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alt05's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Child abuse, Animal cruelty, Colonisation, and Classism
kaziaroo's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
My only real criticism is that I felt the book would have been better without Ranami and Phalue's POV chapters. Their story had an interesting message and moral dilemma but it just didn't seem to fit and their chapters were quite dull to get through compared to the rest of the book. As a novella on their own, those chapters would have been fine, but I found myself skim-reading them to get back to Jovis, Lin and even Sand. Maybe more will come of Ranami and Phalue in the sequel, but I just couldn't get behind their relationship or find the point of their storyline or its impact of the overall plot.
Graphic: Confinement, Grief, Trafficking, Child death, Injury/Injury detail, Murder, Blood, Violence, Death, Gaslighting, Body horror, and Medical content
Moderate: Physical abuse, Racism, Animal cruelty, Panic attacks/disorders, Death of parent, Kidnapping, and Mental illness
Minor: War
booksthatburn's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
The plot has several threads, following each of the main characters. The blurb implies that Lin is the only main character, but Jovis plays an enormous role (meeting all but one of the other main characters at various points), and the romance between Phalue and Ranami felt complex and real. Lin is the daughter of the emperor, trying to get her father's approval by getting back memories she lost in a sickness several years ago. Jovis is a smuggler who is trying to find his wife who was kidnapped five years ago. He ends up rescuing children from having their shards taken. Phalue is the daughter of a governor on one of the islands, and Ranami is her girlfriend who keeps turning down Phalue's marriage proposals because Phalue doesn't seem to understand the enormity of her privilege in comparison to everyone on the island. There's a woman called Sand who is trying to escape her current situation, I don't want to spoil anything about her but she seems set up to do much more in the sequel.
Lin has spent years trying to get her father's approval, and is frustrated by his ableist insistence that she's not whole unless she can get back the memories she lost. Desperate to get him to pay attention to her as she is and not as she was, Lin starts copying his keys to get access to rooms that might hold knowledge of the magic he should be teaching her. She's in competition with her foster brother Bayan since he regained more of his memories and seems to continually be one step ahead of her in getting the emperor's attention.
The relationship between Phalue and Ranami briefly dips into some toxic territory as Phalue doesn't seem to understand or know how to take seriously Ranami's concerns. It definitely helps that both of them are narrators, so their perspectives are shown directly at various points.
Jovis ends up with an animal companion after he saves it from the water during a disaster early one. Mephi is pretty cool and not annoying, which is a relief because sometimes I end up detesting animal sidekicks.
The magic system is based on using bone taken from the empire's citizens as children. The shards can be used to power constructs, and once in use they slowly drain the life force of their original owner. The emperor uses an elaborate array of constructs to do all the imperial bureaucracy which could be done by people, but he doesn't trust anyone else to do it right. This setup means that the way the lower classes are exploited is more than just cruelty and resource hoarding by the rich, but that their very lives can be taken, slowly, by an emperor they'll never see, if he happens to pick their shard from a drawer and use it to fuel a construct. I love the way the magic system is inseparable from the political structure and brewing uprising.
Graphic: Classism, Grief, Child abuse, Emotional abuse, Violence, Medical trauma, Murder, Child death, and Death
Moderate: Ableism, Racism, Bullying, Toxic relationship, Kidnapping, Confinement, Physical abuse, Injury/Injury detail, War, Animal cruelty, and Animal death
Minor: Death of parent, Drug use, and Vomit
maelikesbooks's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.5
Graphic: Death, Animal cruelty, Grief, Slavery, Violence, Injury/Injury detail, and Kidnapping
Moderate: Animal death and Body horror
lanid's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Animal cruelty and Body horror
lucystolethesky's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Trafficking, Grief, Blood, and Death
Moderate: Animal cruelty, Body horror, Violence, Classism, Confinement, Murder, Domestic abuse, Emotional abuse, Gore, Incest, and Trafficking
Minor: Violence, Toxic friendship, Injury/Injury detail, Xenophobia, Incest, and Grief
anni_swanilda's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Graphic: Blood, Child death, Confinement, Death, Injury/Injury detail, Classism, Death of parent, Violence, Gore, Murder, and Body horror
Moderate: Animal death, Child abuse, Grief, Animal cruelty, and Kidnapping
chalkletters's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
4.0
Because there was so much else going on, the character development didn’t stand out to me immediately. It was only towards the end that I really realised just how integral it was to the novel. I can’t talk about the intensity of Lin’s character arc without spoiling a huge chunk of her plot, so I won’t, but Phalue’s reluctance to come to terms with her privilege is something I haven’t seen before in a fantasy novel. The Bone Shard Daughter compares favourably with Witchsign because I’m supposed to dislike the bad parent, rather than being expected to sympathise with him. I found that much more effective.
The Bone Shard Daughter was a very different kind of fantasy novel, so much so that it feels weird to compare it to other book club books that I’ve enjoyed. That said, this is only the third time I’ve immediately added the next book in a series to my 'want to read’ list, which has to say something!
Minor: Murder, Physical abuse, Animal cruelty, Child death, and Kidnapping
katymat18's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.75
Graphic: Death, Violence, and Blood
Moderate: Body horror, Child abuse, Grief, Animal cruelty, Death of parent, Gore, and Murder
Minor: Confinement
hanz's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Graphic: Animal cruelty, Blood, Death, Murder, and Violence
Moderate: Confinement, Gore, and Grief