Reviews

Siyah Süt by Elif Shafak

al_sharnaqi's review against another edition

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5.0

احترتُ كثيرًا في تقييم هذا الكتاب فور ما انتهيتُ من قراءته. أأمنحهُ أربعًا أم خمسًا مكتملات من النجوم؟
بدايةً، قد اقتنيت هذا الكتاب على أنه رواية، وحين بدأت بها أعجبتُ في اللغة في بادئ الأمر، وبدا لي الكتاب شيئًا فشيئًا يظهر على صورته الحقيقة، إذ أنه ليس برواية.
أصبتُ بالغم جراء ذلك، وندمتُ على البدء في قراءته، توقفتُ وقرأت كتبٌ أُخر. ونادتني بعد حين اللغة اللذيذة فيها، لم أقاوم، لبيتُ النداء، وعدتُ أقرأ وأستكمِلُها من حيث توقفت.
شيئًا فشيئًا، غرقتُ وما عدتُ أقوى على التوقف من القراءة.
ما هذا؟
فور ما انتهيتُ من قراءته، انتابني شعورٌ غريب حينئذ، وكأنيّ أقول: "لو أن أليف شفاق أمي، لكم أتمنى ذلك". كنتُ أقول ذلك فعلًا.
يا إلهي! إلى أيّ مدى وصلتُ إليه في قراءة هذا الكتاب؟
لربما لستُ أمًا أتمناها، لربما في لحظة طائشة كانت هذه الأمنية؛ بيد أنّي لا أزال أقول لو أنها تقربني بالدم، لو أنيّ أعرفها على أقل تقدير قريبةً مني وإن حضورًا وحسب.
آه يا أليف شفاق، إلى أي مدى وصلتِ إليه مني في كتابكِ هذا؟ ولأي مدى وصلتُ إليه معكِ في كتابكِ هذا؟
أيعقَل بعد كل هذا أن أزال في حيرة بشأن تقييمي له؟
بالطبع لا. مُؤكد.

acrickettofillthesilence's review against another edition

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1.0

I have two main problems with this book: it's disingenuous and it overgeneralizes.

Overgeneralizations

Elif Shafak really, really loves to tell you about how all writers are. Or maybe it's just how women writers are. They're recluses. They don't get along with other writers. They don't actually think about things like symbolism and motifs. If she was speaking just about herself, I might give her a pass and say, "Okay, so she doesn't think about literary elements as she writes. I probably won't want to read her works, but that's just me." (Notice how I didn't say no one should read her works because of this?)

But no. Every woman writer is the same. None of us think about themes and motifs. None of us like talking to other woman writers. None of us like to go and socialize without using Neil Gaiman quotes to show how cool and edgy our feelings about love are compared to all these basic platitudes about love our friends might offer.

The author spends an awful lot of time talking about how, because she's from Turkey, she's an ambassador between East and West and, thus, the entire world. She's such a multicultural blend that she's willing to hire a nanny from another country like the Phillipines, Moldova, or Bulgaria. (Spoiler alert: She actually hires an Azerbaijani nanny.) She's so international that she spends chapters giving biographies about women authors from "around the world" (i.e. the almost exclusively British and American authors). It's exhausting. And not nearly as comprehensive as she wants to think it is.

Disingenuity

Her book is filled with a metaphor where literal six-inch women represent the different aspects of her personality. When I say literal, I mean literal. At one point she encounters a "Thumbelina" on a plane and asks how the woman will make it through customs once they reach the US.

In a novel, that kind of metaphor where the author perceives the little people influencing their decisions would be fine. It would be within the world of the novel, after all. But when a book's a memoir, getting quite that literal is downright obnoxious. I was half waiting for a big reveal halfway through the book where she tries to show her Thumbelinas to someone and they make her go see a psychiatrist or something.

Conclusions

I had some other issues with this book that I don't feel the need to get into (possibly because they're petty), but I think one of the ultimate issues I had with this book is that I didn't read any of Shafak's novels. If I had, maybe I would have viewed all her descriptions about how cool and edgy she was for wanting to make popcorn an official breakfast food as something other than obnoxious. Maybe I would have thought, lovingly, "Oh, that Elif Shafak, at her shenanigans again." I don't know. A lot of people seem to love this book, so...?

kriti2411's review against another edition

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adventurous challenging emotional funny hopeful informative inspiring lighthearted reflective relaxing fast-paced

