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sophiesmallhands's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Graphic: Sexual content
Moderate: Classism
Minor: Death of parent, Racism, Murder, and Death
jennireadsmaybe's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
In all seriousness, I thoroughly enjoyed The Duke Gets Desperate. Raya and Strick are the epitome of "I hate that I'm attracted to you" and it's freaking delightful. Raya completely flips Strick on his head by masterminding several ways for the failing castle to make money. She's gorgeous, business savvy, and the exact match to Strick's attitude. Chef's kiss.
I love an inheritance plot, throw in the shenanigans around saving the castle, and the forced proximity of it all and I was ready to devour this book. I wasn't Strick's biggest fan, but he won me over by the end with just how much he believed in Raya. Their chemistry had me giggling and kicking my feet.
The mystery/suspense plot felt ridiculous but in the best way. It definitely added a bit of tension that I felt was missing in the last third of the book. Can't wait to keep reading in the series.
Graphic: Sexual content, Racism, and Murder
Moderate: Alcohol, Death of parent, and Death
kbairbooks's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Graphic: Sexual content
Moderate: Death and Confinement
yourbookishbff's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.0
My favorite element in any Quincy romance is the female main character's profession - she always writes interesting and unique backgrounds and career interests for the women in her stories - and Raya is no exception. I wanted more insight into Raya's family dynamics, though, and more development for her as she establishes her own path.
The murder mystery felt like it intruded unexpectedly at times and affected the pacing for me a bit as well.
I read this via audio and would note it is dual narration. I loved the narrator for Raya's POV, Venah Assadourian, but didn't enjoy the narrator for Strick, Timothy Campbell. The two narrations also felt like they were produced differently? It was a bit jarring each time we transitioned, as the sound quality was noticeably different.
Graphic: Racism, Bullying, and Sexual content
Moderate: Murder, Panic attacks/disorders, Death, and Grief
lizzie_b99's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.75
Graphic: Racism, Misogyny, Death, Racial slurs, Islamophobia, Murder, and Sexual content
Moderate: Death of parent, Alcohol, Injury/Injury detail, and Confinement
caseythereader's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
- THE DUKE GETS DESPERATE was my first Diana Quincy and it won’t be my last! I loved this enemies to lovers, competence is hot, are we fated mates story.
- I am not usually a big enemies to lovers fan, but this book does it right. It’s not “oh we had a misunderstanding and therefore hate each other forever,” it’s they legitimately have reasons to be pitted against each other and also legitimately keep pissing each other off but also they love how smart and stubborn and capable the other is and simply can’t keep away from each other.
- I also love that Raya is a Palestinian American heroine who is proud of her heritage. She belongs in this time period and in this book, an era and genre that often ignore women like her.
Graphic: Classism, Sexual content, Death, and Murder
Moderate: Alcohol and Racism
themeadowlibrary's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.0
Moderate: Alcohol, Murder, Racism, Sexism, Toxic relationship, Classism, Death, and Death of parent