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katharina90's review against another edition
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
3.0
The plot I wasn't impressed with and had trouble keeping the characters straight for much of the book.
Once again the audiobook narrator did a fantastic job.
Graphic: Murder and Death
Moderate: Injury/Injury detail
Minor: Drug use, Rape, Sexual assault, and Child abuse
iridescentdreams's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.5
Graphic: Blood, Death, Violence, Vomit, Injury/Injury detail, and Body horror
Moderate: Alcoholism
Minor: Child death, Rape, and Car accident
bibliomania_express's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
There were some things that I guessed, wondered if I was wrong, and then was vindicated. But that just enhanced my enjoyement of the story. There were also a lot of things I didn't guess, and I loved the whole denoument scene. And it's so fun thinking back to all the "spoilers" in the first chapter and seeing what they mean once you know.
I also really enjoyed the setting and how vivid the Australian countryside is. The bit about opal mining was particularly interesting. I also appreciated that the book has a map of the train, which made it clearer to see where everyone was in specific moments.
This book does deal with some heavy topics. In line with the fourth wall breaking, Ernest lists all the crimes committed in the first chapter.
Graphic: Gore, Vomit, and Murder
Moderate: Sexism, Blood, Alcoholism, Violence, Suicide, Injury/Injury detail, Grief, and Death
Minor: Rape, Car accident, Pedophilia, and Child abuse
persephonefoxx's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
Graphic: Gore, Murder, and Death
Moderate: Alcoholism, Rape, Injury/Injury detail, and Vomit
Minor: Gun violence, Child abuse, and Pedophilia
esme_bonner's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.25
Stevenson has an exceptional talent for description: he is a master of the quirkily effective simile, and the way he layers in detail and energy, colour and texture, comes together to create deeply impactful imagery. I also really enjoy how he builds characters, introducing details like clues, letting our understanding of these characters grow with our suspicion. I do not know if Elmore Leonard's are another set of writing rules he subscribes to, but Stevenson does avoid physically describing his characters, beyond what they're wearing. This isn't a problem, but personally I find it harder to connect to them, because I can't really picture these people in a real way. He is an immensely talented writer, and that is as clear in this book as it was in the first.
I really enjoyed the story of this one, the characters were not quite as realised as the last, but I don't think that hurt anything. These are all first person, so it makes sense that they wouldn't be as real and fully-fleshed to Ernest as his own family. Like the last, the mystery here was complex, the clues slotting together in a comedic, exciting and multi-faceted denouement. Ernest is a wonderful narrator, he is both actively and self-consciously pro-woman, he bows to superior understanding, and he appreciates his role as accidental protagonist. In many ways Ernest is the anti-thesis of the Golden Age male detective, because he sees and understands the value of others, he is Watson to the universe's Holmes. In this second book we see Ernest trying to find his feet in this new space, and trying to unlearn some of his bad-habits, I loved seeing Ernest grow as a character, and the way he found confidence in himself.
A last little issue, this is not a romance. It isn't trying to be a romance. But Ernest's relationship with Juliette is possibly the only weak element of this book. Juliette tells us she is not the stereotypical sidekick girlfriend, Ernest tells us she is talented, she is helpful, and they are in love. We as the reader see very little of this, we see, in fact, very little of them together. When they are together they converse, they kiss, they don't really seem any closer than any other two people. Given that we didn't see them get together, and we have no real insight into their day-to-day together, Stevenson needs to give the reader a little more to understand why these two are together at all. His lack of physical description is also an issue. Ernest tells us Juliette is beautiful, but we don't know what she looks like, she is not lovingly described. In fact, the only detail we get is that she is 'a head' taller than him. What I'm saying, is that it's hard to picture this loving couple, when you don't know what they look like, or why they're in love. I hope this series continues, I would love to read another, but I would hope if it does that their relationship is more fully realised.
Overall, this was a fantastically written, well-formed, exciting mystery novel. I throughly enjoyed reading it, and I will be reading any further instalments.
Graphic: Death and Alcoholism
Moderate: Sexual violence
Minor: Rape
This is a murder mystery, and there is death. It is not gorey, but it is made clear the ways in which people are killed. There is reference made to multiple historic sexual assaults, including both rape, and the sexual exploitation of children. This is not referenced in explicit detail, but is mentioned more than once.jackierobinson's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.75
Graphic: Injury/Injury detail, Blood, Alcohol, Death, Murder, and Vomit
Moderate: Medical content, Drug use, Sexism, Rape, Violence, Sexual harassment, Car accident, and Sexual assault
Minor: Adult/minor relationship
cartridgepink's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
Graphic: Murder, Death, Violence, and Blood
Moderate: Sexual assault, Rape, and Sexual violence
christygsp's review against another edition
5.0
Just as witty and interesting as the first, but with a new feel and plot.
I missed Ernest but didn’t realise until I started reading.
Story was clever enough to keep me engaged and throw me a lot of curveballs that fit into reliable narrator, with some fun windy roads.
Loved it
Graphic: Murder and Death
Moderate: Violence
Minor: Rape and Gore
ajone540's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Graphic: Car accident, Murder, and Death
erinn93's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Moderate: Death and Violence
Minor: Rape and Drug use