty for those that give their life to God to walk the line between feeling a higher spiritual purpose whilst experiencing carnal desires.
I am also unsure why Margrét laid out her clothes near to the end of the book. Obviously Lauga relinquishing her brooch was relevant to her realising all was not as it first seemed, but I don’t understand the relevance of Margrét’s actions.
I also don’t understand why Tóti suffered a long and debilitating illness- Agnes could have told her story through Tóti as easily as she did through Margrét so I’m unsure why the author chose to cut Tóti from the narrative for several months.
I did not like the historical letters included. I found them dull and two dimensional and did not really add anything to the story. I understand it was important to the author to include them to nail the narrative to the true story but I felt they were unnecessary.
A dark and mostly depressing read- well written but uneventful and unsurprising.
Much of the landscape and the plot is bleak, foreboding and inescapable so there is a dull misery and inevitability to the course of the story. There are no surprising twists and when Agnes finally tells her tale, it is much as the reader would anticipate.
This book therefore has very little in terms of plot development and is all about reflecting on the thoughts and actions of the characters.
There are a diverse range of complex characters which adds interest and the reader does become particularly sympathetic to Agnes. She is a well rounded character, illiciting a feeling of sympathy but also dread when she makes decisions and takes action to do things that are as damaging to herself as the actions and decisions of others.
I am unsure about why Tóti’s story includes some level of desire and romantic feeling for Agnes as this element didn’t have legs and didn’t develop into anything. Is this perhaps a spiritual aside- the difficulty for those that give their life to God to walk the line between feeling a higher spiritual purpose whilst experiencing carnal desires.
I am also unsure why Margrét laid out her clothes near to the end of the book. Obviously Lauga relinquishing her brooch was relevant to her realising all was not as it first seemed, but I don’t understand the relevance of Margrét’s actions.
I also don’t understand why Tóti suffered a long and debilitating illness- Agnes could have told her story through Tóti as easily as she did through Margrét so I’m unsure why the author chose to cut Tóti from the narrative for several months.
I did not like the historical letters included. I found them dull and two dimensional and did not really add anything to the story. I understand it was important to the author to include them to nail the narrative to the true story but I felt they were unnecessary.
A dark and mostly depressing read- well written but uneventful and unsurprising.
Graphic: Chronic illness, Grief, Infidelity, Death, Injury/Injury detail, Body horror, Adult/minor relationship, Animal death, Confinement, Miscarriage, Misogyny, Murder, Physical abuse, Sexual assault, Sexism, Abandonment, Classism, Death of parent, Emotional abuse, Gaslighting, Gore, and Toxic relationship
aseel_reads's review against another edition
dark
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
this was a good read, I enjoyed all the description of the Icelandic nature and how that impacted their lives in the 1800s. I think I set myself up for disappointment in that I thought it would have a great plot twist but it was what I thought it would be originally, so I was little saddened by that but as a true crime story, makes sense
Moderate: Animal death, Blood, Child death, Death, Excrement, Pregnancy, Rape, Toxic relationship, Gaslighting, and Murder
amooseinwater's review against another edition
dark
emotional
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
So tragic and beautifully written. Explores the complexity of life as a woman, as a worker, as a human. The power of narrative to shape our life is a strong feature.
Moderate: Animal death, Blood, Death, Emotional abuse, Fire/Fire injury, Gaslighting, Grief, Misogyny, Murder, Physical abuse, Rape, Sexual content, and Violence
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