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onlyonebookshelf's review against another edition
emotional
hopeful
inspiring
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.5
Content Warnings
Moderate: Colonisation
Minor: Homophobia and Lesbophobia
analenegrace's review against another edition
emotional
hopeful
inspiring
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I purchased this for a romance book club I'm a part of and wasn't expecting to particularly enjoy it because I don't usually love historicals, although it, especially LGBTQ+ historicals, has been growing on me. But instead, I loved this book so much. It has everything I have come to appreciate from a historical romance novel, a lot of romance but also a lot of another plot that is unique and allows the characters to grow. For example, some of Cat Sebastian's books that I have read this year had that in spades!
Both Catherine and Lucy were beautiful characters that developed so well, I loved seeing their romance develop, leading their confidences and, even, their feminism to grow. Catherine especially felt so earnest in her emotions as she realized her sexuality in comparison to Lucy's early childhood knowledge of her sexuality. Their relationship felt real and honest while being beautifully written; the prose in this novel is gorgeous!
The plot itself was so engaging that although the romance was fantastic, the plot made the book for me. I personally struggle in science, so I loved that Lucy wrote the expanded translation to be for the common woman, especially with the knowledge at the time that women would not have had access to certain levels of education. I loved the twist with Olrean being a woman and a black woman at that! I particularly enjoyed that the book did not stray from the classism, racism, and especially misogyny of the time, with Catherine somewhat acknowledging her privilege at times, and her husband's use of his privilege as a white man in the times. It felt both realistic in that she did not fully see the issue with the colonization etc but did see it somewhat.
The side characters also added to the book so much, with each feeling fleshed out and thoughtfully created. The diversity was well-written, and I especially enjoyed Mr. Frampton and his pushing and support of Lucy even when he could have had the fame himself. Catherine's "Aunt", who turned out to have been her mother's lover, was another character I greatly enjoyed because it showcased lesbian/queer women's history and constant existence.
I highly recommend this book and will definitely be checking out other books by this author!
Both Catherine and Lucy were beautiful characters that developed so well, I loved seeing their romance develop, leading their confidences and, even, their feminism to grow. Catherine especially felt so earnest in her emotions as she realized her sexuality in comparison to Lucy's early childhood knowledge of her sexuality. Their relationship felt real and honest while being beautifully written; the prose in this novel is gorgeous!
The plot itself was so engaging that although the romance was fantastic, the plot made the book for me. I personally struggle in science, so I loved that Lucy wrote the expanded translation to be for the common woman, especially with the knowledge at the time that women would not have had access to certain levels of education. I loved the twist with
The side characters also added to the book so much, with each feeling fleshed out and thoughtfully created. The diversity was well-written, and I especially enjoyed Mr. Frampton and his pushing and support of Lucy
I highly recommend this book and will definitely be checking out other books by this author!
Content Warnings
Graphic: Bullying, Sexual content, and Misogyny
Moderate: Cursing, Emotional abuse, Lesbophobia, and Homophobia
Minor: Domestic abuse, Grief, Racism, Toxic relationship, Colonisation, Classism, and Death
wilybooklover's review
emotional
hopeful
medium-paced
3.5
Content Warnings
Graphic: Sexism, Sexual content, and Misogyny
Moderate: Racism, Homophobia, Lesbophobia, Panic attacks/disorders, Domestic abuse, Emotional abuse, and Toxic relationship
Minor: Death of parent, Death, Grief, and Colonisation
talonsontypewriters's review
emotional
hopeful
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Content Warnings
Graphic: Misogyny, Sexism, and Sexual content
Moderate: Domestic abuse, Toxic relationship, Lesbophobia, Emotional abuse, and Homophobia
Minor: Alcohol, Grief, Infidelity, Death, Death of parent, Xenophobia, Colonisation, and Racism
loxeletters's review
inspiring
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
3.75
I have a quite complicated relationship with this book. There are parts that I loved – or at least, found extremely satisfying to read – which include mostly the instances of Lucy winning over misogynist men. I enjoyed the prose, which was rich in imagery and overall pleasant to read. Where there were sex scenes, they felt mostly natural and weren't shrouded in awkward wording or overly explicit descriptions.
There is a lot of talk about both astronomy and embroidery/fashion (though it never gets too technical in either topic). If that doesn't interest you, this book might bore you at some point.
The characters were more or less well-developed, though most of the supporting characters fell a little flat. Catherine and Lucy both had their own hopes and dreams as well as their fear and weaknesses, Catherine even more so than Lucy in this regard.
