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watykerry's review against another edition
emotional
reflective
sad
- Plot- or character-driven? Character
5.0
Content Warnings
Graphic: Grief, Child death, Death, and Pandemic/Epidemic
iris3271's review against another edition
emotional
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.75
Content Warnings
Graphic: Pregnancy, Pandemic/Epidemic, Sexual content, Death, Child death, and Terminal illness
Moderate: Death of parent, Alcohol, Alcoholism, Injury/Injury detail, Emotional abuse, Infidelity, and Physical abuse
Minor: Body horror
the_aesthete_nerd's review against another edition
emotional
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.75
Hamnet makes you think why you are doing this to yourself while you are reading it and falling apart, one line at a time. And once you finish reading, you have this overwhelming urge to share it with the entire world.
Hamnet is the story of Agnes Hathaway, her children Susana, Judith, Hamnet and their absentee father, William Shakespeare. But the Bard here is only an accessory to Agnes' life and her trials and tribulations. It's about how the Bubonic Plague tore apart families, how when the statistics record thousands of death, we forget that a single death can disrupt lives, scar and change people for a lifetime. It's about struggling and coping with loss. It's about how the greatest play ever written can be the residue of a father's grief and guilt.
Maggie O'Farrell's writing is haunting, devastating and at times it's such a raw, intimate portrayal of relationships, that it almost feels vulgar to invade their pure, private space. She will rip you apart, make you feel feelings you thought you never had and bring tears, which were long silenced by depression medications. She is a magician of words and with this one it seems, she wields her wand with the sole purpose of devastating you. I love how she renders the Bard powerless here by not naming him once, by ripping him of his identity and portraying him as just a son, a husband and a father. I love how Agnes and her children take the stage here and show us that regular faces, not recorded or remembered in history are as much part of the building blocks of the human experience as the ones that stands the test of time. That William Shakespeare could have been just a mediocre glove-maker, had it not been for Agnes and their children. That the greatness of love, loss and grief transcends the boundaries of time.
Having said that this is not a light read, looking at the very cover of the book is making me feel traumatized now. It should come with trigger warnings in BOLD letters: grief, abandonment, loss of child.
It's no doubt a 5 star read, if only you have the stomach for it.
Hamnet is the story of Agnes Hathaway, her children Susana, Judith, Hamnet and their absentee father, William Shakespeare. But the Bard here is only an accessory to Agnes' life and her trials and tribulations. It's about how the Bubonic Plague tore apart families, how when the statistics record thousands of death, we forget that a single death can disrupt lives, scar and change people for a lifetime. It's about struggling and coping with loss. It's about how the greatest play ever written can be the residue of a father's grief and guilt.
Maggie O'Farrell's writing is haunting, devastating and at times it's such a raw, intimate portrayal of relationships, that it almost feels vulgar to invade their pure, private space. She will rip you apart, make you feel feelings you thought you never had and bring tears, which were long silenced by depression medications. She is a magician of words and with this one it seems, she wields her wand with the sole purpose of devastating you. I love how she renders the Bard powerless here by not naming him once, by ripping him of his identity and portraying him as just a son, a husband and a father. I love how Agnes and her children take the stage here and show us that regular faces, not recorded or remembered in history are as much part of the building blocks of the human experience as the ones that stands the test of time. That William Shakespeare could have been just a mediocre glove-maker, had it not been for Agnes and their children. That the greatness of love, loss and grief transcends the boundaries of time.
Having said that this is not a light read, looking at the very cover of the book is making me feel traumatized now. It should come with trigger warnings in BOLD letters: grief, abandonment, loss of child.
It's no doubt a 5 star read, if only you have the stomach for it.
