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alterdd's review against another edition
4.75
- 10% lusting about women
- 85% absurd shit happening
- 5% brutal depictions of henious crimes and war
Graphic: Death, War, Rape, and Injury/Injury detail
Minor: Vomit
yeah_sure's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Graphic: Death, War, and Gore
Moderate: Misogyny, Sexual content, Violence, and Suicide
Minor: Rape, Vomit, and Murder
lizardcha's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Graphic: War
kaibigan23's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
Graphic: Violence, Sexual harassment, Physical abuse, War, and Gun violence
niamhbereading's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.5
this book is not plot based at all. the plot is introduced in the first chapter: yossarian, a fighter pilot based in pianosa, has flown enough missions to be released from service & sent home in the states. however, everytime he Should be sent home, colonel cathcart raises the mission requirement, so yossarian and the other pilots are stuck there. this is elaborated on further into the book: the only way to be sent home other than flying the required missions is to be crazy, but in order to be found crazy you must admit to the doctor that you're crazy, & that in itself is proof that you're not crazy. that's the catch 22! but as soon as that's established like 50 or so pages in, the book shifts. most of the book focuses on other side characters, like the chaplain, milo, nately, & so forth. though yossarian is the protagonist & holds the main conflict, the book is not about him. it's an ensemble piece focusing on everyone in the squadron.
i, personally, loved that this book was an ensemble piece! each character's story was so unique & fleshed out, balancing comedic scenes & darker ones. the book is constantly moving, though the pace is manageable. i said that this book has a slow pace because the plot is very loose & doesn't move quickly. however, a lot still happens in this book, it just doesn't always play into yossarian's conflict.
the one thing about this book that irked me is the cast of characters. it's just so Huge. there's at least twenty-five characters who each have their own backstory or importance to the plot. they're all well written & distinct, but i just don't know how to imagine that many characters LOL. after a while, when a new character was introduced, i'd struggle to give them a face. then later on, when characters from earlier were being called back, i forgot how i imagined them. it didn't help that this book is about american wwii soldiers so most of the characters were white men. this may not be a problem for you if you're good at imagining characters, i just felt the need to mention it.
catch 22 has a lot to say on the impact of war & how it functions in american society. so much so that my brain is kinda blown apart from it. but this book is NOT preachy! overall it is more fun than anything else. you could have a field day dissecting this book. it is a surprisingly intellectual read.
Moderate: Death, Violence, Gore, and War
Minor: Rape
this book is about world war II. there are discussions of soldiers who died and, in the second to last chapter, a detailed scene of a soldier dying w gore. there is also a mention of a woman being raped and then killed by a soldier.lizardflake's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
5.0
Graphic: Death, War, and Violence
Minor: Rape
loki_the_cat's review against another edition
- Plot- or character-driven? Character
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Graphic: War and Death
Moderate: Rape
addictedtoanntations's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Moderate: Violence, Cursing, Racial slurs, War, and Sexual content
Minor: Terminal illness and Sexual assault
whoischels's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
As the classic comedy of war book, it's a very comedic read. The comedic style throughout the whole thing undergoes its own character development in a way that is quite satisfying. It works to keep the horror of the experience of war at arm's length for the majority of the book and then slowly brings it closer for the end. Heller captures the comedic dichotomy between the very visceral body horror that people experience at war and the slow machine of bureaucracy.
My only complaints are that it's a behemoth to read. Heller can be describing an event that is comedic in its conception, but do so in a way that obstructs feeling, particularly in the first 2/3. I understand this to be intentional, but was still a bit frustrated with the masculine boringness of the prose. It's an odd experience to read something that has these features but still manages to be so dynamic and flexible in its plot structure.
Graphic: Panic attacks/disorders, Death, War, Medical trauma, Injury/Injury detail, and Sexual harassment
Moderate: Sexual assault and Misogyny
bibliorama's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Enjoyment - 2.5
This book really takes awhile before it starts trusting you with its emotional baggage. Most of the humor was used to mask the trauma that Joseph Heller was definitely processing through the writing. The 12 year old virgin jokes got old, milo running around got old, etc. In fact, the Milo the Mayor chapter should have been cut entirely (imo), it has some of the most dated jokes and the important info learned from the chapter is reiterated in the Milo chapter. There were heavy, poignant moments but they were covered up by the writing style and dated humor.
Characters - 3
Atmosphere - 2.5
Plot - 3
Ending - 4
Style - 3.5
Overall - 3
Graphic: Death, Injury/Injury detail, Murder, Domestic abuse, Misogyny, Physical abuse, Racial slurs, and War
Minor: Sexual violence and Rape