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dark
emotional
mysterious
reflective
sad
tense
slow-paced
Plot or Character Driven:
Character
Strong character development:
Complicated
Loveable characters:
No
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
I found Wuthering Heights to be refreshing after reading Jane Eyre. Both Charlotte and Emily have tremendous talent in storytelling, albeit vastly different modes of portraying themes, characters and morality. It is as though they have lived completely different lives, Charlotte is inspired by what is good and godly, Emily is attracted to darkness and misery. The content warnings could be rolling out the door.
Wuthering Heights delves into the reality of many people’s lives in Emily’s era, through morbid, selfish characters and of course her narcissistic / sociopathic anti-hero, Heathcliff who becomes a tyrannical patriarch. His ability to do so is enlightening in regards to the ease in which a man can inflict cruelty on those around him, especially women, with impunity from the law. Power-hungry and sadistic, Heathcliff seeks revenge for the way he was treated in childhood and for how his love was stolen from him— the only person who can stir positive feeling in him. Although Heathcliff is abhorrent, he is so intriguing and his devotion to Catherine renders this morally indefensible character understandable to the eyes of many readers. Although we cannot excuse his temperance, cunning and evil nature, we sympathise with the little orphan Romani boy he once was, treated terribly, until Catherine “saved” him, and her father warmed up to him.In death, Catherine saves him once more, and calls him to the other side; or at least we may deduce this from his delirious state during the days leading to his death.
I am still reflecting on this novel and I shall be for a while, however here are some quotes which are poignant/of interest:
Wuthering Heights delves into the reality of many people’s lives in Emily’s era, through morbid, selfish characters and of course her narcissistic / sociopathic anti-hero, Heathcliff who becomes a tyrannical patriarch. His ability to do so is enlightening in regards to the ease in which a man can inflict cruelty on those around him, especially women, with impunity from the law. Power-hungry and sadistic, Heathcliff seeks revenge for the way he was treated in childhood and for how his love was stolen from him— the only person who can stir positive feeling in him. Although Heathcliff is abhorrent, he is so intriguing and his devotion to Catherine renders this morally indefensible character understandable to the eyes of many readers. Although we cannot excuse his temperance, cunning and evil nature, we sympathise with the little orphan Romani boy he once was, treated terribly, until Catherine “saved” him, and her father warmed up to him.
I am still reflecting on this novel and I shall be for a while, however here are some quotes which are poignant/of interest:
Whatever our souls are made of, his and mine are the same, and Linton is as different as a moonbeam from lightning, or frost from fire. - Catherine Earnshaw, 78
so who’s trying to merge souls?
What were the use of my creation, if I were entirely contained here? My great miseries in this world have been Heathcliff’s miseries, and I watched and felt each from the beginning; my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and, if all else remained, and he were annihilated, the Universe would turn to a mighty stranger…Nelly, I am Heathcliff— - Catherine Earnshaw, 79-80
I love that the line between love and obsession is so faint, it may as well not be there between Catherine and Heathcliff
The moment her regard ceased, I would have torn his heart out, and drunk his blood! - Heathcliff, 143
Heathcliff is toxic (understatement) but I liked the vampiric imagery, he quite figuratively is a vampire seeking to use and destroy for his own ends/pleasure/consumption.
“I wish I could hold you…till we were both dead! I shouldn’t care what you suffered. I care nothing for your sufferings. Why shouldn’t you suffer? I do!” - Catherine Earnshaw, 152
Well might Catherine deem that Heaven would be a land of exile to her, unless, with her mortal body, she cast away her moral character also. - Nelly Dean, assuming the role of narrator, 152
I also appreciate how love and hate are intertwined, and how selfish they are in love— it’s difficult to determine whether they act for their lover or themselves, and yet it is both since they seem to be eternally bound.
