Reviews with content warning for Abandonment - Meine dunkle Vanessa

Reviews tagging 'Abandonment'

Meine dunkle Vanessa by Kate Elizabeth Russell, Ulrike Thiesmeyer

34 reviews

lucy_readsbooks13's review against another edition

challenging dark reflective sad fast-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? N/A
Flaws of characters a main focus? It's complicated

4.75

I honestly have no idea how I feel about this.
This managed to make me feel so angry, sad, and confused at the same time.
The writing is beautiful, this author managed to write something so disgusting and terrible in a way that makes you want to read it.
It was difficult to start, I read the whole first chapter and was about halfway through the second when I had to put it down for a week, just to mentally prepare myself and make sure my head was in the right place.
Vanessa made me feel bad for her, made me root for her, and made me want to punch her in the face with some of her decisions, and even now, I can't say I like her as a character, and if she was a real person (and unfortunately Vanessa does exist out there) I would give my best to try and help her and support her because this world failed her. Her family, friends, system...
Truly a brilliant piece of writing, and I hope that someday, not soon though, I find the strength to read it again, truly focusing, not just on the book and the story itself, but the writing.
Descriptions of manipulation, threats, violence... One of the best books I've read in my life, and definitely the best one I've read this year.

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kyrstin_p1989's review against another edition

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challenging dark emotional sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

4.0

Disturbing on a level that I can’t formulate words for while also giving voice to girls and women who have been brainwashed into believing they were never victimized. Definitely check the trigger warnings. This book is heartbreaking and depicts horrible things happening to young girls. It also depicts these girls unwillingness to believe they are anything other than special and cared for by the men who are their abusers.

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librarianinacardigan's review against another edition

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dark sad medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

4.0

Content Warnings

jordanleigh321's review against another edition

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challenging dark emotional reflective sad medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.25

Content Warnings

molly_hn's review against another edition

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challenging dark emotional reflective slow-paced

5.0

During the process of what happens to her and the experiences she endures and, at times, feels a participant in, Vanessa swallows fire, all the while building a cavern of ice within her self. She is haunted by the witness marks left by him. The ice keeps her absent from feeling, at a distant from processing… the ice leaves her feeling what she was taught to believe is the sensation of safety. And slowly, we see the ways Vanessa, now a architect, having served an apprenticeship under her abuser (‘I start to realise the point isn’t really whether I like the books; it’s more about him giving me different lenses to see myself through’- but the lenses were always his, not her construction), of her own withdrawal from self, might learn the route back to growth… back to self… back to seeing the her that was left waiting, yearning for a real safety, a real knowing and valuing of her own capacity to love and be loved.

This book is a complex portrayal of trauma, child sexual abuse, and it’s responses to it. We see how memory formation is so impacted and shaped by her abuser and how shame creeps into the scene of her own sexual identity, the subtlety of being told one is but a mirror to the other. It feels wrong to rate a book about such a controversial topic and an unflinchingly complicated depiction of grooming and coercion. Coercion is examined from the perspective of the subject of that treatment, a subject who cannot see herself so (‘There are things he needs to believe in order to live with himself, and it would be cruel for me to label these as lies’)… it feels wrong to rate a book about that so highly. It is controversial. It is triggering. It is really difficult to read. The words are unflinching but the read is a flinching one. While the story is not my own, Vanessa resonated with me and my experiences deeply. I could see elements of me in what was explored. And for that resonance alone, I think Russell deserves all the stars.

Projective identification is so stark within the dynamics and is captured at its very essence. The dependence feels heart wrenching. Our own guts twist and turn as we feel the stone of dread on behalf of Vanessa. I wanted to save her. And I realised that I have rarely held that desire for myself. Save myself.

There is a subtle depiction of transgenerational aspects of trauma and attachment style. We see how the pride in ‘knowing how to protect her, myself, everyone at once’ creates extreme vulnerability. What we prize as good principles to foster, can often be our downfall if held too rigidly. The interweaving of mum into the novel is just… it’s subtle, realistic, beautiful and unblaming. The novel does not hesitate to draw upon the treatment of trauma survivors more generally in our ‘informed’ society, where the responsibility to speak out is often too harshly placed at the feet of those who have endured. The morality tightrope of judgement in this arena is a fierce one and the absence of compassion, but the beginning of a bridge towards it, is captured by Russel. Words can be weapons and language so often, as observed by Vannessa in her reading of Titus Andronicus, can so often fail in the face of horror, violence and human-to-human harm, particularly when the harm is ‘hidden’ and internalised.

I am fearful that my own words here are not doing justice to the work that is this book. As I said, for the resonance in my personal psyche alone, Russell deserves all the stars.

Content Warnings