Reviews with content warning for Infidelity - The Kingdom of Copper

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The Kingdom of Copper by S.A. Chakraborty

17 reviews

singalana's review against another edition

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adventurous reflective tense slow-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

2.0

Even though I listened to it as an audio, I had to SLOG through this book!

It has been about a year since I listened to the first part of the trilogy. It was a huge mistake to wait that long because I spent about the first 20 % of the book wondering who that character was, what that word meant and what happened in the last book.

After I got over that, the book started dragging for a different reason: NOTHING MEANINGFUL HAPPENS! It feels like there are no stakes, and so much time is spent on describing the most meaningless things. As one reviewer pointed out, everything that the characters try to do is thwarted by someone more powerful.

About 60 % in, I realized that I do not care about any of these characters. Except maybe for Dara, because he is at least a little bit interesting. There’s no real feeling of danger, and I knew nothing bad would happen to the characters. The main character, Nahri, is insufferably righteous, the same as Ali. As one reviewer put it: 99 % of the characters are magical racists, religious fanatics or war criminals. Not exactly a likeable bunch.

Spoilers!

If I remember correctly, there’s a little bit of romance between Nahri and Dara in the first book, and I started rooting for Dara. In this book, Nahri is forced to marry King Ghassan’s son, and we get to see how evil and manipulative Ghassan is. Dara is brought back to life to serve Manizheh, who plans to oust the Qahtanis and restore Nahid rule to Daevabad. HOWEVER, it turns out that Manizheh is the evil one, and when she and her forces attack Daevabad, ALL of the characters forget what kind of a**hole Ghassan was, and everyone is very sad that he’s dead. RIP. Nahri is, of course, a smart and spunky heroine and saves the day, yay!

But in all seriousness, I could not give a damn about any of these characters, especially since they are all so infuriatingly dramatic all the time. It sucks out any real impact a really dramatic scene should have when the characters are gasping and staring in shock about half of the book. If the author succeeded in something, it was when in the first book, I started to like Dara, even though he is practically a war criminal. Then, in the second book, I’m supposed to root for the Qahtanis, I guess?

In addition to that, this book is all over the place about the shafit, the “mixed-bloods”, who are part human. The shafit are treated as something to be saved, and when they lash out for being treated like cattle, they are suddenly wild animals.

This book has way too many elements, it’s way too slow, and everything is so damn dramatic all the time. I’m so glad this is over. Let’s see if I pick up the last part of this series in a year or so after I have forgotten how messy and frustrating this was.

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rinku's review against another edition

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dark tense slow-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

2.0

I’m gonna be honest: If I didn’t spend 15 € on The Kingdom of Copper, I wouldn’t have finished it. I just didn’t care about anything happening or any of the characters because many of their motivations were so unclear, and the main plot progressed just too slow for my taste.

One big problem I had with the novel is that it was too long, it could’ve been easily 100 or even 200 pages shorter. One of the reasons the book dragged a lot was the five-year time skip. After the disappointment that Locklands was, I’m really sceptical when it comes to long time-skips, and here, it wasn’t well executed. We spend the first hundred pages only with explaining what has happened in this time and how certain relationships have developed which was so boring. Nahri had to marry Muntadhir, the other prince of king Ghassan, and lives now at the court of Daevabad. Ali lives in a random village and now can control some kind of water magic, and Dara is just there and planning something. Even though there’s so much time spent with explaining and characters talking to each other and nothing more, I still didn’t get all the alliances, the different cultures and the reasons for their grievances.

Most of the time, I was just waiting for anything to happen because for at least half of the book, nothing that is happening has any relevance for the overarching plot, and I’m still not sure what this overarching plot is. The focus is on some hospital that should be rebuilt but I don’t know why I should care about this at all, it was just boring. Besides this, there’s barely any action and even less magic which was unfortunate as well. But we know something will happen at one point because in Dara’s POV, he’s planning a war with some people. It took me again such a long time to understand who’s he in an alliance with and what they have against their enemy. The problem I see with his POV is that it takes some of the tension away since we already know what will happen and what the plans of the bad guys(?) are. If we didn’t, the things happening would’ve been way more shocking.

