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memita's review against another edition
4.0
Quatro estrelas porque comparar com o original, um dos meus livros favoritos da vida, é inevitável.
mpatshi's review against another edition
4.0
Such beautiful artwork by Chabouté.
black ink and dark. The rough faces of the workers, the bewildered look of captain Ahab.
A worthy graphic novel translation of Moby Dick.
black ink and dark. The rough faces of the workers, the bewildered look of captain Ahab.
A worthy graphic novel translation of Moby Dick.
bardic_llama's review against another edition
adventurous
dark
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Found myself doing voices for the characters in my head while reading it.
aborham's review against another edition
5.0
Apart from the great layouts and B&W illustrations, this adaptation gives the famous tale a new dimension.
banhart04's review against another edition
adventurous
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
3.0
Not a huge fan of the art. The beauty of Hemingway's writing is kind of lost here.
carladerschwan's review against another edition
adventurous
dark
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
2.0
flyintothestorm's review against another edition
adventurous
dark
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Me ha gustado, pero, aunque no he leído la obra original, se nota que ha habido que cortar mucho y creo que la locura de Ahab necesita más tiempo para que afecte al lector todo lo que debería.
Graphic: Mental illness, Injury/Injury detail, and Death
ryner's review against another edition
adventurous
fast-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
It's been a while since I read Moby-Dick and, though I liked it a lot I am unlikely to read it again (so many books, so little time). But a graphic novel edition? Yes, please! It was a treat to get a refresher in the form of a book I could finish in one sitting, as well as reintroductions to the characters and overall narrative arc. I would have preferred an illustration style that was a bit less stark, but a lack of color is arguably a fitting artistic choice.
tvil's review against another edition
5.0
The main focus of this adaptation is, perhaps unsurprisingly, Ahab's madness. The story's pacing is excellent, and really helps to show his monomaniacal nature, like how he wins over the crew and how Starbuck grows more and more disillusioned with the crazy old man.
The omissions and changes from the source material all seem sensible and logically considered. The character of Pip, for example, is omitted, but an unnamed (and unseen, except for in silhouette) falls overboard at one point and is seen no more. This was presumably a nod to Pip. His death is used to set up an important plot point: The crew throw out a buoy for him, but fail to retrieve him, and it's the loss of this buoy that prompts them to refurnish Queequeg's coffin canoe into a makeshift buoy.
All in all, though, a lot of the plot remains intact (which cannot be said for Will Eisner's 32 page adaptation). The relationship between Ishmael and Queequeg gets the room it deserves. Many pages (although not as many as in the novel, perhaps just as well) are spent on presenting the whaling business, such as a long scene with no dialogue where the crew turns whale blubber into oil. The three gams with other whaling ships are also present, which help focus the story on Ahab's descent into madness.
The art is fantastic. The stark black and white wood carving style drawings make it stand among the classical Moby-Dick illustrators like Rockwell Kent and Barry Moser (as well as the modern Evan Dahm), and many of the comic panels in this book could very well be singled out and put into a regular, illustrated version of the novel. I was also reminded of Mike Mignola.
Shortly put, one of (if not the) best comic adaptations of a novel I've ever read. Great stuff.
The omissions and changes from the source material all seem sensible and logically considered. The character of Pip, for example, is omitted, but an unnamed (and unseen, except for in silhouette) falls overboard at one point and is seen no more. This was presumably a nod to Pip. His death is used to set up an important plot point: The crew throw out a buoy for him, but fail to retrieve him, and it's the loss of this buoy that prompts them to refurnish Queequeg's coffin canoe into a makeshift buoy.
All in all, though, a lot of the plot remains intact (which cannot be said for Will Eisner's 32 page adaptation). The relationship between Ishmael and Queequeg gets the room it deserves. Many pages (although not as many as in the novel, perhaps just as well) are spent on presenting the whaling business, such as a long scene with no dialogue where the crew turns whale blubber into oil. The three gams with other whaling ships are also present, which help focus the story on Ahab's descent into madness.
The art is fantastic. The stark black and white wood carving style drawings make it stand among the classical Moby-Dick illustrators like Rockwell Kent and Barry Moser (as well as the modern Evan Dahm), and many of the comic panels in this book could very well be singled out and put into a regular, illustrated version of the novel. I was also reminded of Mike Mignola.
Shortly put, one of (if not the) best comic adaptations of a novel I've ever read. Great stuff.