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theportalmaster's review
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Despite that, in this book we don’t see any of Penelope’s wit and wisdom (shown in the original Odyssey and claimed by this Penelope to have), but maybe that’s the point. Idk. She is the main character who acts as a side kick if that makes any sense. She just takes every order and rolls with it, even by some people she has supposed power/title-given authority on. Like letting others raise her son as they please, even when she disagrees. She never seemed to put up even the most minimalistic of fights. She always disagrees in silence, in her own head, and harbors negatives feelings about it (obviously). Oh and also, the women in this book are so belittling and hateful towards each other, sometimes for no reason whatsoever, which is why I’m not sure of my feelings. There’s not a single female cousin that you don’t hate Penelope, we get it! Same for you Helene, Odyssey’s mom, Odyssey’s nurse, all of you girls, we get it. None of you likes each other.
Last but not least, Odyssey. I have always loved his adventures but never understood why the fuck he left again so soon? Couldn’t you chill a little longer after the massacres that happened in the palace and the trauma everyone endured waiting for you? Yea yea, adventurous spirit and all that, but you got responsibilities too. Feels like this author also has some very negative feelings towards him because this book? Oh my, this book doesn’t spare him at all. Quick. Think of a bad trait. Yea, whatever crossed your mind, this book’s Odyssey probably got that LOL
Now I know this review is all over the place but I’m not submitting an assignment so be nice. Maybe I’ll rephrase it better in the near future.
Graphic: Misogyny, Murder, Slavery, Rape, Sexism, and Death
helenamichelle's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.5
Graphic: War, Violence, Sexual violence, Abandonment, Rape, Sexual assault, Blood, Murder, and Slavery
ellyg_97's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
Moderate: Racism, Murder, Violence, Sexual assault, Rape, Classism, Slavery, and Sexual harassment
meg_elyse's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.25
Moderate: Toxic relationship, Violence, Murder, Blood, Slavery, Toxic friendship, Bullying, Death, and Misogyny
Minor: War, Rape, Abandonment, Grief, Infidelity, Sexism, Suicidal thoughts, and Child abuse
readallmay's review against another edition
- Plot- or character-driven? Character
5.0
Minor: Murder and Rape
christineolivia's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Murder
Moderate: Blood and Rape
Minor: Sexism
ciarapip's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Minor: Rape and Murder
conspystery's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
At first I hated how Penelope treated Helen. It felt bitter and cruel and unnecessary, like she was blaming another woman for the misogyny they both had to deal with rather than confronting the actual issues at play. But in reality, I think people are flawed, and as both Penelope and Helen are, their almost rival-esque relationship in this story makes total sense. I don’t really know how to put it other than it felt REAL, imperfect and bitter as real people can be especially when faced with an unfair situation and difficult circumstances, and that’s the reason Penelope’s voice is so striking in this book. That the story comes from her, not only as she knows it but also as she wishes to tell it, lends it a unique kind of reclamation-y feel that I just adored throughout the whole thing.
And, of course, the maids, reflecting all the unfairness of the narrative, bringing light to a side of The Odyssey that is so often ignored or overlooked… so good. Penelope, through her narration and her emphasis on the maids, paints an at times conflicting picture of Odysseus: this considerate, clever man, but also tinged with ego such that it’s never clear to Penelope whether his actions towards her and others are for their benefit or his own. He is so multifaceted in this story, thoroughly imperfect, and their relationship is built on a kind of mutual understanding of both of their self-deceptive tendencies— once again, Penelope is self-aware here, achingly so, and it gives the book layers that are so interesting to pick through. So the death of the maids functions as an ultimate question to Odysseus’s character while at once bringing about a note of conclusion to Penelope’s perception of him. They serve to remind him not only of his guilt for murder, but his guilt for treating Penelope as he did, for giving in to his ego rather than seeing her as a person.
I don’t know how much I agree with this book’s ideas about Penelope and Odysseus, but I can definitely say that the interpretation presented here is full of pieces to consider, and it emphasizes them with a believable, raw, and real voice all the way through. This Penelope, and this version of her story, was unique and tragic and wonderful in all the ways I’d hope for in a book like this. I loved it.
Graphic: Murder, Sexual assault, Violence, and Rape
savvylit's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
4.5
The absolute best part of The Penelopiad is the chorus of maids. In the chorus-narrated sections of the book, Atwood plays with form in the most delightful ways. There's a shanty, a courtroom drama, poems, and more! It was thrilling to see what the maids would say next, and how they would say it. Furthermore, the maids' very presence in this story is key to the feminist bend of this retelling. The maids are mentioned so off-handedly in the original stories - despite the devastatingly misogynistic nature of their slaughter.
Lastly, the segments featuring Penelope speaking from the underworld reveal her innate snarky and dry sense of humor. One can almost imagine the heroine she could have been having she ever been afforded more agency when she was among the living.
Graphic: Sexual assault, Violence, Sexism, Death, Murder, and Misogyny
aet_rebecca's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.25
Graphic: Murder
Moderate: Rape