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helfire124's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Sexual violence, Blood, Body horror, Excrement, Fire/Fire injury, Grief, Medical content, Sexism, Sexual harassment, Domestic abuse, Infidelity, Drug use, Misogyny, Vomit, Infertility, Sexual content, Toxic relationship, Mental illness, Miscarriage, Violence, War, Gaslighting, Body shaming, Bullying, Chronic illness, Colonisation, Confinement, Death, Injury/Injury detail, Kidnapping, Murder, Outing, Rape, Self harm, Slavery, Torture, Pregnancy, Physical abuse, Panic attacks/disorders, Suicidal thoughts, Xenophobia, Ableism, Classism, Emotional abuse, Genocide, Gore, and Homophobia
jess_always_reading's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
5.0
Parker-Chan has a gift for creating complex characters and wonderfully intersecting storylines. In a rare move, I found myself looking forward to reading about and even loving some of the 'villains' (more like antagonists) in the story and there were some unexpected twists and turns that kept me guessing.
He Who Drowned the World maintains and further develops the queer themes and relationships Parker Chan set up in She Who Became the Sun in a way that feels more bold than the first novel but still authentic to the world they have created.
I can't recommend this series enough! 10/10!
Graphic: Violence, Homophobia, Sexual violence, Torture, Ableism, Misogyny, Sexism, Sexual assault, Abortion, Body horror, Grief, Infidelity, Physical abuse, Rape, Self harm, and War
Moderate: Blood and Murder
judythedreamer's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.5
Graphic: Colonisation, Domestic abuse, Fire/Fire injury, Slavery, Suicidal thoughts, Torture, Toxic relationship, War, Self harm, Infertility, Sexual assault, Dysphoria, Death, Homophobia, Infidelity, Injury/Injury detail, Mental illness, Violence, Classism, Bullying, Misogyny, Pregnancy, Rape, Schizophrenia/Psychosis , Blood, Gore, Grief, Murder, Physical abuse, Sexism, Ableism, Abortion, Body horror, Emotional abuse, and Sexual violence
mcampany's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
Graphic: Domestic abuse, Slavery, Torture, Homophobia, Infidelity, War, Injury/Injury detail, Self harm, and Sexual content
justinekorson's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Homophobia, Infidelity, Sexism, Violence, Medical trauma, Pregnancy, Grief, Body shaming, Gore, Death, Emotional abuse, Suicidal thoughts, Blood, Sexual content, Misogyny, Murder, Torture, Slavery, Toxic friendship, and War
and_opossum's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Injury/Injury detail, Body horror, Sexual assault, Sexual content, Rape, Self harm, Violence, Death, Murder, and War
Moderate: Slavery, Child death, Infidelity, Grief, and Suicide
yourbookishbff's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Our character foils from book one, Zhu and General Ouyang, orbit each other even more closely in this installment, and I was fascinated to see the ways in which they aided and betrayed one another. I was surprised by how much time we spend with Wang Baoxiang, and didn't anticipate how central his storyline would become, but I honestly loved how the threads came together and how his story intersects with Zhu and General Ouyang. And never fear, because my favorite side character from book one, Ma, becomes pivotal in the final act, and I was so delighted to see how she influences the course of the narrative.
Though this book was exceedingly dark with significant on-page trauma (including rape, sexual violence, miscarriage and abortion, in addition to murder and war), these scenes felt intentional more than gratuitous, as Parker-Chan examines the intersections of revenge, sex, pain and violence in compelling and devastating ways.
I felt the story was surprisingly well-paced (given its length), and there were significant landmark scenes throughout that will haunt me for some time (sailing through ghosts?! IYKYK).
Because of how graphically violent and dark this duology is, I wouldn't necessarily recommend it to all fantasy readers, but I would absolutely recommend for those who love historical fantasy, historical retellings, speculative fiction, gender+bent history, and queer retellings with deeply (deeply) morally gray characters.
Graphic: Blood, Death, War, Misogyny, Rape, Sexual assault, Ableism, Classism, Murder, Outing, Abortion, Grief, Sexual violence, and Miscarriage
Moderate: Gore, Dysphoria, Infidelity, Confinement, and Body shaming
shibh's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Sexual harassment, Slavery, Violence, Grief, Physical abuse, Self harm, Injury/Injury detail, Abandonment, Animal death, Homophobia, Body shaming, Classism, Emotional abuse, Kidnapping, Medical content, Sexual assault, Ableism, Animal cruelty, Bullying, Domestic abuse, Murder, Abortion, Confinement, Genocide, Mental illness, Miscarriage, Rape, Lesbophobia, Addiction, Misogyny, Child death, Colonisation, Dysphoria, Gore, Infertility, Pregnancy, Blood, Body horror, Cursing, Death, Infidelity, Toxic relationship, Child abuse, Pandemic/Epidemic, War, Vomit, Xenophobia, Sexism, Transphobia, Sexual content, Sexual violence, Suicidal thoughts, and Torture
grace_b_3's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Torture, Rape, Murder, Grief, Violence, Transphobia, Sexual content, Self harm, Infidelity, War, Physical abuse, Injury/Injury detail, and Gore
cheye13's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Even more so than the previous book, the transness in this one is tangible. A number of lines were clearly written in response to current events in our world. The interweaving of the ensemble is just as masterful as the first book. Beginning this book, I was afraid that it would fall short because my favorite element of book one couldn't continue (
My options discussing this book are to break it down entirely and speak at length, or to simply say it's magnificent, and I suppose I'll settle for the latter.
(I strongly recommend checking content warnings. If you would prefer not to, keep the tone and events of book one in mind and know book two pushes a little bit further.)
Graphic: Grief, Injury/Injury detail, Torture, War, Miscarriage, Self harm, Death, Misogyny, Murder, and Violence
Moderate: Child death, Sexual violence, Rape, Homophobia, Ableism, Suicide, Gore, Infidelity, Mental illness, and Sexual content
Minor: Abortion, Colonisation, Cursing, Dysphoria, Infertility, Pregnancy, and Trafficking
A number of characters rely on dissociation as a coping mechanism. Especially compared to the previous book, there is quite a bit of on-page sex. While technically on page, it is almost never graphically detailed. Additionally (and fitting for the setting), it almost always falls into the dicey consent grounds of transactional sex – e.g. a lesbian actively choosing to sleep with a certain man for money or power. There is a single rape scene, and again, while on-page, it's brief and sparsely detailed.