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emilyada11's review against another edition
2.75
Moderate: Death of parent and Adult/minor relationship
Minor: Violence
abenetcarpenter's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Moderate: Suicidal thoughts and Suicide
Minor: Alcohol, Grief, Miscarriage, Pregnancy, Death, Sexual content, Violence, Car accident, Cursing, and Gun violence
riverofhorton's review against another edition
The final straw for me was getting jumpscared by an utterly needless homophobic slur (as it was until very recently) less than 100 pages in. Given the 'past' parts of the book are set in the 60s, 70s, and 80s, I could have deal with some casual prejudice, so as the world was at that time, especially if it were there to make a point and/or portray that character as being a negative person. But these prejudices are not only blatant, but could have been removed from the story without it losing anything.
And there is also the moral weirdness surrounding the relationship between itself. From Claire's perspective, she first met Henry at the age of ~5 years old, when he was in his 40s. He visited her regularly growing up, even waiting for her to turn 18 so he could have sex with her on her birthday. Sounds creepy, right? From his perspective though, he first her in his late 20s, her being early 20s, and the relationship proceeded somewhat normally to begin with, only a couple of mentions of how long she has known a future version of him. It's just kind of a mess, and considering he could time travel as a child as well, I don't quite understand why he couldn't have been a child of a similar age, or even have the whole thing contain within their respective adulthoods.
It's such a shame, the basic premise of two people falling in love out of sync because of time travel has the potential to be incredible, but this was just a disappointment. It's the first book I've ever DNFed, and it saddens me that it's a Sci-Fi book (one of my favourite genres) that can claim that title.
Graphic: Adult/minor relationship, Blood, Child abuse, Death of parent, Sexism, Kidnapping, Sexual harassment, Torture, Classism, Mental illness, Gaslighting, Hate crime, Pedophilia, Sexual violence, Alcohol, Abortion, Sexual content, Domestic abuse, Emotional abuse, Gore, Grief, Bullying, Racism, Misogyny, Racial slurs, Car accident, Confinement, Death, Gun violence, Homophobia, Injury/Injury detail, Toxic relationship, Addiction, Body shaming, Physical abuse, Ableism, Sexual assault, Miscarriage, Rape, Stalking, and Violence
zunn's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
I also think there is criticism on Clare's position in the book, with her waiting for Henry all the time. I think it does also show how men are allowed to be adventurous and not zomen, but i couldn't really tell wether the author was being purposely exaggerated in that direction, or willfully unaware..
Similarly, I was appalled by Henry's behaviour in many ways : I found him to be grooming Clare and rapey, both when Clare is a child and when she is an adult. He is very manipulative, and their over achieving sex life clearly poses a problem to Clare, that is brushed off as him being passionate. I also am wondering about his description as a womanizer suddenly turned quiet library boyfriend. As if he always was a man to be feared, as Ingrid warned, but that it would only appear at the end. I wondered throughout the whole book wether the end would have some kind of moral showing the wrongs of his behaviour.
Towards Alba, I find that his fondness for her isn't as authe tic as Clare's, again foreshadowing a huge gender bias imo. She sees Alba as her child, he seems to see her as an annoyance and an object.
I think this book would have been up to my alley if the end would show some kind of twist : Clare realising she's never been free, both of her 'destiny' and Henry. I think the theme would have been of great interest, and the book ends up being just problematic.
I also was annoyed about the racist stereotypes in the book, and the fact that no real character is important besides Henry haha...
Also I hated Gomez with all my heart.
