Reviews tagging 'Pedophilia'

Nosferatu by Joe Hill

17 reviews

seershlen's review against another edition

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adventurous dark fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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aiden_mr2's review against another edition

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dark emotional hopeful medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.75

A solid book utilized Christmas really well

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jaedia's review against another edition

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Just taking too long to really get started, the characters are not doing it for me, they're too real in a very "grimy" kinda way... Only characters I liked were Maggie and Lou, and poor Lou is fat, and we are told just how fat he is every damn time he's mentioned. To the point where the way he's described at times feels fatphobic, you know? And it's SO much. Jesus. Charlie Manx, also, very interesting villain. But again, it took way too long to get to the point. We get dribs and drabs here and there (I stopped at 43%, it may have picked up after this point but I'm so mentally checked out) and the narrative is so ... jagged. Lots of POV hopping, and changes in time period and such. It's messy. I just don't think this one is for me. Sadly. I was so excited, too.

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spookybenji's review against another edition

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challenging dark tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0


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louiepotterbook's review against another edition

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I was too stressed and looked up what happened which made me angry 

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scvalentine's review against another edition

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challenging dark emotional mysterious reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

I listened as an audiobook and highly recommend it as the reader is great at distinguishing characters and making some sound super creepy.

As a young girl, Vic escapes the tension of her family one night on her brand new bicycle, but it doesn’t just take her down the road, it takes her over a bridge that doesn’t exist to places where she finds lost things. At the same time, a chemical plant worker named Bing, is found by a man named Charlie Manx who drives a 1930s Rolls Royce. Manx offers him a job he has been dreaming of for years, one that is the worst nightmare of most people.

Vic and Manx cross paths and it ends in his arrest and her trauma. As she grows up, she’s haunted by what she has seen. But everything gets even worse when Vic has her own son and mysteriously, Manx dies in prison. 

It’s hard to give a good description without giving stuff away, but if you’re looking for a creepy and disturbing book about the crossover between internal and external worlds, I recommend this. I did think the first half had some slow parts, but once I got halfway, it flew by. Lots of trigger warnings for this, so look those up before reading if you need to.

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weirdow's review against another edition

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dark hopeful tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.25

Hill has a way of making fantastical settings and happenings seem realistic. Definitely some terrible stuff, a lot of graphic sexual violence (mostly "off page"). Good characters and well written.

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joshkiba13's review against another edition

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dark emotional funny mysterious tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

"[E]veryone ha[s] his own world inside, each as real as the communal world shared by all but impossible for others to access . . . It sounded like delusion until you remembered that people made the imaginary real all the time . . . Fantasy was always only a reality waiting to be switched on." -Joe Hill, NOS4A2

Who knew Christmas could be so creepy?? I'm honestly left quite stunned by this book. Its creep factor was dialed up to 11-- by far the creepiest story I've ever read. And at the same time it had such heart to it.

I felt that the story was utterly unique. The opening passages are frightening and foreboding, and I love how we jumped back in time from that point and resumed there later on.

Charlie Manx was a scary bad guy for sure, but his right-hand man, Bing Partridge (aka the Gas Mask Man) was even creepier in my opinion. The first chapters where we're introduced to Bing were among the most off-putting sections of the novel.

I loooved our protagonist Vic McQueen. We follow her from childhood and into adulthood. She is probably the most nuanced and heavily flawed character I've read of. In the Author's Note following the audiobook, Joe Hill explained his dislike for stories where the heroes are double-do-gooders, or something like that, and how he sought to write realistic and flawed "good guys." He absolutely succeeded in my opinion, with Vic and the cast of side characters like Maggie Leigh and Lou Carmody. We are able to cheer them on as they succeed in things, and mourn as they make awful (but real) decisions.

I loved how absolutely off the concept of Christmas became as the book developed--kind of like if The Nightmare Before Christmas was rated R. Beyond the horrifying effects of Charlie Manx's powers, even something as simple as hearing Christmas music beyond the bounds of winter (a common occurrence during the story) became scary. I loved this line: "There was something awful about Christmas music when it was nearly summer. It was like a clown in the rain, with his makeup running."

Hill's dialogue was snappy and clever; his prose and descriptions were unique and often (positively) unconventional. And I absolutely loved his takes on imagination and the mind, as seen in the snippet I opened with, as well as this one:
 "Everyone lives in two worlds . . . There's the real world . . . But everyone also lives in the world inside their own head: An in-scape, a world of thought . . . Creative people . . . spend a lot of their time hanging out in their thought-world. Strong creatives though can use a knife to cut the stitches between the two worlds, can bring them together."

The book can definitely get a little out there in some places, but I honestly think the weird served to its benefit. The only part that made me wince in a truly uncomfortable way was Hill referencing a few real-life tragedies to serve a scene where a character was becoming demented. I love a good corruption arc (such as in "Apt Pupil" by Stephen King), but I found the allusions to real tragedies a tad distasteful. Didn't ruin it for me at all, just something I didn't care for.

Overall one of the best audiobooks I've listened to, I absolutely have to hand it to Kate Mulgrew for knocking it OUT of the park with her narration. Manx's voice was gritty and cold, Bing's was off-putting and creepily child-like, and she did Maggie Leigh's stutter so well. Her children voices were well done too, and successfully creepy when necessary. Above all I have to appreciate how when a character was yelling, she yelled and didn't just whisper-yell like some narrators do. 

Solid book and sooolid audio 👌 

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katiearcher's review against another edition

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dark emotional tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

First five star read of 2024!

This book was an emotional rollercoaster. Did it need to be 984 pages? No! Did I love it anyway? Yes! Despite the intimidating length of the book and some particularly (gratuitous at times) graphic moments, I loved this book.

When I first started the book I questioned how much I was really going to care about Vic “the Brat” McQueen. But by the end I didn’t want to say goodbye to her and her family. Hill does a good job building the heros and the villains of this story. While I have no sympathy for the sadistic villains in NOS4A2 they are more complex than your average vampire villain.

If the length of the book intimidates you, I highly recommend the audio book as well which is narrated by Kate Mulgrew!

I highly recommend checking TW for this book as there are a lot of upsetting and disturbing topics covered.

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dozyfirbolg's review against another edition

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3.75

I think my problem, or maybe it's not a problem, but I wanted to like this more then I did. At times Joe Hill is a brilliant writer with this wild and beautiful and messed up idea for his book. but at others it simply doesn't. Deliver. like he doesn't have the experience to do what he set out to do. the ideas here are solid, and he has some good lines but I think at time it just falls short. 
pair this with Joe hills ability to make questionable choices In his writing regarding certain characters - Lou chief among them, and how his fatness is used as a plot device, and the way in which he writes Bing and expands on Bings thoughts that left a bad taste in my mouth. 
Do not get me wrong, I knew what I was signing up for here, I read horror a lot but there's a lack of finesse and care to this book that distracts from what he was trying to accomplish here.

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