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dreamdust1600's review
dark
emotional
mysterious
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Pretty evil lady please step on me
Content Warnings
Graphic: Death, Emotional abuse, Child abuse, Classism, Gaslighting, Violence, Lesbophobia, Death of parent, Domestic abuse, Homophobia, Misogyny, Murder, Physical abuse, Toxic relationship, and War
Moderate: Body horror
hue's review against another edition
dark
emotional
medium-paced
- Plot- or character-driven? Character
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
My heart is swelling!
I must admit I was afraid at first to find out the sequel was written in first person rather than third like the Midnight Lie, but I was pleasantly surprised. The dwelve into both Sid and Nirrim's thoughts and turmoils—as well as the storytelling of the God of Lies—was absolutely marvelous. Sure, sometimes it felt as if there was no "true" plot to follow, but I did not mind one bit about it. The characters and their stories, the threads that weave their lives—it was rich and fantastical, full of grief and love and desperation. I cannot find the words to describe it any better. I could stay in this world for all of entirety!
I must admit I was afraid at first to find out the sequel was written in first person rather than third like the Midnight Lie, but I was pleasantly surprised. The dwelve into both Sid and Nirrim's thoughts and turmoils—as well as the storytelling of the God of Lies—was absolutely marvelous. Sure, sometimes it felt as if there was no "true" plot to follow, but I did not mind one bit about it. The characters and their stories, the threads that weave their lives—it was rich and fantastical, full of grief and love and desperation. I cannot find the words to describe it any better. I could stay in this world for all of entirety!
Content Warnings
Graphic: Abandonment, Child abuse, Blood, Confinement, Emotional abuse, Death, Grief, Gaslighting, Gun violence, Homophobia, War, Murder, and Violence
allisonmenck's review
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Flaws of characters a main focus? Yes
3.5
Content Warnings
Graphic: Emotional abuse, Homophobia, and Domestic abuse
Moderate: War
mahitdzmare's review
adventurous
dark
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
kinda underwhelming compared to the midnight lie. I didn’t really care Sid’s plot with her kingdom especially with how it’s connected to the author’s other books, which I haven’t read.
Content Warnings
Moderate: Blood, Death, Emotional abuse, and Murder
claudiamacpherson's review against another edition
adventurous
emotional
hopeful
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Moderate: War, Grief, Violence, Blood, and Murder
Minor: Child abuse, Death of parent, Emotional abuse, Abandonment, Confinement, Fire/Fire injury, Gore, Child death, Classism, Gun violence, and Sexual content
imaginingly's review
adventurous
dark
mysterious
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
i enjoyed how this book ended although i wasn’t the biggest fan of nirrim’s character for this book i really enjoyed the development of (almost) each character we met from the midnight lie and how it all came together in the end
Content Warnings
Graphic: Blood and Death
Minor: Classism, Emotional abuse, Gaslighting, Genocide, Grief, Gun violence, Torture, Toxic friendship, and War
booksthatburn's review against another edition
I hadn't liked the love interest in the first book, so switching perspectives to that person and a very altered version of the previous protagonist resulted in a book where I dislike both of the point-of-view characters. That alteration fits the plot, so if you liked the first one this might work for you, it just didn't for me. I can say it starts to deal with the fallout of the protagonist's actions in the first book, so while I don't know how it ends up, I can confirm that it didn't resolve it quickly nor cheaply.
Content Warnings
Moderate: Violence, Body horror, Death, Genocide, and Cannibalism
Minor: Self harm, Slavery, Emotional abuse, Blood, and Colonisation
yvonne_cl's review against another edition
adventurous
dark
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Violence and Blood
Moderate: War, Abandonment, Confinement, Emotional abuse, Lesbophobia, and Murder
Minor: Death, Death of parent, and Gun violence
beforeviolets's review against another edition
adventurous
dark
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
TW: blood, violence, decapitation (onscreen), war, mental torture, gun violence, attempted murder, forced drug use (past, offscreen), addiction (past), death, described corpses, emotional abuse, poisoning, colonization, self-harm (a character pierces their own ears), amputation (past, mention), alcohol (mention)
My thoughts on The Hollow Heart are hard to express, because though I enjoyed the book and thought there were a lot of beautiful things about it, I felt that it really disappointed me as a sequel.
