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mirk's review against another edition
3.0
I enjoyed reading this book, but there was much about it that was awkward and the plot felt a bit jammed. Stross needed to explain back events in order to make the current events work, and how these events are reveled are less than convincing. However, I wasn't unhappy that I spent the time reading the book.
chewbacca's review against another edition
adventurous
dark
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.5
rmohns's review against another edition
challenging
dark
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
3.0
svenseven's review against another edition
4.0
This was a refreshing and interesting book that takes a look at modern society by taking place several hundred years in the future and placing it's main characters into a society that is mimicing our current society. The overly literal way of describing everyday objects and events was fun and didn't slow the book down. There was a slow section in the middle of the first half of the book where he describes the society they have been placed into. Though in the end this is good. It sets up the base and the excitement builds from there. A good book for a fun read that has a thinly veiled deeper meaning. IF you like futuristic sci fi than this book will be even better.
piratescribe's review
4.0
I stopped reading Accelerando, but not permanently. (Not like Dies the Fire, the probable inspiration for the upcoming TV show, "Revolution." That book is the only one that I've put down mid-way and said, "Nope! I'm done, thank you. No more.") It really is a fascinating book that depicts the coming singularity, the advent of the posthuman age, in a believable and detailed manner. Unfortunately, I'm finding it a bit too dense, too inscrutable when it comes to the detailed, and far too often, explanations of intellectual property rights and venture investing and whatnot.
In contrast, Glasshouse, like Halting State, is more action and adventure. Where Accelerando explains the posthuman rise, Glasshouse exists in it. We don't need to be told what's happening, it just happens. In the opening pages, the first scene, the reader is thrust right in the middle of a strange, new existence where bodies are interchangeable and minds can be backed up and restored. At first, you have no idea if the characters are players in an advanced online RPG, a virtual reality, or what. But soon we come to accept that this setting is post-Earth, post-human, post-normal expectations of what it means to have a body or even an identity. The protagonist, Robin, goes through a crisis of identity involving his past life (lives -- in the metaphorical sense, not any metaphysical "reincarnation" sense), while at the same time dealing with his current situation as a test subject in a closed environment meant to simulate late 20th, early 21st century Earth.
One of the most clever conceits of this novel is making most of it take place in a setting that's vaguely familiar to the reader, if a bit askew (like a collision between the village from "The Prisoner" and the town from "Leave it to Beaver," with Shirley Jackson's "The Lottery" and an Ikea display showroom), and allowing that to counterpoint the characters and their floundering in this environment. We can understand the posthuman world better because of the way the characters who live in that foreign world react to the things and ways of our world--and at the same time provides the cognitive estrangement needed to examine our own ways and mores with their arbitrary restrictions and customs.
Meanwhile, Robin must solve a couple of mysteries, one involving who these people are running the experiment, and the other involving his missing memories.
Glasshouse is well-written and moves reasonably quick, but there are annoying moments where characters occasionally do or say something odd that pulled me out of the book. Whether it was something that was unmotivated, or awkwardly phrased, I found moments that my reading ground to a halt, I would have to go back and re-read the passage to see if I missed something, and just ended up shrugging and moving on. Fortunately, that was a rare occurrence. The only other complaint, is that some of Robin's background and history would be presented in flashback with teasingly little in the way of context and explanation. This is fine, when explanation does eventually come and the tangles and loose ends get wrapped up; however, too much of his flashback went unexplained for too long, making it difficult to understand how it motivated some of his fears and goals. By the end, when the whole story starts to come together, I felt it was too late to make me really grasp who he was and what was going on in the past.
Indeed, difficult not just in understanding Robin, but the history of the book as well. The greater wars and conflicts that happened before the novel begins, which helped shape the condition of transhumanity in this story. Some of it in intentional, as, and this is difficult to explain without spoilers, much of history is actually lost to the characters and must, therefore, be lost to us readers. But I feel as though there are too many holes that Stross let go in the backstory that I really needed to have filled before the climax.
Stross and his works appeal to me because of my own keen interest in the topic of post- and transhumanity. It's been a focus on my own graduate work (and, hopefully, will be the focus of my doctorate work when I finally get to attend Trent University. Oh, yes--one day I shall!), my writing, and my hobbies. I've written recently on my love for the pencil-and-dice RPG, Eclipse Phase. The creators of that game, set in a quasi-posthuman universe, have listed Charles Stross as a "writer to watch," and it's no wonder why: I don't think it's unfair to say that Eclipse Phase was heavily influenced by Glasshouse (and Accelerando), as much as it was inspired by Richard Morgan's Altered Carbon, and maybe a bit by Cory Doctorow's Down and Out in the Magic Kingdom. (I really want to see reputation (i.e. Doctorow's "wuffie") used more as currency and capital n the game!)
