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3.5 AVERAGE

challenging funny sad medium-paced
Plot or Character Driven: Character
Strong character development: No
Loveable characters: Yes
Diverse cast of characters: No
Flaws of characters a main focus: Yes

Expand filter menu Content Warnings
emotional funny sad fast-paced
Plot or Character Driven: Character
Strong character development: Complicated
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Yes
challenging inspiring sad fast-paced
Plot or Character Driven: Character
Strong character development: Complicated
Loveable characters: Yes
Diverse cast of characters: N/A
Flaws of characters a main focus: Yes
emotional hopeful lighthearted medium-paced
Plot or Character Driven: Plot
Strong character development: No
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Yes
emotional sad fast-paced
Plot or Character Driven: Character
Strong character development: Complicated
Loveable characters: Yes
Diverse cast of characters: No
Flaws of characters a main focus: Yes

I can't actually review this book--or, play--because I find it very hard to critique something that has historical and cultural value as well as literary value, but I will just say that reading the play this time reminded me just how verbose and linguistic Shakespeare was. I also noticed a few interesting lines that Shakespeare rephrases and reuses in 12th Night and The Tempest. I think his view of love as well as the way he talked about it changed dramatically over the course of his life, and that's actually surprisingly evident in the way he handles his romances.

For instance, Romeo has a line in this play where he comments that women aren't capable of love in the same capacity as men (I interpreted the line to be an off-hand comment that men are more constant and love longer while women are fickle, but I may be wrong about that one; this is also extremely ironic, as Romeo has just dumped his love for Rosaline for Juliet). Years later, near the end of his career, he wrote 12th Night, where Count Orsino has the immortal line "There is no woman's sides can bide the beating of so strong a passion as love doth give my heart [. . .] But mine is all as hungry as the sea and can digest as much." Viola immediately corrects this notion, though, and if my interpretation is correct, this is extremely interesting. In Romeo and Juliet, the author's voice is most noticeable and strong when he writes Romeo, but in 12th Night, the author's voice is strongest when he writes Viola. So, if the author's opinions really are reflected from the character he writes the strongest, there's been a complete shift in how Shakespeare thinks of love--from something flip and trivial that burns bright and hot then flames out into something long and sustained, that has to be nurtured and worked at and sometimes suppressed.

Anyway, I don't have the time or space to really do justice to this observation, but I thought I'd put a foreshortened version of it out there anyway. Just because.
medium-paced
Plot or Character Driven: Character
Strong character development: Complicated
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Yes

ya lumayan lah. ini karya pertama William Shakespeare yang aku baca, jadi baru penyesuaian

rating based on how much i enjoyed reading this at age 13ish? looking back, this is not as good as macbeth but still enjoyable

'i would i were thy bird.

sweet, so would i:
yet i should kill thee with much cherishing.'