Reviews tagging 'Kidnapping'

Woeste Hoogten by Emily Brontë

78 reviews

dark emotional mysterious reflective sad tense slow-paced
Plot or Character Driven: Character
Strong character development: Complicated
Loveable characters: No
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

I found Wuthering Heights to be refreshing after reading Jane Eyre. Both Charlotte and Emily have tremendous talent in storytelling, albeit vastly different modes of portraying themes, characters and morality. It is as though they have lived completely different lives, Charlotte is inspired by what is good and godly, Emily is attracted to darkness and misery. The content warnings could be rolling out the door.

Wuthering Heights delves into the reality of many people’s lives in Emily’s era, through morbid, selfish characters and of course her narcissistic / sociopathic anti-hero, Heathcliff who becomes a tyrannical patriarch. His ability to do so is enlightening in regards to the ease in which a man can inflict cruelty on those around him, especially women, with impunity from the law. Power-hungry and sadistic, Heathcliff seeks revenge for the way he was treated in childhood and for how his love was stolen from him— the only person who can stir positive feeling in him. Although Heathcliff is abhorrent, he is so intriguing and his devotion to Catherine renders this morally indefensible character understandable to the eyes of many readers. Although we cannot excuse his temperance, cunning and evil nature, we sympathise with the little orphan Romani boy he once was, treated terribly, until Catherine “saved” him, and her father warmed up to him.
In death, Catherine saves him once more, and calls him to the other side; or at least we may deduce this from his delirious state during the days leading to his death.


I am still reflecting on this novel and I shall be for a while, however here are some quotes which are poignant/of interest:

Whatever our souls are made of, his and mine are the same, and Linton is as different as a moonbeam from lightning, or frost from fire. - Catherine Earnshaw, 78 
so who’s trying to merge souls? 

What were the use of my creation, if I were entirely contained here? My great miseries in this world have been Heathcliff’s miseries, and I watched and felt each from the beginning; my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and, if all else remained, and he were annihilated, the Universe would turn to a mighty stranger…Nelly, I am Heathcliff— - Catherine Earnshaw, 79-80
I love that the line between love and obsession is so faint, it may as well not be there between Catherine and Heathcliff 

The moment her regard ceased, I would have torn his heart out, and drunk his blood! - Heathcliff, 143
Heathcliff is toxic (understatement) but I liked the vampiric imagery, he quite figuratively is a vampire seeking to use and destroy for his own ends/pleasure/consumption.  

“I wish I could hold you…till we were both dead! I shouldn’t care what you suffered. I care nothing for your sufferings. Why shouldn’t you suffer? I do!” - Catherine Earnshaw, 152
Well might Catherine deem that Heaven would be a land of exile to her, unless, with her mortal body, she cast away her moral character also. - Nelly Dean, assuming the role of narrator, 152
I also appreciate how love and hate are intertwined, and how selfish they are in love— it’s difficult to determine whether they act for their lover or themselves, and yet it is both since they seem to be eternally bound. 

…and on my approaching hurriedly to ascertain if she had fainted, he gnashed at me, and foamed like a mad dog, and gathered her to him with greedy jealousy. - Nelly Dean, 154
“…Why did you betray your own heart, Cathy? I have not one word of comfort— you deserve this. You have killed yourself…wring out my kisses and tears. They’ll blight you— they’ll damn you.” “I love my murderer—but yours! How can I?” - Heathcliff, 154-155
Their passion, through their disdain, through their spite, through their jealousy, it is unbreakable. Their tempestuous relationship is solidified as an unstoppable force in this scene, and unfortunately the surrounding characters (their family!) are drawn into the wreckage of the storm. 
In regards to the narration, I love Nelly Dean, especially when she portrays Heathcliff in a preternatural, primal light, it fits the dark, gothic mood and it adds a sparkle to his enigmatic, morally grey character. 

