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breanneporter's review
dark
emotional
hopeful
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
I loved this book, even more than Olga Dies Dreaming, which I also really enjoyed. Anita de Monte Laughs Last alternates between three perspectives over the course of nearly 20 years, following renowned artist/sculptor Jack Martin, his wife and up and coming Cuban-American artist (and titular character) Anita de Monte, and 20-year-old art history student Raquel Torro, who is navigating a new (but familiar) romantic relationship and a thesis on Jack Martin when she discovers the work of the forgotten Anita, who is still very much around to haunt those who have buried her and her work.
This novel has so much fantastic feminine rage and excellent critiques of patriarchy and white feminism. The majority of it is an incredibly frustrating and infuriating read, with moments of righteous revenge to counterbalance the overwhelming injustice and inequity that’s happening, but the title tells you what you need to know to keep reading. Anita and Raquel are both excellent characters, set up to have so many similarities while still having such distinct voices and personas that made them both feel so real. While I understand why we get Jack’s point of view, those were undoubtedly my least favorite chapters, as it’s hard to stomach being inside the self-righteous delusion of an evil and insecure man, but it certainly did only fuel my ire and my desire for justice. I do think that the characters of Claire and Margot were almost cartoonishly awful, (and I mean come on, that night was so bad that I can’t believe be Mavette could ever come back from it, her lack of action and support for Raquel) but I’m glad that the point was made (though these two didn’t get the justice they deserved in my mind!). I love how Xochitl Gonzalez writes about class and privilege and womanhood and I will always read whatever she writes!
This novel has so much fantastic feminine rage and excellent critiques of patriarchy and white feminism. The majority of it is an incredibly frustrating and infuriating read, with moments of righteous revenge to counterbalance the overwhelming injustice and inequity that’s happening, but the title tells you what you need to know to keep reading. Anita and Raquel are both excellent characters, set up to have so many similarities while still having such distinct voices and personas that made them both feel so real. While I understand why we get Jack’s point of view, those were undoubtedly my least favorite chapters, as it’s hard to stomach being inside the self-righteous delusion of an evil and insecure man, but it certainly did only fuel my ire and my desire for justice. I do think that the characters of Claire and Margot were almost cartoonishly awful, (and I mean come on, that night was so bad that I can’t believe be Mavette could ever come back from it, her lack of action and support for Raquel) but I’m glad that the point was made (though these two didn’t get the justice they deserved in my mind!). I love how Xochitl Gonzalez writes about class and privilege and womanhood and I will always read whatever she writes!
Content Warnings
Graphic: Emotional abuse, Murder, Eating disorder, Domestic abuse, Violence, Sexism, Racism, Classism, and Misogyny
katielong84's review against another edition
dark
sad
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.25
Content Warnings
Graphic: Murder, Body shaming, Domestic abuse, Sexism, Death, Emotional abuse, Fatphobia, Misogyny, and Racism
Moderate: Classism
martinj's review against another edition
challenging
dark
emotional
inspiring
- Plot- or character-driven? Character
- Strong character development? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Graphic: Eating disorder, Sexism, Classism, Domestic abuse, Murder, and Racism
Minor: Sexual violence
lorettalucia's review against another edition
emotional
hopeful
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
This was a gorgeous novel. The plotting and characterizations were impeccable. The critique or racism in halls of the elite—the Ivy League, Upper East Side shindigs, the Art Establishment—was incisive and pulled no punches. (Believe me, I’ve been the Brooklyn-reared “ethnic” female outsider in those rooms for most of my life.)
The prose is straightforward rather than flowery but Gonzalez’s ability to get straight to the root of an emotion, big or small, is brilliant.