…and on my approaching hurriedly to ascertain if she had fainted, he gnashed at me, and foamed like a mad dog, and gathered her to him with greedy jealousy. - Nelly Dean, 154
“…Why did you betray your own heart, Cathy? I have not one word of comfort— you deserve this. You have killed yourself…wring out my kisses and tears. They’ll blight you— they’ll damn you.” “I love my murderer—but yours! How can I?” - Heathcliff, 154-155
Their passion, through their disdain, through their spite, through their jealousy, it is unbreakable. Their tempestuous relationship is solidified as an unstoppable force in this scene, and unfortunately the surrounding characters (their family!) are drawn into the wreckage of the storm.
In regards to the narration, I love Nelly Dean, especially when she portrays Heathcliff in a preternatural, primal light, it fits the dark, gothic mood and it adds a sparkle to his enigmatic, morally grey character.
In regards to the narration, I love Nelly Dean, especially when she portrays Heathcliff in a preternatural, primal light, it fits the dark, gothic mood and it adds a sparkle to his enigmatic, morally grey character.
I finish this review under the misty full moon, left with feelings of repulsion and curiosity towards Wuthering Heights.
Content Warnings
Moderate: Child abuse, Domestic abuse, Emotional abuse, Gun violence, Incest, Misogyny, Physical abuse, Racial slurs, Racism, Toxic relationship, Violence, Toxic friendship
Minor: Alcoholism, Animal cruelty, Bullying, Confinement, Death, Gun violence, Mental illness, Blood, Kidnapping, Grief, Gaslighting, Classism
dark
tense
medium-paced
Plot or Character Driven:
Character
Strong character development:
No
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Content Warnings
Graphic: Ableism, Bullying, Child abuse, Chronic illness, Confinement, Death, Domestic abuse, Emotional abuse, Incest, Mental illness, Misogyny, Panic attacks/disorders, Physical abuse, Racial slurs, Racism, Terminal illness, Toxic relationship, Violence, Blood, Kidnapping, Grief, Gaslighting, Abandonment, Injury/Injury detail, Classism
Moderate: Alcoholism, Animal cruelty, Infidelity, Self harm, Religious bigotry, Death of parent, Alcohol
Minor: Child death, Eating disorder, Gun violence, Suicide, Forced institutionalization, Medical content, Murder, Pregnancy, Fire/Fire injury
dark
emotional
mysterious
sad
slow-paced
Plot or Character Driven:
A mix
Strong character development:
No
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Content Warnings
Graphic: Violence
Moderate: Animal cruelty, Animal death, Body shaming, Bullying, Child death, Death, Domestic abuse, Emotional abuse, Mental illness, Misogyny, Physical abuse, Terminal illness, Toxic relationship, Blood, Grief, Death of parent, Pregnancy, Abandonment, Classism
challenging
dark
emotional
sad
tense
medium-paced
Plot or Character Driven:
Character
Strong character development:
No
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Content Warnings
Graphic: Child abuse, Domestic abuse, Emotional abuse, Mental illness, Misogyny, Physical abuse, Toxic relationship, Violence, Classism
Moderate: Death, Suicidal thoughts
Minor: Racism, Death of parent
What a journey! A good-faith, but unthorough, effort by one kind-hearted person rippled cruelty for three generations, all presided over by a Bible thumper servant.
Everyone in this book needs therapy, a Warmie, and a new book they've never read before.
Everyone in this book needs therapy, a Warmie, and a new book they've never read before.
