Reviews with content warning for Incest - The House of the Spirits

Reviews tagging 'Incest'

The House of the Spirits by Isabel Allende

28 reviews

ednareads's review

Go to review page

3.5

Content Warnings

anahisa's review

Go to review page

challenging dark reflective tense medium-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? No
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

2.75

FUCK ESTEBAN TRUEBA, BABY IM A HATER TO MY BONESSSSSSSSSS

now, I experienced such a disconnect with this book largely in part because of its characters. they were flawed and real, true! also true is that I did not care for a single one of them!! for a family drama spanning multiple generations, very few of the emotional beats landed for me (🤨😐😔) sadly.

in a shocking turn of events, I was drawn more towards the politics + history that informed the background of this saga. the novel’s attention to women’s rights, unionization, revolution, and the west’s presence in foreign governments were its saving grace for me.

and one thing this book tackles brilliantly is the violence of men + power. so so so many terrible ways in which these individuals + institutions possess, demean, and violate others. while earlier I mentioned that many of the story’s emotional beats were a miss for me, it never failed to make me absolutely livid! the anger I felt when reading some of these scenes! every man in my line of sight should be afraid! rage enough to burn the world I think!!!

Content Warnings

smuds2's review

Go to review page

dark emotional funny mysterious reflective sad fast-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

4.75

So close to a 5, there were just some gratuitous scenes that I felt didn’t add to the characters portrayed in them.

Content Warnings

notallbooks_mp's review

Go to review page

adventurous challenging dark emotional informative mysterious reflective tense medium-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

5.0

Content Warnings

deniseh's review against another edition

Go to review page

challenging dark informative reflective sad slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.75

Content Warnings

summermorning's review

Go to review page

dark emotional sad medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

2.5

I did not enjoy this book. All the blurbs, and everything I had heard about it, made me excited to read it, and by the time I was halfway through I was already considering quitting.

I think the prose and writing was good. I loved the magical realism aspects, I loved the historical fiction aspect, and the idea of tracing a family through that tumultuous period and all that led up to it. I even really liked the way the story wasn't told entirely chronologically, and I got over the weird switch between first and third person narrative just fine.

That being said, after I started reading this, I was really shocked it wasn't a male author. The gratuitous, excessive sexual violence was insane. I understand that she is trying to illustrate how powerless women, both upper and lower class, were at the time, but at points, it just seems way too much and unnecessarily descriptive for the purposes of narrative.

Especially with Esteban Garcia and young Alba. The incest is a bit much too, with Jaime's weird longings as well. He was the only championable character until then.

Which brings me to my next point, which is that none of these characters are truly likeable. I detested being asked to pity and forgive Esteban Trueba just because he was old and sad. I feel as though his character could have been illustrated just as clearly without so much of the narrative being claimed by that horrible sexist, racist, rapist wife and child beater.

My biggest complaint is that this book is heralded for its strong female characters. Who? Where? Literally all the women never do anything but get abused until maybe the last 30 pages or so, and even then, Alba's biggest contribution seems to be to suffer nobly. All the big revolutionary players who accomplish things, or even try to, are men. And the women exist to love them, get in their way (@Miguel), or suffer for them. Clara has magical powers and was raised by, at least for the time, decently liberal people. Yet she marries someone she doesn't love, puts up with his abuse, and even forgives him. I fail to believe the only revolutionaries in Chile were male, and all the women could do were sing in concentration camps and survive.

I enjoyed the aspect of generational trauma and tracing that alone the lineage, but it fell incredibly flat when in one sentence Alba was claiming she would break those chains, and in another forgiving her rapist because it was just meant to happen, and probably her children would do the same to his someday. I couldn't believe that she was supposed to be the strong, female lead when all she did at the end was bury her beloved grandfather and wait for Miguel and for her baby to born. It really felt like the women simply existed to birth the next generation for the men to use and that we were supposed to cheer that on.

I also felt like the second half of the book fell flat with the magical realism. Had it been to illustrate the realistic suffering of the war, or to highlight the modern age, that would have worked. But instead it was sort of thrown in willy nilly just enough to ruin that idea, but not enough to make it feel connected.

Honestly, some of this might even have been okay reading if not for the fact that not a single character was redeemable and literally nothing good happens except for maybe 20 pages in the middle of the book. I understand a tragedy, but honestly, this book was too long for almost no highs and only lows. It makes the tragedy drudgery and torture for the reader rather than powerful and poignant with nothing good to contrast it with.

This book was not at all what it has been heralded as, and I was really disappointed with it.

Also, the dog dies.

Content Warnings

theskyboi's review against another edition

Go to review page

dark emotional inspiring reflective sad tense slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

What can my review possibly add to a book that is celebrating its 40th anniversary? The House of the Spirits fits snugly into the moniker of "debut novel," given the old adage to "write what you know." As a patchwork history of Chile in the 20th century, as well as a saga of the purportedly fictional Trueba family's women, this book weaves magical realism and historical fiction into an unforgettable read that any author would feel lucky to consider their first foray into fiction.

Having read the novel in Spanish, I feel both blessed and cursed to have had access to the original text; I was enchanted and haunted in equal measure. While the book deals largely in political and historical themes, the legacies of the women within the Trueba family are at the crux of the story. From Clara's clairvoyance to Blanca's indecision and to Alba's tenacity, this book illustrates the power that comes with sharing the stories that are most personal to us.

Often taking a circuitous path between past and present, the prose of this novel is what enchants the reader most of all. From the moment that Clara has her first premonition until the narrator utters that final phrase, reading this book is a challenge rewarded with mischief, absurdity, solemnity, and satisfaction. However, that flowery language Allende seems predisposed to include in her story did result in a rather slow-paced read, so consider yourself warned.

In light of warnings, the content of this novel, while fictionalized, does align with the true struggles of the life of 20th-century Chileans. The violence perpetuated across lines of gender, class, and race is far too prevalent in this book for me not to warn any potential readers. While typically dealt with in ways that I find historically accurate to the spirit of many lived experiences, I do note the very graphic nature of this novel.

Content Warnings