I finish this review under the misty full moon, left with feelings of repulsion and curiosity towards Wuthering Heights

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dark tense medium-paced
Plot or Character Driven: Character
Strong character development: No
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Yes

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adventurous challenging dark emotional hopeful mysterious reflective sad tense medium-paced
Plot or Character Driven: A mix
Strong character development: Complicated
Loveable characters: Complicated
Diverse cast of characters: Complicated
Flaws of characters a main focus: Yes

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challenging dark mysterious reflective tense slow-paced
Plot or Character Driven: A mix
Strong character development: No
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Yes

Expand filter menu Content Warnings
challenging dark emotional tense slow-paced
Plot or Character Driven: Character
Strong character development: Complicated
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Yes

Writing reviews for classics that I like is never easy - I always feel immense pressure to say something profound and original about a work that 1) I enjoyed and 2) so did everyone else. Of course, the trouble with such a well-liked book is that everything profound and original about it has already been said, more or less.

So let me say some basic and trite (but none the less true to how I feel) things about Wuthering Heights.
 
First and foremost, Brontë's toxic, passionate speeches from Heathcliff and Catherine (Sr.) about each other fuck severely. Catherine's "Nelly, I am Heathcliff" confession? Healthcliff's proclamation about the depth of Catherine's affection for him compared to Linton? The "You say I killed you - haunt me, then!" argument? All bangers. Go off, you absolute maniacs. 

Secondly, and speaking of the haunting by Catherine of Heathcliff, the thread of her ghost trying to get into Wuthering Heights throughout the tale is sewn into the story with just enough detail to be compelling without being overwrought - from the early scene Lockhood witnesses all the way to Heathcliff's death under the open window. I especially like the lack of concrete proof of the ghost and the skepticism of the storytellers themselves. 

And now, thirdly, the storytellers and the frame story in general have been fun to turn over in my head. From the beginning, I wondered, why are Lockwood and Nelly our narrators? I think there are dozens of valid answers to this question. Two of my favorites includeto create distance from the narrative to drop details & increase unreliability and to provide perspectives closer to the intended readers. I'm especially obsessed with Nelly Dean and the constant interjections of her opinions into her retelling. 

Something specific to the audiobook version that I listened to - the Spotify version read by Billie Fulford-Brown - is that it was read fantastically. Fulford-Brown clearly had a great handle on the text, reading all the dialogue with accurate emotion. She also gave the characters distinct voices without being over-the-top. Her performance made Brontë's mid-19th century prose much more accessible.

Anyway. There's a lot more I could say about Wuthering Heights - for example, Brontë's descriptions of the moors are a masterclass in thematic use of setting - but I'll cut myself off here, lest I write a whole paper. Let me end by saying it's fucked up that Kate Bush managed to successfully summarize and convey the main storyline of such a complex book in a 4.5-minute song after only watching the last ten minutes of a movie adaptation.

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dark emotional funny mysterious reflective sad medium-paced
Plot or Character Driven: Character
Strong character development: Complicated
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Yes

intense, absurd, bizarre, but I ended the book with a resounding emotion of "damn, I get why people love this book." 

it takes you on a truly immense character journey spanning 3 generations and 50 years - and doesn't start coming together till the last chapter or so. 

overall, completely worthy of its legendary status. I felt like honestly it could have been longer/more fleshed out at the end, that's my only critique. The wrap up of the younger generations story and the breaking of the cycle of trauma felt possibly like something EB struggled to write, or express. Which to be fair, makes sense.

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riverofhorton's profile picture

riverofhorton's review against another edition

DID NOT FINISH: 32%

This book is incredibly violent, with every kind of toxic relationship and abuse you can think of, with the kind of casual racism and misogyny that I have at this point come to expect from 19th Century fiction. That said, I may well return to this book at a later date, since there were a few scenes that I found to be quite thrilling, and I do find myself invested in the characters and their development. Right now just isn't the right time for me to be reading a book with this amount of violence.

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challenging dark medium-paced

Emily had a plan for this book but even after several readings, I'm not sure what it was. But it was precise and high minded, however debased her characters got. This one is definitely not for those who need a likes le character. Did she carry the Byronic ideal to its logical, ironic, conclusion?

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challenging dark emotional mysterious sad tense medium-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Yes

Violent, abusive, harsh, dark. A love story? no thank you

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dark emotional mysterious medium-paced
Plot or Character Driven: Plot
Strong character development: No
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Yes

Really enjoyed it, got more and more into it as I went. Not a book I could read when distracted due to the style of writing but gave a wonderful dark story from the 19th century

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