Content Warnings
Minor: Animal cruelty, Animal death, Bullying, Child abuse, Death, Domestic abuse, Mental illness, Misogyny, Panic attacks/disorders, Physical abuse, Racial slurs, Torture, Toxic relationship, Violence, Grief
dark
tense
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Passage I liked: "One time, we were near quarrelling. He said the pleasantest manner of spending a hot July day was lying from morning till evening on a bank of heath in the middle of the moors, with the bees humming dreamily about among the bloom, and the larks singing high up over head, and the blue sky, and bright sun shining steadily and cloudlessly. That was his most perfect idea of heaven's happiness -- mine was rocking in a rustling green tree, with a west wind blowing, and bright white clouds flitting rapidly above; and not only larks, but throstles, and blackbirds, and linnets, and cuckoos pouring out music on every side, and the moors seen at a distance, broken into cool dusky dells; but close by great swells of long grass undulating in the waves to the breeze; and woods and wouding water, and the whole world awake and wild with job. He wanted to be in an ecstasy of peace; I wanted all to sparkle, and dance in a glorious jubilee. I said his heaven would be only half alive, and he said mine would be drunk; I said I should fall asleep in his, and he said he could not breathe in mine, and began to grow very snappish."
Content Warnings
Graphic: Bullying, Misogyny, Toxic relationship, Stalking
Minor: Terminal illness, Toxic friendship
All the characters in the first half of the book are irredeemable. In the second half, however, it becomes possible to root for one or two of them.
challenging
dark
emotional
tense
slow-paced
Plot or Character Driven:
Character
Strong character development:
Complicated
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Writing reviews for classics that I like is never easy - I always feel immense pressure to say something profound and original about a work that 1) I enjoyed and 2) so did everyone else. Of course, the trouble with such a well-liked book is that everything profound and original about it has already been said, more or less.
So let me say some basic and trite (but none the less true to how I feel) things about Wuthering Heights.
First and foremost, Brontë's toxic, passionate speeches from Heathcliff and Catherine (Sr.) about each other fuck severely. Catherine's "Nelly, I am Heathcliff" confession? Healthcliff's proclamation about the depth of Catherine's affection for him compared to Linton? The "You say I killed you - haunt me, then!" argument? All bangers. Go off, you absolute maniacs.
Secondly, and speaking of the haunting by Catherine of Heathcliff, the thread of her ghost trying to get into Wuthering Heights throughout the tale is sewn into the story with just enough detail to be compelling without being overwrought - from the early scene Lockhood witnesses all the way to Heathcliff's death under the open window. I especially like the lack of concrete proof of the ghost and the skepticism of the storytellers themselves.
And now, thirdly, the storytellers and the frame story in general have been fun to turn over in my head. From the beginning, I wondered, why are Lockwood and Nelly our narrators? I think there are dozens of valid answers to this question. Two of my favorites includeto create distance from the narrative to drop details & increase unreliability and to provide perspectives closer to the intended readers. I'm especially obsessed with Nelly Dean and the constant interjections of her opinions into her retelling.
Something specific to the audiobook version that I listened to - the Spotify version read by Billie Fulford-Brown - is that it was read fantastically. Fulford-Brown clearly had a great handle on the text, reading all the dialogue with accurate emotion. She also gave the characters distinct voices without being over-the-top. Her performance made Brontë's mid-19th century prose much more accessible.
Anyway. There's a lot more I could say about Wuthering Heights - for example, Brontë's descriptions of the moors are a masterclass in thematic use of setting - but I'll cut myself off here, lest I write a whole paper. Let me end by saying it's fucked up that Kate Bush managed to successfully summarize and convey the main storyline of such a complex book in a 4.5-minute song after only watching the last ten minutes of a movie adaptation.
So let me say some basic and trite (but none the less true to how I feel) things about Wuthering Heights.
First and foremost, Brontë's toxic, passionate speeches from Heathcliff and Catherine (Sr.) about each other fuck severely. Catherine's "Nelly, I am Heathcliff" confession? Healthcliff's proclamation about the depth of Catherine's affection for him compared to Linton? The "You say I killed you - haunt me, then!" argument? All bangers. Go off, you absolute maniacs.
Secondly, and speaking of the haunting by Catherine of Heathcliff, the thread of her ghost trying to get into Wuthering Heights throughout the tale is sewn into the story with just enough detail to be compelling without being overwrought - from the early scene Lockhood witnesses all the way to Heathcliff's death under the open window. I especially like the lack of concrete proof of the ghost and the skepticism of the storytellers themselves.
