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3.92 AVERAGE
3.92 AVERAGE
An excellent tale of unwanted, forsaken children overcoming villains and society's expectations to triumph due to their own grit, courage, and abilities. With eloquent, entertaining writing and a vivid historical setting. Definite fun.
I enjoyed the plot and writing style of the author but have some major issues with the title, the representation of the orphans (asian, physical attributes), and just the appalling treatment by adults, including a main character’s grandfather and father just walking away because it’s too painful to remember. I am surprised these issues were not caught in the editing stage and changed. This book had a lot of potential.
Honestly I wasn't expecting it to end that way! It took a very unexpected turn and I just love unpredictability in stories. It was so heart-warming and almost made me cry. Hana Tooke did a fantastic job with her story! Will be checking out more books from her in the future! <3
adventurous
emotional
hopeful
mysterious
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
I loved listening to this book. This was a book that a group of my Year 5/6 students chose to read and they made it sound so interesting and were so excited to talk about it, I had to read it! I loved hearing all about the orphans and their lives. I really enjoyed how the author thought of their names and the meaning behind them. The story line went really well with the search of parents and ended with no questions left.
adventurous
hopeful
mysterious
fast-paced
Plot or Character Driven:
A mix
Loveable characters:
Yes
Diverse cast of characters:
Complicated
Flaws of characters a main focus:
No
a great sp00ky adventure, -0.5 for the "holy gouda" exclamations (and a bit of disappointment at edda & liesel not being lovers)
adventurous
emotional
hopeful
mysterious
fast-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
adventurous
mysterious
medium-paced
Plot or Character Driven:
Plot
Strong character development:
No
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
No
adventurous
funny
mysterious
fast-paced
Review originally published at: https://www.thenerddaily.com/review-the-unadoptables-by-hana-tooke/
The Little Tulip Orphanage is one of the worst orphanages in Amsterdam, run by the cruel and miserly Matron Elinora Gassbeek. Lotta, Egg, Fenna, Sem, and Milou have been there the longest of all the orphans and Gassbeek considers them ‘unadoptable’. Each was abandoned in a peculiar way – Lotta in a tin toolbox, Egg in a coal bucket, Fenna in a picnic hamper, Sem in a wheat sack, and Milou in a coffin-shaped basket – but they know that it’s their uniqueness that makes them special and they are determined to stay together. So when a chance to escape presents itself, they take it, fleeing across the frozen canals of Amsterdam into the countryside, fleeing from a sinister man who would treat them worse than Gassbeek and towards clues to a possible home. But is their real home already a lot closer than they thought?
Shortlisted for the 2018 Bath Children’s Novel Award, Hana Tooke’s debut novel has been praised by Children’s literature heavyweights, such as Robin Stevens, Katherine Rundell, and Emma Carroll, and emerging talents including Cerrie Burnell, and it’s easy to see why. The Unadoptables is a delightful historical adventure and a testament to the power of friendship and family. The story is set in nineteenth century Amsterdam, and Tooke, who is half Dutch, brilliantly evokes both the city itself with its narrow streets and tall, crowded-together townhouses, and also the countryside with its patchwork quilt of fields, canals and windmills. Adding another layer to this is the season; winter adds a feel of wonder and enchantment to the countryside and subtle undercurrent of unease and menace to the city, changing appropriately as the characters move between them and enhancing the atmosphere of any scene be it action or contemplative.
But of course, the real stars of the story are the unadoptables themselves. Consisting of Lotta (“the cleverest girl in of all of Amsterdam”), Egg (“the most talented boy in all of Amsterdam”), Fenna (“the sweetest girl in all of Amsterdam”), Sem (“the kindest boy in all of Amsterdam”), and Milou (“the bravest girl in all of Amsterdam”), all overlooked due to physical imperfections (Lotta is polydactyl for example) or prejudice (Egg is of Asian origin), they are an easy group to root for.
Tenacious and self-sufficient by necessity – first to survive the orphanage and then to stay one step ahead of Rotman (the shady “merchant” who regards them as his property) and the kinderbeauru, who, whilst more benevolent in their motivations, would surely split them apart. They are also fiercely loyal to one another; like a true family they support each other through bad times and good, helping each other to recognise their flaws as well as their virtues.