5.0

nadakhaledhp's review against another edition

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4.0

حليب أسود من الكتب الغير روائية القليلة جدا اللي قرأتها. في الغالب مش بقدر أكمل الكتب اللي مافيهاش حبكة علشان مش بيكون في دافع اني أكمل لان مافيش أحداث والكلام كله سردي. ولكن أليف حاجة تانية!
حقيقي كتاب ممتع جدا وغاية في الجمال. مذكرات شيقة وتصور جميل للجوانب المتعددة للكاتبة. أكيد كل ست هتقرأ الكتاب ده هتقدر ترتبط بجانب واحد على الأقل من الجوانب المتضادة والمتكاملة في نفس الوقت.
كأم مرت باكتئاب ما بعد الولادة، كانت تجربة مطمئنة اني اشوف كاتبة كبيرة عالمية بتحكي نفس تجربتي بالشكل الأدبي ده. نفس المخاوف، نفس الضغوط، نفس الاضطراب وكمان نفس القلق... ده حتى كمان قلة النوم. لكن المطمئن انها عدت بكل ده وخرجت من الناحية التانية بشخصية وبجوانب أقوى وبوجهة نظر معتدلة عن الحياة وأولويتها.
من الناحية التانية كم وفير من المعلومات عن أديبات وروئيات اخترن قرار عدم الانجاب أو اخترن الانجاب ومدى نجاح وتفوق و

yars_reading_corner's review against another edition

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4.0

A beautifully written semi-autobiography about inner struggles, personal growth and Elif’s experiences with maturing on her own pace and turn regardless of her gender and societal pressure to hurry up with the process.

About her inner conflicts with The Choir of Discordant Voices on sacrificing motherhood for excelling at her career or vise versa, not resorting to people, but to books and the voices of previous authors (women if you must know) and their experiences from their works or their diaries, and how she found her way.

An amazing read overall! You see a lot of the characters and events from her books later on that pay homage to her personal path and experiences mentioned in this beautiful work of art.

newdream's review against another edition

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informative reflective medium-paced

2.5

So this book is, I feel like, wrongly marketed as a guide through post-pregnancy depression. I thought I was going into a book about pregnancy in general, how society thinks pregnancy is, vs how it is actually like. This is a book about that, but only a small portion of it covers that topic. It is more about women through history who wrote stories and had or didn't have children. And about men they married. So many things in this book were stretched out and I was really bored. I almost DNFd it, but U kept going. I do like the feminism tone that it has, it just nedded something more.

ovenbird_reads's review against another edition

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2.0

I'm pretty luke warm about this book. While some of it is insightful I'm finding it often ridiculous. The "harem" of voices that Elif battles with while she debates the issue of whether it is possible to be both a writer and a mother comes across as silly, which undermines the seriousness of her investigation. I can see using aspects of the self in order to stage internal debates, but I would argue that Shafak takes the trope too far. Her voices are given literal bodies and are presumed to physically exist in the context of this book. Shafak outlines a scene where her internal "finger-women", all just a few inches high, accost her while she's out walking and she worries that the fisherman will see them or a cat will eat them. I was highly distracted by these fanciful imaginings and it made the book read like a child's fairy tale rather than a serious look at postpartum depression. Her tiny selves pop up out of nowhere like Disney side-kicks and I kept imagining them as brightly rendered cartoon people. I would have liked to see a less whimsical approach to what was a life-altering series of decisions and experiences in Shafak's life--take out the finger-women and this might have been a really useful book.

lenaha26's review against another edition

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3.0

أتاني كتاب حليب أسود هدية من صديقي المقرب من فترة وجيزة وبعد فقداني لشهيتي حول القراءة والكتابة وانغماسي في متاهاتي الشخصية أستطيع القول ان هذا الكتاب كان كنسمة منعشة.
أجد أسلوب أليف سلساً وخفيفاً في معظم مؤلفاتها, لكن كون هذا الكتاب أشبه ما يكون إلى السيرة الذاتية, توقعت الأفضل من هذا.
تجرية الاكتئاب المرهقة بغض النظر عن نوعها تدوم بما يكفي لأن يستطيع المرء لمسها بقرب يكفي لأن يوثقها بأعمق التفاصيل.
أردت أن أسمع أكثر عن أليف المكتئبة, وعن دهاليزها السوداء ومتاهات الغرق خاصتها.
ليس من السهل أن يكشف المرء نفسه على الملأ خصوصاً بهذه التفاصيل, وربما بعض الكتاب يفضلون ترك مساحة تفصلهم بين قرائهم, لكن خاب أملي حين وصلت لأخر الكتاب لأني طوال الوقت كنت انتظر تفاصيل أعمق معاناتها أثناء الاكتئاب وكيف استطاعت التغلب عليه.
لم يكن واضحاً بما يكفي.
أمثلتها النسوية كانت رائعة ومنيرة حقاً. أغلب ما ذكرته حول شخصياتها الصغيرة الدرويشة والأنسة المثقفة الساخرة والأنسة التيشخوفية استطعت ان اتواصل معه على صعيد ما.
هذا الصراع بين الأمومة والابداع تحمله كل أنثى كانت كاتبة أو غيره.
لا توجد تجربة اكتئاب متشابهة أو تجربة ابداعية متشابهة أو تجربة أمومة متشابهة.
في النهاية على كل منا خوض طريقه الخاص في تجربته, على كل منا أن يكون أكثر شجاعة.

universuldenisei's review against another edition

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informative medium-paced

4.75

ciniscineris's review against another edition

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emotional hopeful inspiring reflective sad medium-paced

4.0