Scan barcode
wet_towlette's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
I was originally intrigued by this book because of the aspect of reconnection to Sam through phone calls. But that actually turned out to be the least interesting part for most of the book. I really enjoyed when Julie was interacting with other people in sams life much more. I think that’s why I didn’t rate this higher. The phone calls with Sam didn’t get really interesting until about 80%.
The ending did make me cry, although not as much as I was expecting. I also teared up many other times throughout.
So, overall, it’s a pretty solid read and was an interesting book to begin reading to get me back into contemporary. I like the pain.
Graphic: Grief, Death, and Car accident
Minor: Sexual harassment and Violence
britheereader's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Death and Grief
Moderate: Sexual harassment
m_riaelle's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.75
Good points:
It has potential. I was going through it negatively until it made me remember Sam and Julie are teens. Co-dependency was a mechanism for peer pressures, especially in school. How lonely it gets when there's no one beside to depend on while it seems like everybody has someone.
Some of the 'Before' had me smiling because I know those things happen when you want to impress someone. And I get why Julie only ever interact with Sam's family and friends as they're living in a small town, and again because they're teens. That's when I realized they don't develop when they're together.
I like Mika, James, and Oliver.
Bad points:
The phone call was supposed to be an unfinished business, the goodbye, but it turns out to be 'call me as if I'm not dead, so you look crazy.' But then, I let this one go because grief is something that could make you go crazy or nothing at all (I've been there). Julie was almost ready to move on, but the phone call happened. I thought it was closure, but it was a path Julie should not have taken because she depended on the phone calls to keep herself together. Yet again, I let this go because grief is a whole new level that people go through differently no matter how you know their story. After all, we're just looking from a third-person point of view.
Moreover, Sam kept answering Julie's calls because somehow he's still 'processing' that he's dead. It seems selfish for Sam to do this to Julie, but Sam abruptly lost his life and can't accept it that easily. And as they always do, they depend on each other. In conclusion, they're both humanely toxic for each other if grief isn't part of the context.
I can't seem to like the main characters.
Then, the reason I kept pacing back and forth, thinking what doesn't sit right while reading this is the execution of the plot itself. I get it. Contemporary with a dash of fantasy. But all this makes Julie look like she needs professional help as this coping mechanism is delusions or something like that. I've read and watched countless books and movies or shows that centre on grief, and mostly, it's illusions and how they asked for help when it's almost ending. But, Julie didn't reach out for help. Until the end, she believed it was Sam. I guess that's what makes me not feel connected to the character because I would've ended the phone call halfway through the story. The fear of going crazy and isolating myself will make me drop the call and wish for someone to help me. Additionally, the story itself, the phone call; just made it slower for Julie to move on. The plot wasn't it for me.
But damn, Sam's will to live hurts me soo much.
I'll be giving this a generous 2.75 stars because it made me smile, and mostly it's because of James, Mika and Oliver. The author has potential, and I will still give his future books a gamble.
TW: Death, Car Accident, Grief, Sexual Harassment (not by any known character), Bullying, and Racism (search it up for more specifics or correct TW as mine is what I thought is TW while I read it)
Graphic: Death, Grief, and Car accident
Moderate: Bullying
Minor: Sexual harassment
haley49's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Death and Grief
Moderate: Bullying, Child death, Car accident, and Racism
Minor: Sexual harassment
quillify_'s review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
"You never said good-bye…”
“That’s because I never thought I had to…”
I deducted one star only because I feel that the timeline was too short. Asking people to move on one or two weeks after your loved one dying seems a bit callous.
Graphic: Grief, Car accident, and Death
Moderate: Racism
Minor: Sexual harassment
catorureads's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Moderate: Sexual harassment and Racism
lucychanning's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Moderate: Death, Racism, Sexual harassment, and Car accident
apersonfromflorida's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.75
Graphic: Death
Minor: Sexual harassment
caseythereader's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.25
- Well, you can probably tell from the summary above that this is the book to pick up if you want a good cry, and I can confirm that.
- YOU'VE REACHED SAM perfectly portrays all the confusing ways grief can manifest, ranging from anger to denial, pulling people closer and pushing people away.
- Personally, I don't mind books where the supernatural/magical elements aren't explained in any way: this is just a book that you have to accept the premise going in and simply follow where it takes you. It's worth it, I promise.
Graphic: Car accident, Child death, Death, and Grief
Moderate: Alcohol, Racism, Sexual harassment, and Violence
booksthatburn's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I kept thinking it was going to, at some point, explain how they were able to talk on the phone. The question was raised repeatedly, but Sam doesn't know and Julie never learns how or why it worked. I wish it hadn't felt like maybe the answer would appear, and I hope that anyone planning to read it can have a better experience from knowing not to wait for that reveal which never comes. Setting aside my longing for a literal answer, the way the connection manifested felt like it paralleled (and perhaps reinforced) the shape of Julie’s grief. That resonance was important and worked well in the story. It's very focused on her and her focus on Sam for much of the book, gradually showing more of her other connections and relationships as she's able to start thinking about people other than him and about things other than her loss. The change comes slowly enough to feel real and makes for a thoughtfully done and very poignant portrayal of grief.
Graphic: Grief
Moderate: Racism, Violence, Alcohol, and Death
Minor: Ableism, Sexual harassment, and Toxic relationship