dark funny tense medium-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Complicated
Diverse cast of characters: No
Flaws of characters a main focus: No

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dark mysterious tense
Loveable characters: Complicated

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dark emotional mysterious sad tense medium-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Complicated
Diverse cast of characters: No
Flaws of characters a main focus: Complicated

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adventurous hopeful inspiring lighthearted mysterious reflective sad tense fast-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Complicated

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dark mysterious medium-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Complicated
Diverse cast of characters: Complicated
Flaws of characters a main focus: Complicated

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dark emotional tense fast-paced

This book wasn’t for me. It was fast paced and I couldn’t put it down but, the gore and violence are completely off putting for me. The mystery and story were compelling and the characters were interesting, and infuriating at times. If you appreciate graphic horror, you’ll love this book. 

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dark mysterious tense medium-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: Complicated
Diverse cast of characters: No
Flaws of characters a main focus: Complicated

A bit of a slow pace at the beginning and a few loose threads but overall a very enjoyable read!! Kept me hooked.

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dark mysterious tense fast-paced
Plot or Character Driven: A mix
Strong character development: No
Loveable characters: Complicated
Diverse cast of characters: Complicated
Flaws of characters a main focus: Complicated

For the first 50-100 pages, I was assuredly in this book's corner. The writing was snappy, the setting sharp, and the looming threat of something sinister palpable. It had me in the palm of its hand, and then only intermittently, and then not at all. Some of that degradation is due to the rises and falls of the suspense, which could be tiresome to wade through since Hendrix doesn't give his reader any space to second-guess the facts of what's happening in the story, lessening the suspense somewhat. It's a narrative decision I want to admire, and I did initially since it firmly places the women driving the story in the right. But after that story humiliated or tortured them for the umpteenth time, I struggled to see the point. 

There are hints of promise, specifically in the strength of female friendship and solidarity, but Hendrix's writing is so rooted in a shallow faux-feminism that it sabotages the book at every turn. For one thing, he can't help but describe women's bodies in detail, even when the context would make such specificity frivolous at best. It's a symptom of a larger problem, though, and only gets worse as the story approaches the climax, where Hendrix resorts to the threat of sexual violence or the act itself to ramp up the tension in ways I found to be distasteful. The book wants to paint a picture of how men have historically abused women, treating them like objects or tools for their pleasure or pursuit of power. I'm all for that, especially in a "vampire" period piece like this. But when that book also has a habit of treating its women the same way as the men it condemns, any semblance of commentary quickly deteriorates.

It doesn't help that the characters are predominantly defined by their genders and the traits stereotypically associated with them. Those aren't bad traits for a character to have, mind you, but I struggle to believe that women in the era were exclusively defined by their roles as wives and mothers. The insistence on defining all these characters by different shades of those characteristics was disappointing, especially since Hendrix failed to give the women any interior lives or depth beyond the basest impulses projected onto them. At the very least, though, he knows his way around the genre, and his fast-paced, zippy writing makes this an easy page-turner. He also has a knack for setting up nail-biting scenarios that gross you out just as much as they keep you flipping pages. Granted, some of those scenarios end up falling into the same problems I had with the rest of the book, but the build-up was there, at least. If Hendrix had more self-awareness about his limits and strengths, this could've been a pulpy banger of a book, but alas.

None of these problems are unique to this book, though—I recognize many of his worst impulses from some of Stephen King's earlier works, alongside plenty of other male horror writers. But we (meaning white men like myself) can do better than this, and it's frustrating when I find books that seem to tell me otherwise.

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adventurous challenging dark emotional inspiring mysterious reflective sad tense medium-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Complicated
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

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adventurous emotional funny hopeful fast-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: No

This book was so good. Nothing but praise all around. Diverse, well-rounded and realistic characters. Great scares. Plot was fantastic, heart wrenching, and enraging. And important issues were touched on and drawn attention to. Grady Hendrix is such an impressive horror writer and continues to surprise, horrify, and astound me.
P.S. Everyone in this book should have gotten a divorce. 

Tw for rape

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