And now, thirdly, the storytellers and the frame story in general have been fun to turn over in my head. From the beginning, I wondered, why are Lockwood and Nelly our narrators? I think there are dozens of valid answers to this question. Two of my favorites includeto create distance from the narrative to drop details & increase unreliability and to provide perspectives closer to the intended readers. I'm especially obsessed with Nelly Dean and the constant interjections of her opinions into her retelling.
Something specific to the audiobook version that I listened to - the Spotify version read by Billie Fulford-Brown - is that it was read fantastically. Fulford-Brown clearly had a great handle on the text, reading all the dialogue with accurate emotion. She also gave the characters distinct voices without being over-the-top. Her performance made Brontë's mid-19th century prose much more accessible.
Anyway. There's a lot more I could say about Wuthering Heights - for example, Brontë's descriptions of the moors are a masterclass in thematic use of setting - but I'll cut myself off here, lest I write a whole paper. Let me end by saying it's fucked up that Kate Bush managed to successfully summarize and convey the main storyline of such a complex book in a 4.5-minute song after only watching the last ten minutes of a movie adaptation.
Content Warnings
Graphic: Death, Domestic abuse, Misogyny, Physical abuse, Toxic relationship, Violence, Grief, Death of parent, Alcohol, Classism
Moderate: Ableism, Alcoholism, Cursing, Racism, Terminal illness, Xenophobia, Injury/Injury detail
Minor: Confinement, Racial slurs, Kidnapping
-Various illnesses are described in detail (some fatal and some not).
dark
emotional
tense
medium-paced
Plot or Character Driven:
Character
Loveable characters:
No
Los clásicos son clásicos por algo y esta definitivamente se lleva su puesto, no sé si es el éxtasis de recién terminar de leerla o si de verdad es de tal escala, pero actualmente, en este preciso instante, es mi clásico favorito.
Que triste que no pude leer esta novela en el ámbito académico porque el ensayo que hubiera hecho habría quedado exquisito, aunque aquí (en Good Reads) no sabría cómo empezar, quizás por mi primera intención en leer este libro que fue gracias a la maravillosa Mariana Enríquez y su libro “Nuestra Parte de Noche” que cita casi textualmente Cumbres Borrascosas y me dejó impactada con estos paralelismos que demuestran su propia pasión por la obra de Bronte: “Se lo había pedido, cuando estaba viva, una vez, casi en chiste imitando a un personaje de una novela, no me dejes solo, haunt me, no había palabras en castellano para ese verbo, haunt, no era embrujar, no era aparecer, era haunt, pero ella nunca lo había tomado en serio (…)” bastó con eso para que me obsesionara de tal forma con Cumbres Borrascosas hasta poder tenerlo en mis manos y poder leer el HAUNT ME, HAUNT ME de Heathcliff hacia Catherine.
Quiero aclarar que esa obsesión no era en absoluto por las implicaciones “románticas” que demostraban, siendo que en ambos libros (el de Bronte y Enríquez) se ve también el paralelismo de una relación más dependiente que amorosa, en Cumbres especialmente ese aspecto del amor infantil, de querer volver a ser esos niños corriendo en los prados, de reírse de las desgracias de los demás en vez de padecerlas, del egoísmo, la tenacidad y el deseo, que lleva a uno a la venganza (sádica y dirigida hacia los demás), y a la otra a la autodestrucción (masoquista y vuelta hacia sí misma).
Podría escribir para siempre pero lo dejo hasta aquí, si les gustan las novelas violentas, góticas, con fantasmas, personajes crueles, chismes, naturaleza, enfermedad y encierro, pero sobre todo con la prosa maravillosa de tremenda escritora que fue Emily Bronte, la recomiendo muchísimo, especialmente la versión de Penguin Clásicos que tiene una excelente traducción de Nicole D’Amonville Alegría.
