Reviews tagging 'Alcohol'

Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin

132 reviews

theespressoedition's review against another edition

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slow-paced

3.0


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carimz's review against another edition

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challenging emotional reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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heather667's review against another edition

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challenging dark emotional hopeful informative sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5


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alliejm00's review against another edition

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challenging emotional hopeful sad tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.75


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boop_nico's review against another edition

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adventurous dark emotional hopeful inspiring sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

Beautiful book. Definitely worth the hype. 

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particledamage's review against another edition

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reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.5

I'm going to be honest--this book is a slog and it suffers under the weight of its own attempted profundity.

The beginning of this story feels like reading something by Jason Schreier, who is a great writer but not apt for character pieces like this. And it is only downhill from there in terms of storytelling. (And in terms of utilizing video games as a narrative tool. Using video games to describe sex was an odd choice and not one executed well. Same with using "You're a gamer" to help comfort someone traumatized about a death they witnessed.) This book feels like it constantly wants to hide information and use it later for plot twists or clarification but this doesn't work when it uses (and abuses) perspectives from both Sam and Sadie (and sometimes Marx); so, instead, it just uses jumps forward and backwards in time to slowly unleash new information that every character knew but the reader does not. It feels cheap and often aggravating because the "new" information rarely slots in well with the older perspectives. For a book about video games, it should know how to retcon better.

And this feels like a larger symptom of what is wrong with this book--this book wants to overexplain everything and then begs you if you noticed. Very much like a 12 year old trying out a comedy routine only to ask you "Did you get it?" after each joke, only instead every "deep" scene or moment of symbolism is shortly followed up by someone just bluntly saying the point to really drive it home. This book thinks it's so deep it needs to hold your hand to bring you to the point, only for the point to have been very obvious and somewhat mundane the entire time.

And sometimes, the attempts to be deep and truly "literary" are so blatant, it pulls you completely out of the narrative. The ongoing saga of The Anna Lees, the abortion reveal that had zero narrative oomph, or the Pac Man scene about death. It feels silly. It feels overwrought.

And yet things like Sam and Sadie's (and Marx's) relationship feels undeveloped despite being the central focus. The foundation of their relationship is left vague--we know the details but not the conversations--and yet we watch them fight for and give up their relationship and are expected to care, even when the new reason for falling out is just suddenly dropped in and expected to be taken seriously. I never knew why I should care besides going these deeply lonely people are codependent and then not codependent. Okay, and?

This book is just telling me things and expecting me to care. And then telling me the same thing but more bluntly, expecting me to care more. I never did. I feel like the author handed me what she thought was a gold bar but then I knocked on it and it was hollow.

Every character felt flat, like they would flex to become whatever the narrative needed in that moment. They got worst, just to amp up drama, and by the end the main two felt quite loathsome and also quite dull. Some narrative flourishes like the shift in perspective and storytelling helped distract from this book-cratering issue and helped pick up the pace but ultimately this book left me unsatisfied.

It tried to be too many things for too many people and ultimately ended up not being a lot. It had a lot of small observations to make along the way but I wasn't wowed by it's conclusive statements.

Also, I do not think Zevin has played a video game or knows how video games work.

Which wasn't its gravest sin but was maybe emblematic of how this book bit off more than it can chew. 

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squidknees's review against another edition

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emotional funny hopeful inspiring reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

Like The Fault in our Stars like A Little Life like Normal People Sally Rooney

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chaoticnostalgia's review against another edition

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reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.5


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cnnr876's review against another edition

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adventurous emotional funny inspiring reflective sad fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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evreardon's review against another edition

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challenging emotional reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.25

I started this books months ago and never really got into it. I was maybe 30 pages (or less) into it when I put it down. I wish I could tell you why.

It wasn’t until after I read The Storied Life of A.J. Fikry that I felt an urge to pick this back up. I understood more of Zevin’s style and knew I had to push through.

Zevin’s style isn’t my favorite but there’s something about it that digs its claws into you once you get past the first few chapters.

The most resonating quote to me is one she chose to not use in the book but instead was in her notes in the back. “The friendships we make when we’re young are like a spell cast over our entire life.”  I’m drawn to it because I relate. 

Zevin has a gift of being able to write novels that span years and years without getting bogged down with minutia. I’m so used to reading novels that take place over the span of weeks or months where every little thing is detailed that this was a pleasant break. 

I love the moment when you finally understand the title. It was so perfect and touching. 

“It isn’t a sadness, but a joy, that we don’t do the same things for the length of our lives.” 

I loved the characters even though there were times I hated them. They were perfectly imperfect and flawed. 
The exploration of friendship, family, love, and loss is expertly written. There’s no one way to experience it all and Zevin showed that wonderfully. 

I don’t think you need a strong interest in video games to read this because it’s mostly about the people. I have a passing fancy in video games and I still greatly im enjoyed this without knowing all the gaming references. 



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