Content Warnings
Graphic: Abandonment and Child death
Moderate: Mental illness and Pandemic/Epidemic
fanchera's review against another edition
dark
emotional
informative
reflective
sad
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
4.0
Content Warnings
Graphic: Pandemic/Epidemic, Grief, Child death, Death, and Terminal illness
Moderate: Toxic relationship and Infidelity
lauraportalupi's review against another edition
dark
emotional
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
4.75
Content Warnings
Graphic: Pandemic/Epidemic, Child death, Child abuse, Grief, and Violence
Moderate: Animal cruelty, Death of parent, and Animal death
zoegupta's review against another edition
dark
emotional
informative
mysterious
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.5
not something i would have chosen myself (borrowed it from mom on vacation, she was reading it for book club) but i’m so glad i did! beautiful, vivid language, and very well fleshed out characters and gripping plot. very very sad but describes grief, death, estranged relationships, etc really beautifully and in a very nuanced way. would recommend!
Content Warnings
Graphic: Child death, Child abuse, Emotional abuse, Miscarriage, Pandemic/Epidemic, Physical abuse, Pregnancy, and Grief
_maia3_'s review against another edition
emotional
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.25
I have very mixed feelings about this novel.
On one hand, despite what many have said, I actually enjoyed the flowery prose (even if the plot did move slowly from time to time), and the drama of the novel is well-developed. It's definitely a vibes-over-plot book, but I don't tend to mind that, and enjoyed the small historical details the novel had to offer. The flashbacks in the first half are well-executed and tension is kept measured throughout. O'Farrell writes poignantly on love and grief, especially the effects it has on different people.
On the other, I was and still am very conflicted about the fictionalisation of real people, especially when they are as 1) iconic and 2) scant with historical evidence as Anna Hathaway, her children, and William Shakespeare. The ending was the worst offender I feel, as even though the story wrapped up satisfyingly, it felt lukewarm given the knowledge that most of us have going into the novel - this is Shakespeare. Named or not, this novel exists as a comment on his legacy somehow, and I don't know how to marry it with my enjoyment of the novel.
That is to say however that I did, in fact, enjoy the novel - a lot of these are personal gripes that will probably not impact others. This is a good piece of historical fiction that I would happily recommend, but not for those who are looking for anything concrete or definitive on the Shakespeares, as, as O'Farrell herself puts it, the novel is a product of her own "idle speculation".
On one hand, despite what many have said, I actually enjoyed the flowery prose (even if the plot did move slowly from time to time), and the drama of the novel is well-developed. It's definitely a vibes-over-plot book, but I don't tend to mind that, and enjoyed the small historical details the novel had to offer. The flashbacks in the first half are well-executed and tension is kept measured throughout. O'Farrell writes poignantly on love and grief, especially the effects it has on different people.
On the other, I was and still am very conflicted about the fictionalisation of real people, especially when they are as 1) iconic and 2) scant with historical evidence as Anna Hathaway, her children, and William Shakespeare. The ending was the worst offender I feel, as even though the story wrapped up satisfyingly, it felt lukewarm given the knowledge that most of us have going into the novel - this is Shakespeare. Named or not, this novel exists as a comment on his legacy somehow, and I don't know how to marry it with my enjoyment of the novel.
That is to say however that I did, in fact, enjoy the novel - a lot of these are personal gripes that will probably not impact others. This is a good piece of historical fiction that I would happily recommend, but not for those who are looking for anything concrete or definitive on the Shakespeares, as, as O'Farrell herself puts it, the novel is a product of her own "idle speculation".
Content Warnings
Graphic: Child death, Pregnancy, Pandemic/Epidemic, and Grief
Moderate: Child abuse and Misogyny
Minor: Infidelity, Sexual content, and Animal death
castoningrey's review against another edition
emotional
reflective
sad
slow-paced
- Plot- or character-driven? A mix
- Loveable characters? Yes
- Diverse cast of characters? No
4.0
Content Warnings
Moderate: Pandemic/Epidemic and Child death
madzie's review against another edition
dark
emotional
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.5
O'Farrell offers an enticing idea about the life of Shakespeare's family and the death of his only son but falls short of the execution of her idea. Certainly, it cannot be argued that O'Farrell has a command of prose with vivid descriptions and creative language. However, her writing style cannot save the lack of a through point in the novel that leaves it mind-numbingly dull. Novels with little to no plot succeed with their interesting and relatable characters. Therefore, due to O'Farrell's characters being undeveloped and uninteresting, with a lack of exploratory and meaningful relationships with each other, the entire novel becomes a bore. In fact, the climax of Hamnet's death (not a spoiler) is hardly impactful because I have little care for any of the characters or their relationships with one another.