Que triste que no pude leer esta novela en el ámbito académico porque el ensayo que hubiera hecho habría quedado exquisito, aunque aquí (en Good Reads) no sabría cómo empezar, quizás por mi primera intención en leer este libro que fue gracias a la maravillosa Mariana Enríquez y su libro “Nuestra Parte de Noche” que cita casi textualmente Cumbres Borrascosas y me dejó impactada con estos paralelismos que demuestran su propia pasión por la obra de Bronte: “Se lo había pedido, cuando estaba viva, una vez, casi en chiste imitando a un personaje de una novela, no me dejes solo, haunt me, no había palabras en castellano para ese verbo, haunt, no era embrujar, no era aparecer, era haunt, pero ella nunca lo había tomado en serio (…)” bastó con eso para que me obsesionara de tal forma con Cumbres Borrascosas hasta poder tenerlo en mis manos y poder leer el HAUNT ME, HAUNT ME de Heathcliff hacia Catherine.
Quiero aclarar que esa obsesión no era en absoluto por las implicaciones “románticas” que demostraban, siendo que en ambos libros (el de Bronte y Enríquez) se ve también el paralelismo de una relación más dependiente que amorosa, en Cumbres especialmente ese aspecto del amor infantil, de querer volver a ser esos niños corriendo en los prados, de reírse de las desgracias de los demás en vez de padecerlas, del egoísmo, la tenacidad y el deseo, que lleva a uno a la venganza (sádica y dirigida hacia los demás), y a la otra a la autodestrucción (masoquista y vuelta hacia sí misma).
Podría escribir para siempre pero lo dejo hasta aquí, si les gustan las novelas violentas, góticas, con fantasmas, personajes crueles, chismes, naturaleza, enfermedad y encierro, pero sobre todo con la prosa maravillosa de tremenda escritora que fue Emily Bronte, la recomiendo muchísimo, especialmente la versión de Penguin Clásicos que tiene una excelente traducción de Nicole D’Amonville Alegría.
Content Warnings
Graphic: Alcoholism, Cursing, Death, Domestic abuse, Incest, Misogyny, Toxic relationship, Violence, Death of parent, Toxic friendship, Classism
Minor: Abandonment
dark
emotional
funny
mysterious
reflective
sad
medium-paced
Plot or Character Driven:
Character
Strong character development:
Complicated
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
intense, absurd, bizarre, but I ended the book with a resounding emotion of "damn, I get why people love this book."
it takes you on a truly immense character journey spanning 3 generations and 50 years - and doesn't start coming together till the last chapter or so.
overall, completely worthy of its legendary status. I felt like honestly it could have been longer/more fleshed out at the end, that's my only critique. The wrap up of the younger generations story and the breaking of the cycle of trauma felt possibly like something EB struggled to write, or express. Which to be fair, makes sense.
it takes you on a truly immense character journey spanning 3 generations and 50 years - and doesn't start coming together till the last chapter or so.
overall, completely worthy of its legendary status. I felt like honestly it could have been longer/more fleshed out at the end, that's my only critique. The wrap up of the younger generations story and the breaking of the cycle of trauma felt possibly like something EB struggled to write, or express. Which to be fair, makes sense.
Content Warnings
Graphic: Addiction, Alcoholism, Animal cruelty, Chronic illness, Confinement, Death, Domestic abuse, Emotional abuse, Mental illness, Misogyny, Physical abuse, Racism, Sexism, Terminal illness, Toxic relationship, Violence, Medical content, Kidnapping, Grief, Medical trauma, Death of parent, Pregnancy, Alcohol, Classism
Moderate: Incest
dark
emotional
mysterious
sad
tense
slow-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Content Warnings
Graphic: Addiction, Alcoholism, Bullying, Child abuse, Death, Domestic abuse, Incest, Mental illness, Misogyny, Physical abuse, Toxic relationship, Violence, Grief, Schizophrenia/Psychosis
Moderate: Torture