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marthafern's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.5
Moderate: Incest, Rape, Body shaming, Sexual assault, and Adult/minor relationship
remusloopylupin's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Moderate: Rape, Sexual assault, Violence, and Death
conspystery's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
At first I hated how Penelope treated Helen. It felt bitter and cruel and unnecessary, like she was blaming another woman for the misogyny they both had to deal with rather than confronting the actual issues at play. But in reality, I think people are flawed, and as both Penelope and Helen are, their almost rival-esque relationship in this story makes total sense. I don’t really know how to put it other than it felt REAL, imperfect and bitter as real people can be especially when faced with an unfair situation and difficult circumstances, and that’s the reason Penelope’s voice is so striking in this book. That the story comes from her, not only as she knows it but also as she wishes to tell it, lends it a unique kind of reclamation-y feel that I just adored throughout the whole thing.
And, of course, the maids, reflecting all the unfairness of the narrative, bringing light to a side of The Odyssey that is so often ignored or overlooked… so good. Penelope, through her narration and her emphasis on the maids, paints an at times conflicting picture of Odysseus: this considerate, clever man, but also tinged with ego such that it’s never clear to Penelope whether his actions towards her and others are for their benefit or his own. He is so multifaceted in this story, thoroughly imperfect, and their relationship is built on a kind of mutual understanding of both of their self-deceptive tendencies— once again, Penelope is self-aware here, achingly so, and it gives the book layers that are so interesting to pick through. So the death of the maids functions as an ultimate question to Odysseus’s character while at once bringing about a note of conclusion to Penelope’s perception of him. They serve to remind him not only of his guilt for murder, but his guilt for treating Penelope as he did, for giving in to his ego rather than seeing her as a person.
I don’t know how much I agree with this book’s ideas about Penelope and Odysseus, but I can definitely say that the interpretation presented here is full of pieces to consider, and it emphasizes them with a believable, raw, and real voice all the way through. This Penelope, and this version of her story, was unique and tragic and wonderful in all the ways I’d hope for in a book like this. I loved it.
Graphic: Murder, Sexual assault, Violence, and Rape
savvylit's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
4.5
The absolute best part of The Penelopiad is the chorus of maids. In the chorus-narrated sections of the book, Atwood plays with form in the most delightful ways. There's a shanty, a courtroom drama, poems, and more! It was thrilling to see what the maids would say next, and how they would say it. Furthermore, the maids' very presence in this story is key to the feminist bend of this retelling. The maids are mentioned so off-handedly in the original stories - despite the devastatingly misogynistic nature of their slaughter.
Lastly, the segments featuring Penelope speaking from the underworld reveal her innate snarky and dry sense of humor. One can almost imagine the heroine she could have been having she ever been afforded more agency when she was among the living.
Graphic: Sexual assault, Violence, Sexism, Death, Murder, and Misogyny
3arth2kaye's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Graphic: Murder
Moderate: Infidelity, Death, and Animal death
Minor: Sexual assault, Rape, and War
teresaangelica_'s review against another edition
4.0
Graphic: Rape, Slavery, Death, Misogyny, Sexism, Sexual assault, and Violence
Moderate: War and Pregnancy
shakespeareantragedy's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25
Graphic: Sexual assault and Child abuse
papercosmos's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25
Moderate: Sexual assault
amsswim's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Margret Attwood has a very interesting way of writing. I mean that as a high compliment. I liked the chapter breaks too, often funny.
Moderate: Violence
Minor: Sexual assault and Rape
sarahsbooklife's review
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25
Graphic: Death, Sexism, and Misogyny
Moderate: Sexual content, Gore, and Gaslighting
Minor: Sexual violence, War, Rape, Sexual assault, Pregnancy, Trafficking, Slavery, Sexual harassment, and Violence