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calistaw's review against another edition
adventurous
informative
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
sydneyrp143's review against another edition
adventurous
dark
informative
reflective
sad
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.25
nettles's review against another edition
3.0
Clearly a well researched retelling, the clothing was very interesting and I felt like I understood the character motivations a bit more. The art style—or maybe the coloring didn’t quite vibe with me. Also I found myself skimming or skipping entire pages because the pacing was just sO slow. Also there are so many characters lightly introduced that it was tough to follow, even with a somewhat solid understanding of the main players.
csavestheworld's review against another edition
3.0
Interesting take. Bold move to remove the Gods from the story. Wish I would have read the adaptation in color.
ogreart's review against another edition
5.0
The meticulous research that went into this book was incredible. Taking the various myths and stories and weaving them together into a single tapestry was a daunting task, especially when the author wanted to make it as historical accurate as possible. He achieved this and put together a damnfine story as well. I look forward to the continuation of the tale being told here in future volumes of the work.
aoosterwyk's review against another edition
4.0
Wonderful, graphic way to make the classics accessible.
postitsandpens's review against another edition
4.0
This was a title I included on my Greek Mythology Reader's Advisory (which was an assignment for my Fantasy Lit course in Grad school), because I wanted to try to incorporate titles for both girls and boys, and this one fit the bill for something that would be suitable for both. I still intend to read Homer's The Illiad and The Odyssey, so this was a nice introduction to Homer's works.
Because the story of the Trojan War is basically history that everyone learns about at some point, I'm not going to worry about marking spoilers. If you don't want to know some specifics about this particular adaptation, however, feel free to avoid the rest of this review.
The pictures are done in black and white, but are exceptionally well done. This version also told me something new about a story I thought I already knew, so that was fun, too. Volume 1 ends prior to the start of the war; Agamemnon and Menelaus are talking about the fact that, in order to succeed in this ten-year campaign against Troy, there will have to be a great quarrel among the Greeks (or Achaeans, as they're called throughout), and Agamemnon is not sure he wants to deal with that. The story starts with Paris herding cows on the hillside of Mount Ida (apparently it was actually sheep in the original version by Homer). I hadn't actually realized that Paris wasn't always a Trojan prince (or rather, he IS, but he wasn't raised as a prince, and doesn't realize his parentage/lineage), because the film versions I've always seen start with Paris either already in Menelaus' palace or in Troy. In this version you get a very good look at Paris, and he isn't at all attractive, at least personality-wise. He's arrogant, rash, and uncaring about the consequences of his actions. He is not at all sympathetic; I mean, I know that his taking Helen was the cause of the war, but I for some reason was always able to find some sympathy in that because they were in love (thanks to Aphrodite) and were unable to ignore their feelings. But this Paris is a hothead who wants what he wants when he wants it, and doesn't care that anyone tells him he ought not do what he wants to do (poor Aeneas gets dragged into the whole affair, as he was sent to accompany Paris - who was SUPPOSED to steal Hesione, Priam's sister, away from her abductor - and as a result gets Priam thinking quite unfairly about him). Helen, likewise, isn't very sympathetic, either, although I felt more sorry for her than I did for Paris.
I did enjoy the look into Trojan society; since Paris is on his journey to bring Helen back to Troy for most of this volume, you get a look into the inner workings of Priam's house, including his multiple children. His daughter, Cassandra, tries to tell him repeatedly that Paris will be the downfall of Troy (which is why he was sent to Mount Ida; he was supposed to die on the mountain but didn't -- divine intervention, of course), but they ignore her, thinking her visions are nothing but nonsensical ramblings (she was cursed by Apollo, if I remember correctly, so that no one would believe her when she tried to give them prophecies, although I can't remember off the top of my head what exactly she did). Shanower also based the Trojans off of the Hittites, so their dress, hair and looks are significantly different from the Greeks, which helped spice up the black and white illustrations.