Only like the last hundred pages were quite good and dramatic and the reason that I didn’t give this The Kingdom of Copper only one star. Even though there were some moments I still didn’t understand, like

where the random rebellion against the king came from or why Nahri was arrested, even though she obviously hadn’t to do with it

, or some that were predictable, like

Nahri’s mentor dying

, it was still interesting. The

was so creepy and a true threat and I loved to see how Muntadhir, Zaynab and Nahri worked together towards the end; it would’ve been so great if they did so earlier

Like I’ve said above, the biggest problem I had with the characters were that many of their motivations were not clear which led to me just being irritated because of their behaviour. For example, I thought that Ghassan would hate Ali and wanted him to die when he exiled him, but he’s so worried about him here which confused me so much. This should probably show that he’s a grey character, but this didn’t convince me. Another character I couldn’t understand at all was Nahri herself. Her extreme stubbornness annoyed me so much, just like her resentfulness towards Ali which I couldn’t understand at all – she seemingly forgot that Dara killed him as well. Talking about Dara, I don’t like him at all, and he annoyed me with his self-pitying since I just don’t care for him. I even had problems understanding the motivations of some side characters, like Jamshid. The only characters I kinda liked were Muntadhir and Zaynab, but that’s it.

The Kingdom of Copper wasn’t even a disappointing read for me since I had no expectations for it, it was just boring and confusing. This is so sad, considering that Chakraborty has such a detailed world and obviously cares quite a lot for it. I already bought the third book – I probably didn’t if I’ve read The Kingdom of Copper before – and I’ll find out how the series will end, I suppose.

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ariel790's review against another edition

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adventurous emotional slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

Set 5 years after the events of the first, Nahri is subjugated to deal with the politics of Davabad in order to survive.

Book 2 is more about the ins and outs between royalty. Brothers torn between their father, Nahri pulled between them, the king, queen, and people of her heritage.

Compared to the first, the authors writing has matured. Conversations between characters have a better flow, descriptions of settings, objects have more details. I feel she really captured the essence of sibling rivalry. However, due to the change of focus, the pacing is a lot slower. It isn't until about 70% in where everything comes together and the action hits. Makes for a different, yet complimentary story. The 1st still my favorite of the two, but 2 was still exciting and has me wanting to read the 3rd.

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brynalexa's review against another edition

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adventurous dark emotional tense fast-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? No
Flaws of characters a main focus? Yes

5.0

I was consistently shocked through the entire book. The story never goes where you’re expecting it to. Somehow a cast of treacherous characters making terrible decisions works. Brilliant.

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laurenkimoto's review against another edition

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adventurous dark emotional mysterious sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

wow I’ve been reading too much contemporary romance that I forgot that high fantasy has themes and/or acts of genocide</>spoiler

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dealingwithdragons's review against another edition

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adventurous dark emotional tense fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

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ok7a's review against another edition

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adventurous emotional mysterious tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

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claudiamacpherson's review against another edition

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adventurous emotional tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

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just_one_more_paige's review against another edition

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adventurous emotional mysterious tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

4.0

It has been, embarrassingly, years since I read City of Brass. In my defense, this book wasn't published yet, at the time, for me to have continued with the series then (though I do remember wishing it was). Anyways, as with The Poppy War series, I waited wayyyy too long between the first and second books (I had to find more than one summary/review, outside of my own, to read and recap so I remembered enough of the characters and details to feel ready to continue). But, silver lining (in both cases actually), the third and final book has also been published now, so I can jump right to it! And let me tell you, I plan to do just that.

While the novel starts with a short intro that gives some small insight into the immediate aftermath of the events of book one (Nahri's marriage, Dara's death, Ali's banishment), it jumps very quickly to "five years later." Nahri is doing her best to survive her life at court, basically confined to her healing rooms both physically and in action/attention, without any of the allies that made her first days in court bearable, trapped and powerless within the city and palace that are hers by right. Ali managed to survive a brutal introduction to the arid lands of his ancestors, as well as a slew of assassins, and has made a sort of life for himself, leaning into (while keeping very secret) the water-based gifts given to him by the marid. Dara was brought back from the dead (again) by a very unexpected hand, to help train and lead a force (of partially dubious provenance) with the goal of returning Daevabad's riginaly rulers to their rightful place. These three storylines unfold simultaneously, and slowly in convergence, against a complex political/religious/personal backdrop, coming to a head with violent consequences as a once-per-century djinn celebration kicks off.