Though the book focuses mainly on Milou, the others are still rounded enough characters (the story ends in a good place for a stand-alone, but with enough threads that could be picked up if it were to become a series; if that were to be the case, I’d like to see the stories of the other orphans explored), and the villains – Gassbeek and Rotman – are evil and sinister enough to stay just on the right side of caricature.
Also deserving a mention are the illustrations. As can be seen from the front cover, Ayesha L. Rubio’s artwork is gorgeous, and gives everything a fairy-tale feel (with just an undertone of the gothic/Dickensian) which the illustrated chapter headings also add to. Sadly, it’s a little difficult to see them in their full glory in digital format, and so this is one book I cannot wait to get my hands on a physical copy of!
To conclude, The Unadoptables is a warm-hearted and thrilling tale full of clockwork, puppets, and clues – as sensational as any of Milou’s bedtime stories.
The Little Tulip Orphanage is one of the worst orphanages in Amsterdam, run by the cruel and miserly Matron Elinora Gassbeek. Lotta, Egg, Fenna, Sem, and Milou have been there the longest of all the orphans and Gassbeek considers them ‘unadoptable’. Each was abandoned in a peculiar way – Lotta in a tin toolbox, Egg in a coal bucket, Fenna in a picnic hamper, Sem in a wheat sack, and Milou in a coffin-shaped basket – but they know that it’s their uniqueness that makes them special and they are determined to stay together. So when a chance to escape presents itself, they take it, fleeing across the frozen canals of Amsterdam into the countryside, fleeing from a sinister man who would treat them worse than Gassbeek and towards clues to a possible home. But is their real home already a lot closer than they thought?
Shortlisted for the 2018 Bath Children’s Novel Award, Hana Tooke’s debut novel has been praised by Children’s literature heavyweights, such as Robin Stevens, Katherine Rundell, and Emma Carroll, and emerging talents including Cerrie Burnell, and it’s easy to see why. The Unadoptables is a delightful historical adventure and a testament to the power of friendship and family. The story is set in nineteenth century Amsterdam, and Tooke, who is half Dutch, brilliantly evokes both the city itself with its narrow streets and tall, crowded-together townhouses, and also the countryside with its patchwork quilt of fields, canals and windmills. Adding another layer to this is the season; winter adds a feel of wonder and enchantment to the countryside and subtle undercurrent of unease and menace to the city, changing appropriately as the characters move between them and enhancing the atmosphere of any scene be it action or contemplative.
But of course, the real stars of the story are the unadoptables themselves. Consisting of Lotta (“the cleverest girl in of all of Amsterdam”), Egg (“the most talented boy in all of Amsterdam”), Fenna (“the sweetest girl in all of Amsterdam”), Sem (“the kindest boy in all of Amsterdam”), and Milou (“the bravest girl in all of Amsterdam”), all overlooked due to physical imperfections (Lotta is polydactyl for example) or prejudice (Egg is of Asian origin), they are an easy group to root for.
Tenacious and self-sufficient by necessity – first to survive the orphanage and then to stay one step ahead of Rotman (the shady “merchant” who regards them as his property) and the kinderbeauru, who, whilst more benevolent in their motivations, would surely split them apart. They are also fiercely loyal to one another; like a true family they support each other through bad times and good, helping each other to recognise their flaws as well as their virtues.
Though the book focuses mainly on Milou, the others are still rounded enough characters (the story ends in a good place for a stand-alone, but with enough threads that could be picked up if it were to become a series; if that were to be the case, I’d like to see the stories of the other orphans explored), and the villains – Gassbeek and Rotman – are evil and sinister enough to stay just on the right side of caricature.
Also deserving a mention are the illustrations. As can be seen from the front cover, Ayesha L. Rubio’s artwork is gorgeous, and gives everything a fairy-tale feel (with just an undertone of the gothic/Dickensian) which the illustrated chapter headings also add to. Sadly, it’s a little difficult to see them in their full glory in digital format, and so this is one book I cannot wait to get my hands on a physical copy of!
To conclude, The Unadoptables is a warm-hearted and thrilling tale full of clockwork, puppets, and clues – as sensational as any of Milou’s bedtime stories.
Overall, I really liked this book. I think part of the charm was the integration of Dutch words, setting, and culture.
There are some scary parts and for that reason, I will suggest it be for kids age 10+.
There are some scary parts and for that reason, I will suggest it be for kids age 10+.