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filipa_maia's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
This is not a typical romance in a sense that are some really dark and heavy topics represented: domestic abuse, a cult, death... the kind of themes that are not associated when you ear the genre romance.
I really enjoyed this book. I like how dark and mysterious Gus is and how fragile and hurt January feels. And I like the way both of them decide to give each other a chance (although, sometimes, January frustrated me a lot). The best part about this book is that it shows that two people with completely opposite visions of the world can find common ground.
I really liked this book and will look for more books by Emily Henry.
Graphic: Cancer, Abandonment, Grief, Chronic illness, Infidelity, and Death of parent
Moderate: Death, Vomit, Child abuse, Child death, Domestic abuse, Emotional abuse, Fire/Fire injury, Physical abuse, and Toxic relationship
Minor: Car accident, Alcohol, and Cursing
gabbygarcia's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.25
Graphic: Grief, Sexual content, and Death of parent
Moderate: Cancer and Infidelity
Minor: Car accident, Fire/Fire injury, Alcohol, and Child death
anielabooks's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Death of parent and Infidelity
Moderate: Sexual content, Grief, Cancer, Death, and Vomit
Minor: Addiction, Fire/Fire injury, Alcohol, Alcoholism, Car accident, Murder, and Religious bigotry
rosevity's review
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Graphic: Death of parent and Sexual content
Moderate: Infidelity, Cancer, Fire/Fire injury, and Grief
Minor: Child death and Car accident
faitherslibrary's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.5
Graphic: Grief, Suicide, and Child abuse
Moderate: Alcoholism, Cancer, Death of parent, Fire/Fire injury, and Physical abuse
Minor: Car accident
lozziereads's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
3.5 Star Rating- Did I read all of this book in just four days? Yes. Does it pass the Bechdel test? not even close. Is this a story that contains fully composed characters of color, who contribute more to the plot than serving the journey of white main characters ? Also, not even close. No book that fails to do these things can ever really be a great book to me, because those are standards for me as a Black reader.
This book also toes the line of almost unbearable white feminism.
All of those things being said, I think this is some of Emily Henry's best writing. I've rated this lower than People We Meet on Vacation, but this book surprisingly subverted the romance genre in many ways for me. I am beginning to note things that are specific to this authors style, which always fascinates me. The narrator for the audiobook, Julia Whelan- who also reads for People We Meet on Vacation- is fantastic. This book is not just a romance but dissects the idea of romance, and I felt I knew both characters well, though the story is told from a Single POV. This book was a love letter to writing, and I felt inspired to write reading it. It was an excellent discussion of grief and whether or not its possible to know someone the way you want to, or think you must. Sometimes having creators as the center of a book is an easy way for the book to go cheesy- but it was an interesting discussion of the writing process and added an extra layer to the reading experience thinking of the author as an author while reading her story. Around 75% through the book, I became bored of the lack of evolvement from the issue at the heart of their relationship - meaning, knowing they had spent the whole book progressively working through an issue, it was disinteresting to have an already resolved and communicated issue come up again verbatim. The characters were going on incredibly personal journeys in their lives apart - and when they would try to make sense of the way they worked together, the problem would be almost cliche: He is ultimately intent on being secretive and self-destructive. She can't stop believing she can have an affect on his unavailability. Or rather a better way to put it is that so many of their resolutions were heavy on the emotional labor of the woman mc. It's not romantic to imagine a future like that. He is normally plain spoken, but the woman mc always has to beg him for crumbs when it comes to his emotions, especially the ones concerning her. I felt like the "enemies-to-lovers" aspect of this book was thoroughly and surprisingly well executed, not so much the "he's obsessed with her" trope, which fit clunkily into the characters past relationship towards the end of the book. I really enjoyed how many other things were going on in the book, it was balanced well with the intense connection and friendship growing between the two mcs - I don't recall more than one time when I was disappointed by the division of time between topics in the novel. I loved that there were lesbians in the book - but they were white lesbians, and though they had a relative depth, I still felt betrayed by the amount of definition they got in comparison to Shadi.
All in all I feel very conflicted about this book. I'm glad I finally took the chance to read it!
- Alcohol abuse
- Cancer (past, in remission)
- Car accident
- Character death (parents, referenced)
- Cheating (past)
- Child abuse (past)
- Child neglect (past)
- Cult (suicide cult, past)
- Drink-Driving
- Emesis
- Fire (past)
- Grief
- Physical abuse (past)
Graphic: Grief, Alcohol, and Death of parent
Moderate: Cancer
Minor: Physical abuse and Car accident
lucy_shanners's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
Graphic: Death, Cancer, Grief, Death of parent, and Infidelity
Moderate: Sexual content and Alcohol
Minor: Vomit and Car accident
jlautry's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
Small spoiler alert ahead: For those of you that have read this, I understand the irony of who said/wrote this and why it was written, but the validity and truth of that statement still stands.
Moderate: Death of parent
Minor: Cancer and Car accident
jude7's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
4.75
Moderate: Infidelity, Death of parent, Fire/Fire injury, and Cancer
Minor: Car accident and Vomit
emilysines's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Abandonment, Alcohol, Domestic abuse, Grief, Infidelity, and Sexual content
Moderate: Child abuse, Physical abuse, and Cancer
Minor: Vomit and Car accident