Well, if I finished the first book thinking that Chakraborty was a star with world-building, I am finishing this second book convinced that very few are as good as she is. The setting is so alive. Daevabad itself remains as vivid and gilded as before, but with 600 more pages of layered history, descriptions, and interactions of the peoples. Plus, we get additional "outside the city" perspectives and growth more here as well, with Ali's time in Am Gezira and his mother's home (Ta Ntry) and tribe (the Ayaanle). As a major part of this spectacular world-building, I must mention the complex and detailed political (and religious, though mostly in overlap) maneuvering/machinations/plotting/scheming. There is so much “trading decency for a throne” …or power in these pages. You can, quite simply, lose yourself in it. But like, in the best way. With this comes some very deep familial cruelty and misguided loyalty that is heartbreaking to read at times. We always hurt the ones we love the most, when threatened. And so many times here, acting to protect someone you love, especially by withholding truth/information, ends up doing more harm than good. Thematically tough, but so real. Overall, just some of the most lush world-building I've ever read.

Character-wise, I have only similar praise to give. Nahri, Ali and Dara all benefit greatly, in terms of depth, throughout this novel. And I remain very into the way they subvert what the normal love triangle looks like. There is additional attention paid to side characters, originals like Muntadhir and Zaynad and Hatset and Jamshid and Kaveh, but also some newly introduced ones like Aqisa, the ifrit, some shafit, and a few others that I won't necessarily name, in order to avoid spoilers. I loved it all. And I have to say, I was least into Nahri's development, honestly. I wanted her to be...more. But I guess I understand her constraints, she did stay consistent with her goal of saving lives (any lives), and she did have a few breakout moments towards the end, so I am hoping that the final book does her arc a little more justice.

As far as the plot is concerned, I almost have to say that, at least for the first like two thirds of the novel, there wasn't one. Now, don't get me wrong, I was deeply invested in the development of place and character, and the build-up of it all, because I knew something was coming. There was a deep feeling of unrest, almost anticipatory uneasiness, both in the story/characters and within myself as a reader. And I loved the way that feeling escalated as we got closer and closer to what I just knew was impending doom. However, outside that feeling, very little actually happened...so I would caution you to be sure that's the type of book you are in the mood for, before picking this one up. However, of note, when the action began, with about a quarter of the book left (ish), things got real. The pacing, with perspectives jumping from Dara to Ali to Nahri with perfect timing, was phenomenal. Edge of one's seat type reading. Worth the wait in the build-up for sure. And with the cliffs that each of our main characters end on (plus, some additional "characters to watch," including both of Ali's siblings, Zaynab and Muntadhir, as well as Jamshid and Aqisa), I am quite ready to pick up the final installation, and watch the ending unfold, as soon as possible.

Chakraborty puts a deep focus on uncovering/unveiling the truth of history and the stories that are now accepted as truth, despite what the reality actually was, for reasons of maintaining power or avoiding guilt. She really demonstrates how only with the correct information can current consequences of violent/unfair history be rectified. Because after generations and centuries of curses and revenges and betrayals and death, how else (better than the endless examples of how those who are oppressed and given no other option/recourse will rise up with violence, without mercy) can people(s) overcome a legacy like that? (Ummmm, sound familiar to present day much? I think big yes.)

With captivating storytelling, intricate political and locational detail, discerning character development, and well-paced (when it arrives) action, Chakraborty transports the reader on a fantastic Middle Eastern history and culture inspired journey. It's a mythical, magical and entirely absorbing adventure. I cannot wait to see how it ends!

“People do not thrive under tyrants, Alizayd; they do not come up with innovations when they're busy trying to stay alive, or offer creative ideas when error is punished…”

“You don’t need to be a weapon to be an asset.”

“I’m tired of everyone in this city feeding on vengeance. I'm tired of teaching our children to hate and fear other children because their parents are our enemies. And I'm sick and tired of acting like the only way to save our people is to cut down all who might oppose us, as if our enemies won't return the favor the instant power shifts.” (Basically, sums up all of Ali/Dara/Nahri's vibes in this book.)

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readandfindout's review against another edition

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adventurous emotional tense medium-paced

Diverse cast of characters? Yes

4.5

Style/writing: 4.5 stars
Themes: 4 stars
Characters: 4.5 stars
Plot: 4.5 stars
Worldbuilding: 4.5 stars

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