Contrary to The Midnight Lie, this book uses multiple POV's, a choice I really enjoyed. Not only did we experience the POV's of our two main characters, we also had a third, omnipotent POV that helped add a mysterious narrative and gave Rutkoski more room to manipulate our understanding of the world,
both past and present. It offered more wiggle room to play around with timeline and connections in a way that I felt was really unique and made the work more godpunk in genre, which I'll never say no to.
But as much as I love Marie Rutkoski's descriptive writing and as much as I adore the characters and the world of this series, the sequel just fell short for me. There was a powerful, heartwrenching, almost Greek Mythology-style tale filled with conversations of heroism and love and mortality built into the framework of the story but seemed to only start about 75% of the way through. To be given such a beautiful tale only in the last handful of pages really just felt like a waste, and by that point, I had been waiting so long for the plot to kick in that the story had lost almost all of the stakes and all of my interest. I really wish those last pages had been stretched out and expanded upon throughout the whole narrative instead of jammed in at the end.
And all the elements and details that I loved so dearly in The Midnight Lie (the romance, the banter, the characterization) were just completely discarded in this book. Part of it made sense for the character arcs but it mostly just made me feel like the heart of the story itself was hollow. The romance was no longer believable, the story was disjointed and anti-climactic, and the characters felt lackluster when they had previously captured my heart.
In the art world, when making comics or graphic novels, there's a rule that states that you should draw the joints of a figure above or below a frame, but never right on the edge of it, so that our brains can subconsciously continue the image offscreen. If you draw the joint right at the edge of the frame, it disrupts the visual flow of the body and causes the viewer's brain to stop the image at the joint. It's jarring and subconsciously difficult to process, and I think that's exactly what Rutkoski did. With the two books, she sliced the plot right in the middle, right at the joint, in a way that disrupts the flow and makes it difficult to be able to connect the two stories.
EDIT: My friend El and I JUST figured out (while writing this review) that this duology is a spin-off of one of Rutkoski's other works. With this knowledge, I'm realizing that the reason that I found so much of this book confusing or wasteful or empty in terms of plot was actually because Rutkoski just spent a large chunk of this book retconning her other series. (This required a lot of recaps and info dumps that seemed useless to wrapping up this duology.) To me, especially considering this series is never mentioned to be connected to the other in terms of marketing or otherwise, that is such an act of disrespect to the story of The Midnight Lie. Sid and Nirrim deserve their own full and complete narrative, not for their story to be coopted as a way to fix the issues in Rutkoski's former work. And now this series is the one to contain glaring issues that need to be fixed since much of it was dedicated to telling another story. Truly such a failure on the author's part.
My thoughts on The Hollow Heart are hard to express, because though I enjoyed the book and thought there were a lot of beautiful things about it, I felt that it really disappointed me as a sequel.
Contrary to The Midnight Lie, this book uses multiple POV's, a choice I really enjoyed. Not only did we experience the POV's of our two main characters, we also had a third, omnipotent POV that helped add a mysterious narrative and gave Rutkoski more room to manipulate our understanding of the world,
both past and present. It offered more wiggle room to play around with timeline and connections in a way that I felt was really unique and made the work more godpunk in genre, which I'll never say no to.
But as much as I love Marie Rutkoski's descriptive writing and as much as I adore the characters and the world of this series, the sequel just fell short for me. There was a powerful, heartwrenching, almost Greek Mythology-style tale filled with conversations of heroism and love and mortality built into the framework of the story but seemed to only start about 75% of the way through. To be given such a beautiful tale only in the last handful of pages really just felt like a waste, and by that point, I had been waiting so long for the plot to kick in that the story had lost almost all of the stakes and all of my interest. I really wish those last pages had been stretched out and expanded upon throughout the whole narrative instead of jammed in at the end.