Content Warnings
Graphic: Domestic abuse
Moderate: Sexism and Racism
starrfishandcoffee's review against another edition
challenging
dark
inspiring
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Yes, yes, yes!!!! I absolutely devoured and LOVED this powerful, rage-filled, sometimes snarky, feminist tale. Set in the ~art world~, told in multiple POVs over dual timelines (1980s/1990s), this novel explores so many universal themes: class, privilege, racism, power dynamics, gender roles, sexism, toxic masculinity, toxic relationships, the weaponization of culture… to name just a few.
Gonzalez flawlessly swings back and forth from artist Anita and her chaotic marriage to the abusive Jack to Raquel falling under the spell of fellow student Nick and entering an ever so subtly suffocating relationship with him (read: toxic, racist, controlling, rich, white fxxkboy). The nuances of what abuse and privilege look like are crafted so perfectly, it reads and feels like a story that we’ve all heard so many iterations of so many times, too many times, or perhaps unfortunately are personally familiar with.
Anita is at times unhinged and vengeful (which I love), but she is fundamentally what so many of us women are: seeking to be seen, heard, and appreciated in our own right.
This book made me laugh, made my blood pressure rise, made me punch the air in triumph. READ IT!!!!!!!
Gonzalez flawlessly swings back and forth from artist Anita and her chaotic marriage to the abusive Jack to Raquel falling under the spell of fellow student Nick and entering an ever so subtly suffocating relationship with him (read: toxic, racist, controlling, rich, white fxxkboy). The nuances of what abuse and privilege look like are crafted so perfectly, it reads and feels like a story that we’ve all heard so many iterations of so many times, too many times, or perhaps unfortunately are personally familiar with.
Anita is at times unhinged and vengeful (which I love), but she is fundamentally what so many of us women are: seeking to be seen, heard, and appreciated in our own right.
This book made me laugh, made my blood pressure rise, made me punch the air in triumph. READ IT!!!!!!!
Content Warnings
Graphic: Violence, Death, and Toxic relationship
Moderate: Sexism and Racism
bibliomich's review
dark
emotional
funny
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Following two parallel stories set a decade apart, Anita de Monte Laughs Last dives deep into the themes of art, ego, racism, classism, feminism, and love. And Xochitl Gonzalez does this with such brilliant wit that the book had me literally laughing out loud one second, and then dropping my mouth in astonishment in the next.
What I loved:
- The audiobook narration. If you can listen to this one, I highly recommend it. The book rotates between three different narrators, all of whom bring so much life and passion to the characters' voices.
- The characters: Anita de Monte is the queen of revenge, and I loved every second of it. Beyond the title character, though, Gonzalez has created a full cast of characters whom you love to love and/or love to hate.
- The way the author depicts the art world: I'll admit--I know nothing about the art world, art history, or art genres, but it didn't matter at all. Gonzalez swept me up into this world, and even though I was coming in with no prior knowledge, I felt like I understood it all. The elitism, the b.s., the racism--all of it was so well illustrated that I could see these scenes playing out in my mind as if I were standing there in those very galleries.
Thank you to NetGalley and Macmillan Audio for my advanced listener copy!
What I loved:
- The audiobook narration. If you can listen to this one, I highly recommend it. The book rotates between three different narrators, all of whom bring so much life and passion to the characters' voices.
- The characters: Anita de Monte is the queen of revenge, and I loved every second of it. Beyond the title character, though, Gonzalez has created a full cast of characters whom you love to love and/or love to hate.
- The way the author depicts the art world: I'll admit--I know nothing about the art world, art history, or art genres, but it didn't matter at all. Gonzalez swept me up into this world, and even though I was coming in with no prior knowledge, I felt like I understood it all. The elitism, the b.s., the racism--all of it was so well illustrated that I could see these scenes playing out in my mind as if I were standing there in those very galleries.
Thank you to NetGalley and Macmillan Audio for my advanced listener copy!
Content Warnings
Moderate: Classism, Death, Eating disorder, Sexism, Toxic friendship, Emotional abuse, Body shaming, Toxic relationship, Domestic abuse, Infidelity, Murder, and Racism
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