Reviews tagging 'Fire/Fire injury'

Lapvona by Ottessa Moshfegh

31 reviews

gia0203's review

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challenging dark reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Flaws of characters a main focus? Yes

3.5

As someone who has a complicated relationship with religion/faith, I really enjoyed the themes in this. I particularly enjoyed the use of the seasons (Summer being the most effective). 

However, as we moved towards the end of the novel, the pace slowed down, and the narrative became more dull, ultimately leading to an ending I didn’t find satisfying. 

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eemily's review

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challenging dark emotional mysterious reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.75


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flo_sg's review against another edition

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dark slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.5


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cwiita's review

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dark tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0

Well, after marking My Year Of Rest and Relaxation as my only DNF ever, I managed to make it through this one. I purchased this book before I started MYORAR, before I had any idea how much I would struggle with Otessa Moshfegh. I find her to be a difficult read, not for lack of skill or quality, but for the simple fact that she seems to have an ongoing problem with fatphobia and ableism, among other things.  I discussed my initial problems with MYORAR with a friend who has read most of Moshfegh's work, and the consensus was that her stories relay very similar views each time and that her characters tend to be the same type of people across the board. I am a big fan of unreliable narrators and I appreciate the challenge of crafting a story around difficult characters, but to do it unrelentingly in every book while consistently implying hateful messages is tough for me to get behind.
With that being said, I blew through Lapvona. This book is absolutely vile, but incredibly readable when it comes to pacing and language. It was also much easier to tolerate the actions and views of the characters knowing that the events were taking place under a feudal system in medieval times. Moshfegh did a wonderful job of characterization, for better or for worse. The plot is somehow both ceaseless and unrecognizable. It's an infinite circle of pointless suffering, but maybe that's the point.  In an uncanny way, there was something enjoyable about this read. Since I already own MYORAR, this piece almost convinced me to give it another try. Almost.

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mnatale100's review

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challenging dark emotional sad tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0


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archer3's review against another edition

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dark tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

Vile, disgusting, perverse, and extremely grotesque. Certain passages made me physically recoil. Yet, somehow, I loved the story. It was very well-written and I couldn't stop reading. I loved the third person narration that gave insight into the intricacies of so many different characters. I absolutely hated the main characters, and didn't care about the other ones in the slightest, but that was definitely the point. Going back and forth between so many characters and reading their views and personal opinions on each other didn't leave enough time to start liking any of them anyway, and it was genuinely great and so cool to read. Seeing their varying beliefs and conflicting viewpoints was fascinating and gave the story so much more depth and complexity. The subtle message about how differing perspectives alter perceptions, beliefs, and circumstances was striking. 
Some plot points were really not wrapped up well, though.
What on earth was up with Ina taking the horse's eyes?? That felt like very sloppy writing, it just didn't make sense. It seemed it only happened for the shock value. I would've liked there to be a passage about what happened to Dibra. I also didn't enjoy how Jude faded out of the story and then was randomly brought back to replace Luka. I wish that whole situation could've been explained better (like how they even found his cave, for example).
But on the other hand, there were some plot points that I actually really loved and thought were developed perfectly (
such as Marek's biological father being the bandit he kissed at the beginning
). 
I did not find this book predictable at all, and I loved it. Definitely not for everyone, though. (Don't read it if you have a weak stomach...)

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august_18's review

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dark sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.0


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stardustdreamer's review

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dark reflective medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5


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abi_ch0m's review

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adventurous dark sad fast-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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nixieba25f's review

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dark slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

1.0


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