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Graphic: Adult/minor relationship, Miscarriage, and Suicide
Moderate: Violence and Car accident
Minor: Gun violence
tessa52's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Graphic: Pregnancy, Miscarriage, Sexual content, Car accident, Alcoholism, Adult/minor relationship, Drug use, Infertility, Suicide, Violence, Death of parent, and Infidelity
natgoe's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.25
Graphic: Sexual content and Miscarriage
Moderate: Violence
Minor: Suicide
taylormadespines's review against another edition
Graphic: Body horror, Cancer, Medical trauma, Panic attacks/disorders, Car accident, Chronic illness, Death of parent, Grief, Infertility, Medical content, Stalking, Adult/minor relationship, Blood, Pedophilia, Police brutality, Vomit, Death, Gaslighting, Pregnancy, Alcoholism, Emotional abuse, Miscarriage, Murder, Religious bigotry, Sexual content, Suicide attempt, Terminal illness, Toxic relationship, and Violence
ejoymiller11's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.0
1. This story (in my opinion) was told backwards, and would last the test of time better had it been told the other way around. Being about time travel, the story bounces around quite a bit. However, I would argue the story more closely follows Clare’s linear timeline. Before we actually get to know the two main characters as a couple, the first half of the book is about how Clare knew Henry as a child and teenager. We learn about Henry’s lustful thoughts about her even when she is underage, even when she is prepubescent, which made me very uncomfortable. In my opinion, had we learned about their adult relationship first by strictly following Henry’s timeline, and had Henry just straight up not had inappropriate thoughts about a CHILD, I think the relationship would seem less creepy (but let’s be honest, some of what happened would be creepy, inappropriate, and sick regardless).
2. About 200 pages of the 536 pages I read weren’t relevant. I don’t understand why certain scenes were necessary as they didn’t contribute to the plot, character development, or context of the story. The whole infidelity thing? For what.
3. INCONSISTENCIES. And inaccuracies. Some of this book just straight up didn’t make sense. I found myself wondering SO many times, “did the author do literally ANY research??” Yes, probably with certain art pieces and music mentioned in the story, but certainly not how pregnancy, miscarriage, birth, hypothermia, and other medical things work. Furthermore, so many times the book would mention something like “they decided to leave the kids at home!” And on the next page, “the kids were playing quietly in the corner.” Like did no one proofread this? I’m lost.
4. Sometimes it was really hard to understand who was speaking. The book bounces between Henry’s and Clare’s perspectives, but in sections of the dialogue there are long stretches with no indication of who is speaking. Several times I had to go back and reread to understand the context of what was happening and what the characters were feeling.
I felt like this was a great concept that was so poorly executed. This could be a fantastic, timeless love story, but it just fell flat for me. The writing combined with the characters who weren’t just flawed, but horrible people, ruined it for me.
Graphic: Miscarriage, Car accident, Adult/minor relationship, and Suicide
Moderate: Toxic relationship, Sexual harassment, Medical content, Infidelity, Death of parent, Violence, Injury/Injury detail, Infertility, Alcoholism, Addiction, Toxic friendship, Pregnancy, Medical trauma, Drug use, Chronic illness, and Cancer
olivia_goode's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Graphic: Death of parent, Child death, Miscarriage, Sexual content, and Violence
thomas_ryan04's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
There are some really good points about the book, and the last one hundred or so pages, in particular, had me gripped. Once you get your head around the complex concept of time travelling, it becomes easy to track when Henry is off time travelling and when he's in the 'present'. The dual first-person narration from Henry and Clare is enjoyable - it's interesting to see both their views towards their relationship, which is characterised by long periods apart in their early days as well as desire and passion throughout. The development of the novel is at its best in the early days of Henry's time travelling and towards the end of the book - there is where I was gripped the most and where I felt most connected to the characters.
This leads me onto some of the problems: ultimately, the middle of the book lacked much character development at all. As soon as Clare and Henry meet "in the present", they seem to click straight away despite the fact Henry said he wouldn't remember her when they met. For a 520-page book (which is way too long, and could easily have been shortened to 400 pages), you'd expect better character development and no massive gaping holes in the plotline. Another gripe of mine is the sex - the GRAPHIC sex which left nothing to the imagination. I understand desire and passion was at the centre of the couple's relationships and a few sex scenes dotted throughout would have done no harm - but Niffenegger seemed obsessed with giving every detail, of every sexual encounter, from start to finish. I also had to check the publication date of the book sometimes - 2003?! - there's definitely a few too many characters who seem to have been crafted in the 20th century when authors 'got away' with cultural stereotypes a bit more (Kimy's broken phonetic speech, anyone?!).
Overall, the concept was great - yet it could have been executed better. There was some good points, but also some bad points. Yet, the last 100 pages had me gripped - which makes me question what rating is best for this book. An (above) average 3.75 stars for The Time Traveler's Wife.
Graphic: Death, Sexual content, and Miscarriage
Moderate: Suicide, Adult/minor relationship, and Violence