In contrast, Glasshouse, like Halting State, is more action and adventure. Where Accelerando explains the posthuman rise, Glasshouse exists in it. We don't need to be told what's happening, it just happens. In the opening pages, the first scene, the reader is thrust right in the middle of a strange, new existence where bodies are interchangeable and minds can be backed up and restored. At first, you have no idea if the characters are players in an advanced online RPG, a virtual reality, or what. But soon we come to accept that this setting is post-Earth, post-human, post-normal expectations of what it means to have a body or even an identity. The protagonist, Robin, goes through a crisis of identity involving his past life (lives -- in the metaphorical sense, not any metaphysical "reincarnation" sense), while at the same time dealing with his current situation as a test subject in a closed environment meant to simulate late 20th, early 21st century Earth.
One of the most clever conceits of this novel is making most of it take place in a setting that's vaguely familiar to the reader, if a bit askew (like a collision between the village from "The Prisoner" and the town from "Leave it to Beaver," with Shirley Jackson's "The Lottery" and an Ikea display showroom), and allowing that to counterpoint the characters and their floundering in this environment. We can understand the posthuman world better because of the way the characters who live in that foreign world react to the things and ways of our world--and at the same time provides the cognitive estrangement needed to examine our own ways and mores with their arbitrary restrictions and customs.
Meanwhile, Robin must solve a couple of mysteries, one involving who these people are running the experiment, and the other involving his missing memories.
Glasshouse is well-written and moves reasonably quick, but there are annoying moments where characters occasionally do or say something odd that pulled me out of the book. Whether it was something that was unmotivated, or awkwardly phrased, I found moments that my reading ground to a halt, I would have to go back and re-read the passage to see if I missed something, and just ended up shrugging and moving on. Fortunately, that was a rare occurrence. The only other complaint, is that some of Robin's background and history would be presented in flashback with teasingly little in the way of context and explanation. This is fine, when explanation does eventually come and the tangles and loose ends get wrapped up; however, too much of his flashback went unexplained for too long, making it difficult to understand how it motivated some of his fears and goals. By the end, when the whole story starts to come together, I felt it was too late to make me really grasp who he was and what was going on in the past.
Indeed, difficult not just in understanding Robin, but the history of the book as well. The greater wars and conflicts that happened before the novel begins, which helped shape the condition of transhumanity in this story. Some of it in intentional, as, and this is difficult to explain without spoilers, much of history is actually lost to the characters and must, therefore, be lost to us readers. But I feel as though there are too many holes that Stross let go in the backstory that I really needed to have filled before the climax.
Stross and his works appeal to me because of my own keen interest in the topic of post- and transhumanity. It's been a focus on my own graduate work (and, hopefully, will be the focus of my doctorate work when I finally get to attend Trent University. Oh, yes--one day I shall!), my writing, and my hobbies. I've written recently on my love for the pencil-and-dice RPG, Eclipse Phase. The creators of that game, set in a quasi-posthuman universe, have listed Charles Stross as a "writer to watch," and it's no wonder why: I don't think it's unfair to say that Eclipse Phase was heavily influenced by Glasshouse (and Accelerando), as much as it was inspired by Richard Morgan's Altered Carbon, and maybe a bit by Cory Doctorow's Down and Out in the Magic Kingdom. (I really want to see reputation (i.e. Doctorow's "wuffie") used more as currency and capital n the game!)
zillions's review against another edition
3.0
A pretty good post-human tale. Unfortunately the parts involving "recreation of twenty first century lifestyle" tend to come across as fairly lame. Department stores, libraries and pizza? Much more interested in the bizarre post-human shit, like the apocalyptic self propagating memory-censoring worm that uses humans as hosts and jumpgates as infection vectors.
42flyingpenguins's review against another edition
4.0
excellent book. only complaint was that it was a little confusing.
jrt5166's review against another edition
4.0
An ambitious novel. I think Stross was walking a difficult line. It's hard to have a POV character keep secrets from the reader, but I think Stross nearly pulled it off.
magisterzot's review against another edition
adventurous
emotional
funny
reflective
medium-paced
- Plot- or character-driven? Character
4.0
Content Warnings
Graphic: Body horror and Torture
Moderate: Rape and Violence
henryarmitage's review against another edition
5.0
I liked this a lot. Defies easy categorization. Strong cyberpunk
elements, but more than just a cyberpunk book.
elements, but more than just a cyberpunk book.