I also felt a great deal more sympathy for Menelaus (he's pretty torn up about Helen's "abduction") and Agamemnon, who doesn't exactly want to go to war, although he DOES want his name to be the one in the history books to have destroyed Troy. It also explained why Agamemnon was able to call all those Greeks - one thousand ships - together to basically fight simply because Helen was taken. (The amusing thing about all of this is that NONE of them ever even have the thought that Helen perhaps WANTED to go to Troy, not that it likely would have mattered either way.) You also get to see the story of Achilles, who, despite his mother's attempts, simply cannot wait behind and let his name fall into obscurity. He's not exactly sympathetic in this volume, either.
One thing I will mention is that there's a lot of sex in this one volume, which is not surprising given the Greeks' propensity for lovers of both sexes. The sex is decidedly heterosexual at this point - Paris and Oenone, Paris and Helen, Achilles and Deidamia - but apparently later volumes deal with Achilles and Patroclus' relationship in rather great detail. I aso liked the glimpse of Penelope and Odysseus. Now Odysseus I liked quite a bit, because he was incredibly clever and witty, even if he DID try to fake his way out of fighting for the war by pretending to be mad (he simply didn't want to leave his wife and new son, and who can blame him? He also knew the prophecy that he would sail to Troy and end up returning several years later where no one would recognize him, missing his son's entire childhood).
Anyway, this was engaging enough that I will most likely read the second installment. There are apparently going to be seven volumes, but only three are released as of right now. Of course, the library system that I normally use doesn't have a copy of the second volume, but I was able to request one through the small library near where I work; the problem with that is that requests take absolutely FOREVER to move through this system, so it very well might be summer before I get to actually get my hands on the book.
Because the story of the Trojan War is basically history that everyone learns about at some point, I'm not going to worry about marking spoilers. If you don't want to know some specifics about this particular adaptation, however, feel free to avoid the rest of this review.
The pictures are done in black and white, but are exceptionally well done. This version also told me something new about a story I thought I already knew, so that was fun, too. Volume 1 ends prior to the start of the war; Agamemnon and Menelaus are talking about the fact that, in order to succeed in this ten-year campaign against Troy, there will have to be a great quarrel among the Greeks (or Achaeans, as they're called throughout), and Agamemnon is not sure he wants to deal with that. The story starts with Paris herding cows on the hillside of Mount Ida (apparently it was actually sheep in the original version by Homer). I hadn't actually realized that Paris wasn't always a Trojan prince (or rather, he IS, but he wasn't raised as a prince, and doesn't realize his parentage/lineage), because the film versions I've always seen start with Paris either already in Menelaus' palace or in Troy. In this version you get a very good look at Paris, and he isn't at all attractive, at least personality-wise. He's arrogant, rash, and uncaring about the consequences of his actions. He is not at all sympathetic; I mean, I know that his taking Helen was the cause of the war, but I for some reason was always able to find some sympathy in that because they were in love (thanks to Aphrodite) and were unable to ignore their feelings. But this Paris is a hothead who wants what he wants when he wants it, and doesn't care that anyone tells him he ought not do what he wants to do (poor Aeneas gets dragged into the whole affair, as he was sent to accompany Paris - who was SUPPOSED to steal Hesione, Priam's sister, away from her abductor - and as a result gets Priam thinking quite unfairly about him). Helen, likewise, isn't very sympathetic, either, although I felt more sorry for her than I did for Paris.
I did enjoy the look into Trojan society; since Paris is on his journey to bring Helen back to Troy for most of this volume, you get a look into the inner workings of Priam's house, including his multiple children. His daughter, Cassandra, tries to tell him repeatedly that Paris will be the downfall of Troy (which is why he was sent to Mount Ida; he was supposed to die on the mountain but didn't -- divine intervention, of course), but they ignore her, thinking her visions are nothing but nonsensical ramblings (she was cursed by Apollo, if I remember correctly, so that no one would believe her when she tried to give them prophecies, although I can't remember off the top of my head what exactly she did). Shanower also based the Trojans off of the Hittites, so their dress, hair and looks are significantly different from the Greeks, which helped spice up the black and white illustrations.