Unfortunately, Hamnet's death even becomes laughable due to the use of an absolutely unrealistic trope which shows O'Farrell's lack of care or research in her novel. The rest of the novel holds up similarly with the overuse of tropes that do not fit the genre and instead make the novel campy. I really was looking for this book to paint Shakespeare's family as people, rather than spectacles, who face a nonsensical tragedy. Instead, O'Farrell's reliance on tropes and leaving Shakespeare nameless do the opposite, making one of the most famous writers even more mysterious and even more magical rather than human. O'Farrell is excellent at depicting grief at the moment but neglects to write about how deeply it continues to affect people over time and how it can rip apart families and relationships, instead relying on surface-level points and exposition. Further, her use of multiple timelines seems senseless as there is no purpose or reveal, and instead makes the novel even more boring and approaching annoying.
The novel's ending demonstrates the potential it failed to reach. Big ideas and feeling attempt to break through, but after nearly 300 pages of not exploring those themes in depth, setting them up, or creating a relationship between the characters and reader, the end makes it seem like the idea would have fit a short story better than a full-length novel. Additionally, the conclusion only draws further attention to how the themes O'Farrell introduces are unfocused. Topics, such as family relations and women in society, seem to be abandoned, with no real exploration into what O'Farrell really wants her audience to reconsider. In the end, O'Farrell's famous novel, while driven by its excellent writing style, fails to deliver on its promises, lacks any purposeful direction, and leaves me longing for any deep feeling.
Unfortunately, Hamnet's death even becomes laughable due to the use of an absolutely unrealistic trope which shows O'Farrell's lack of care or research in her novel. The rest of the novel holds up similarly with the overuse of tropes that do not fit the genre and instead make the novel campy. I really was looking for this book to paint Shakespeare's family as people, rather than spectacles, who face a nonsensical tragedy. Instead, O'Farrell's reliance on tropes and leaving Shakespeare nameless do the opposite, making one of the most famous writers even more mysterious and even more magical rather than human. O'Farrell is excellent at depicting grief at the moment but neglects to write about how deeply it continues to affect people over time and how it can rip apart families and relationships, instead relying on surface-level points and exposition. Further, her use of multiple timelines seems senseless as there is no purpose or reveal, and instead makes the novel even more boring and approaching annoying.
The novel's ending demonstrates the potential it failed to reach. Big ideas and feeling attempt to break through, but after nearly 300 pages of not exploring those themes in depth, setting them up, or creating a relationship between the characters and reader, the end makes it seem like the idea would have fit a short story better than a full-length novel. Additionally, the conclusion only draws further attention to how the themes O'Farrell introduces are unfocused. Topics, such as family relations and women in society, seem to be abandoned, with no real exploration into what O'Farrell really wants her audience to reconsider. In the end, O'Farrell's famous novel, while driven by its excellent writing style, fails to deliver on its promises, lacks any purposeful direction, and leaves me longing for any deep feeling.
Content Warnings
Graphic: Child death, Grief, Pandemic/Epidemic, Death, and Terminal illness
Moderate: Child abuse, Emotional abuse, Abandonment, Physical abuse, and Alcohol
Minor: Pregnancy, Death of parent, and Infidelity
heini's review against another edition
mysterious
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Death, Child death, and Grief
Moderate: Domestic abuse, Pregnancy, Child abuse, Sexual content, and Alcoholism
Minor: Pandemic/Epidemic