There are two main points I took issue with:
a) the romance. It wasn't unhealthy or forced or anything but, boy oh boy, was it rushed. Insta-love at its finest. Lucy arrives at the mansion and is basically immediately in love with Catherine, even though she was just heartbroken by her prior lover's sudden marriage. Similarly for Catherine. The attraction seemed to rely entirely on physical attractiveness, as well. This, of course, ceased to be a relevant issue after the first few chapters – other than my second issue, which was constant throughout the book:
b) the handling of sexuality and past abuse. It's not that it was handled badly: in fact, the opposite. But at some point, suspense of disbelief just couldn't cover the insanely modern conceptions of sexuality and abuse that many of the main characters held. This is set in the 19th century, yet the characters, especially Lucy, felt like they'd been plucked from a modern-time feminist demonstration and transported into Victorian England. What's more, there simply was an astounding amount of homosexual people in this novel, reminiscent of some fanfictions where the author simply turns the entire cast into some LGBTQ variations.
I can appreciate what the author was trying to do here – show the diversity that of course existed even in those times – but in a book that revolves around only two characters the vast majority of the time, making seven characters LGB (just off of the top of my head) is an insane stretch.
Regarding (past) abuse: the author probably wanted to handle this topic carefully and discuss it in the way it deserves to be discussed. However, in my opinion, this again was difficult to reconcile with the time period the book takes place in. Also, I felt that the consequences of Catherine's trauma and her road to recovery could have been explored way more.
This is not to say that I didn't enjoy the book, however. What I found especially interesting were the discussions about art and science: the difference between them, what counts as art/science, and what part misogyny plays in such a definition. Another very insightful discussion was about legal marriage in contrast to "informal" relationships: the benefits and disadvantages of either, and the way the two solved this issue for themselves in the end.
Finally, I do need to mention that I saw the twist at the end coming from quite a bit earlier. This did not detract from my enjoyment of seeing entitled men suffer, though. :)
Overall, I wouldn't consider this book a literary masterpiece. However, it touches on very important subjects in an interesting and delightfully fresh way. The plot and characterisations are solid. The way the author incorporated LGB representation and the handling of abuse, though I disagree with it, are understandable. This is a quick, entertaining, and quite satisfying read.
There is a lot of talk about both astronomy and embroidery/fashion (though it never gets too technical in either topic). If that doesn't interest you, this book might bore you at some point.
The characters were more or less well-developed, though most of the supporting characters fell a little flat. Catherine and Lucy both had their own hopes and dreams as well as their fear and weaknesses, Catherine even more so than Lucy in this regard.
There are two main points I took issue with:
a) the romance. It wasn't unhealthy or forced or anything but, boy oh boy, was it rushed. Insta-love at its finest. Lucy arrives at the mansion and is basically immediately in love with Catherine, even though she was just heartbroken by her prior lover's sudden marriage. Similarly for Catherine. The attraction seemed to rely entirely on physical attractiveness, as well. This, of course, ceased to be a relevant issue after the first few chapters – other than my second issue, which was constant throughout the book:
b) the handling of sexuality and past abuse. It's not that it was handled badly: in fact, the opposite. But at some point, suspense of disbelief just couldn't cover the insanely modern conceptions of sexuality and abuse that many of the main characters held. This is set in the 19th century, yet the characters, especially Lucy, felt like they'd been plucked from a modern-time feminist demonstration and transported into Victorian England. What's more, there simply was an astounding amount of homosexual people in this novel, reminiscent of some fanfictions where the author simply turns the entire cast into some LGBTQ variations.
I can appreciate what the author was trying to do here – show the diversity that of course existed even in those times – but in a book that revolves around only two characters the vast majority of the time, making seven characters LGB (just off of the top of my head) is an insane stretch.
Regarding (past) abuse: the author probably wanted to handle this topic carefully and discuss it in the way it deserves to be discussed. However, in my opinion, this again was difficult to reconcile with the time period the book takes place in. Also, I felt that the consequences of Catherine's trauma and her road to recovery could have been explored way more.
This is not to say that I didn't enjoy the book, however. What I found especially interesting were the discussions about art and science: the difference between them, what counts as art/science, and what part misogyny plays in such a definition. Another very insightful discussion was about legal marriage in contrast to "informal" relationships: the benefits and disadvantages of either, and the way the two solved this issue for themselves in the end.
Finally, I do need to mention that I saw the twist at the end coming from quite a bit earlier. This did not detract from my enjoyment of seeing entitled men suffer, though. :)
Overall, I wouldn't consider this book a literary masterpiece. However, it touches on very important subjects in an interesting and delightfully fresh way. The plot and characterisations are solid. The way the author incorporated LGB representation and the handling of abuse, though I disagree with it, are understandable. This is a quick, entertaining, and quite satisfying read.
Content Warnings
Graphic: Sexual content, Misogyny, and Sexism
Moderate: Racism, Grief, Homophobia, and Death of parent
Minor: Domestic abuse, Sexual violence, Alcohol, and Colonisation
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