And all the elements and details that I loved so dearly in The Midnight Lie (the romance, the banter, the characterization) were just completely discarded in this book. Part of it made sense for the character arcs but it mostly just made me feel like the heart of the story itself was hollow. The romance was no longer believable, the story was disjointed and anti-climactic, and the characters felt lackluster when they had previously captured my heart.
In the art world, when making comics or graphic novels, there's a rule that states that you should draw the joints of a figure above or below a frame, but never right on the edge of it, so that our brains can subconsciously continue the image offscreen. If you draw the joint right at the edge of the frame, it disrupts the visual flow of the body and causes the viewer's brain to stop the image at the joint. It's jarring and subconsciously difficult to process, and I think that's exactly what Rutkoski did. With the two books, she sliced the plot right in the middle, right at the joint, in a way that disrupts the flow and makes it difficult to be able to connect the two stories.
EDIT: My friend El and I JUST figured out (while writing this review) that this duology is a spin-off of one of Rutkoski's other works. With this knowledge, I'm realizing that the reason that I found so much of this book confusing or wasteful or empty in terms of plot was actually because Rutkoski just spent a large chunk of this book retconning her other series. (This required a lot of recaps and info dumps that seemed useless to wrapping up this duology.) To me, especially considering this series is never mentioned to be connected to the other in terms of marketing or otherwise, that is such an act of disrespect to the story of The Midnight Lie. Sid and Nirrim deserve their own full and complete narrative, not for their story to be coopted as a way to fix the issues in Rutkoski's former work. And now this series is the one to contain glaring issues that need to be fixed since much of it was dedicated to telling another story. Truly such a failure on the author's part.
Content Warnings
Graphic: Blood, Violence, Emotional abuse, Gun violence, Torture, Death, and Colonisation
Moderate: Murder, War, and Self harm
Minor: Addiction, Drug abuse, and Drug use
deadbookishsociety's review
adventurous
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.0
2nd book to the midnight lie series and it was okay for me , comparing it to the first book where the author brilliantly merged the fantasy world with the one we live in to give a raw and gruesome view of how classism and divisions in the society have led to the exploitation of people who are considered as ' lesser ' and how no one really knows when , who and how those rules and boundaries were made , this one wasn't quite about to grab my attention the same way .
Starting of with Nirrim who I loved in the firat book watching her grown to the person she became , I really felt detached from her in this one, i know there were reasons for what she did but still her character lacked the charm she has in the midnight lie . Sid on the other hand was the only character who kept me going, her story and the way she not only dealt with whatever was going on in her life , I felt like she became the main character by the end of it all leaving behind nirrim . Her chapters and pov was all I was looking forward to .
And the end it felt incomplete in a way , it yet again the only way it could have ended but it somehow didn't feel like it , considering how both the books were 400 pages long it was too short for a fantasy duology and everything by the end felt rushed.
Anyway this book was an okay read , I'll still recommend it to people who live fast paced , easily world building and maybe corruption arcs .
Thank you netgalley and hodder & stoughton for providing me an arc for this book
Starting of with Nirrim who I loved in the firat book watching her grown to the person she became , I really felt detached from her in this one, i know there were reasons for what she did but still her character lacked the charm she has in the midnight lie . Sid on the other hand was the only character who kept me going, her story and the way she not only dealt with whatever was going on in her life , I felt like she became the main character by the end of it all leaving behind nirrim . Her chapters and pov was all I was looking forward to .
And the end it felt incomplete in a way , it yet again the only way it could have ended but it somehow didn't feel like it , considering how both the books were 400 pages long it was too short for a fantasy duology and everything by the end felt rushed.
Anyway this book was an okay read , I'll still recommend it to people who live fast paced , easily world building and maybe corruption arcs .
Thank you netgalley and hodder & stoughton for providing me an arc for this book
Content Warnings
Graphic: Violence, Murder, Physical abuse, and Emotional abuse
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