I also felt a great deal more sympathy for Menelaus (he's pretty torn up about Helen's "abduction") and Agamemnon, who doesn't exactly want to go to war, although he DOES want his name to be the one in the history books to have destroyed Troy. It also explained why Agamemnon was able to call all those Greeks - one thousand ships - together to basically fight simply because Helen was taken. (The amusing thing about all of this is that NONE of them ever even have the thought that Helen perhaps WANTED to go to Troy, not that it likely would have mattered either way.) You also get to see the story of Achilles, who, despite his mother's attempts, simply cannot wait behind and let his name fall into obscurity. He's not exactly sympathetic in this volume, either.
One thing I will mention is that there's a lot of sex in this one volume, which is not surprising given the Greeks' propensity for lovers of both sexes. The sex is decidedly heterosexual at this point - Paris and Oenone, Paris and Helen, Achilles and Deidamia - but apparently later volumes deal with Achilles and Patroclus' relationship in rather great detail. I aso liked the glimpse of Penelope and Odysseus. Now Odysseus I liked quite a bit, because he was incredibly clever and witty, even if he DID try to fake his way out of fighting for the war by pretending to be mad (he simply didn't want to leave his wife and new son, and who can blame him? He also knew the prophecy that he would sail to Troy and end up returning several years later where no one would recognize him, missing his son's entire childhood).
Anyway, this was engaging enough that I will most likely read the second installment. There are apparently going to be seven volumes, but only three are released as of right now. Of course, the library system that I normally use doesn't have a copy of the second volume, but I was able to request one through the small library near where I work; the problem with that is that requests take absolutely FOREVER to move through this system, so it very well might be summer before I get to actually get my hands on the book.
jkenna1990's review against another edition
5.0
This was so good! I could not put it down and I'm really excited to read volume two!
jhouses's review against another edition
4.0
Tras [b:Troy|53443339|Troy|Stephen Fry|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1589888687l/53443339._SY75_.jpg|83153659] me apetecía revisitar este cómic que se esfurza en dar una visión detalladísima y documentadísima de la historia de la guerra de Troya. Me gustó mas la versión original en tinta negra. El coloreado es posterior y no termina de cuajar con el estilo del dibujo (aunque haya permitido más matices). No hay dioses, pero los presonajes viven como si los hubiera.
Una gran lectura con una dimensión divulgativa que no hay que descartar.
Una gran lectura con una dimensión divulgativa que no hay que descartar.
michael5000's review against another edition
3.0
2017: I was a bit hard on this in 2009, and I no longer want to stand by the second paragraph of that review. This is a worthy and basically well-executed project, and I'm bumping it up to a third star.
2009: Any graphic presentation of historical or pseudo-historical events has to live with comparison of Larry Gonick's amazing "History of the Universe" books, which are a brutal act to follow. Even cutting "A Thousand Ships" some slack on this account, though, it's a bit of a disappointment. The strengths of the graphic format aren't brought to bear, as characters aren't drawn with enough individuality to be able to tell them apart easily. Transitions are often unmarked, making it possible to read through several panels before realizing that there has been an important shift in time and place.
Shanower has chosen to depict the people of the epic as ordinary people, which is a reasonable decision. For my taste, though, it waters down the mythology, stripping it of a lot of its grandeur and humor, and making it just a little bit dull.
2009: Any graphic presentation of historical or pseudo-historical events has to live with comparison of Larry Gonick's amazing "History of the Universe" books, which are a brutal act to follow. Even cutting "A Thousand Ships" some slack on this account, though, it's a bit of a disappointment. The strengths of the graphic format aren't brought to bear, as characters aren't drawn with enough individuality to be able to tell them apart easily. Transitions are often unmarked, making it possible to read through several panels before realizing that there has been an important shift in time and place.
Shanower has chosen to depict the people of the epic as ordinary people, which is a reasonable decision. For my taste, though, it waters down the mythology, stripping it of a lot of its grandeur and humor, and making it just a little bit dull.