Reviews tagging 'Child death'

Lolita by Vladimir Nabokov

20 reviews

kristenhuck's review against another edition

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challenging dark sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.75


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amandas_bookshelf's review against another edition

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The descriptions of pedophilia were revolting.

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lovelymisanthrope's review against another edition

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dark emotional sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

I read "My Dark Vanessa" a few years ago and I really loved it, so I was curious to pick up this classic version of the story. "Lolita" follows a man named Humbert, who from a young age realized he was attracted to young girls. Humbert finds himself, a full-grown man, attracted to his stepdaughter, Dolores Haze, who he believes is the perfect nymphet. "Lolita" is told in Humbert's perspective as he writes a letter to explain himself and try to justify his actions.
I was not expecting to enjoy this story as much as I did. When a book tries to tackle such sensitive content matter, it is often hard to do so well. It is also difficult as a reader to separate the book from the main character. Humbert is highly unlikable, and as a reader, you are outraged that he is preying on young girls and trying to seduce them. Humbert is also willing to do almost anything to have his perfect nymphet, even murder. At every turn Humbert makes poor choices and your heart goes out to Dolores. She is so young and at such an impressionable age, you feel like Humbert is robbing her of her innocence. With all of that said, I could not put this book down. I was fascinated to be in the mind of such a depraved man. He knows he should not want this, but he cannot stop in his pursuit.
I do not necessarily recommend this book because of its content matter, but I am so happy I read this.

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elisanisly's review against another edition

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challenging dark sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.75


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bill369's review against another edition

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challenging dark slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.75

I and my dear friend have read Lolita together.

I don't have a favourite character and I suppose it wasn't the author's intention for the reader to like the main characters. He did that well. I do dislike both Humbert Humbert and Dollores.

For me, this book was rather boring. Sure the plot was interesting in a way however not gripping enough. Reading this book even felt like a chore at a time. Except for the marvellous writing, there's nothing to highlight. And for the writing and the writing only, this book gets the rating it gets.

Page 300, made up predestined destiny.
 
I have often noticed that we are inclined to endow our friends with the stability of type that literary characters acquire in the reader’s mind. No matter how many times we reopen “King Lear,” never shall we find the good king banging his tankard in high revelry, all woes forgotten, at a jolly reunion with all three daughters and their lapdogs. Never will Emma rally, revived by the sympathetic salts in Flaubert’s father’s timely tear. Whatever evolution this or that popular character has gone through between the book covers, his fate is fixed in our minds, and, similarly, we expect our friends to follow this or that logical and conventional pattern we have fixed for them. Thus X will never compose the immortal music that would clash with the second-rate symphonies he has accustomed us to. Y will never commit murder. Under no circumstances can Z ever betray us. We have it all arranged in our minds, and the less often we see a particular person the more satisfying it is to check how obediently he conforms to our notion of him every time we hear of him. Any deviation in the fates we have ordained would strike us as not only anomalous but unethical. We would prefer not to have known at all our neighbour, the retired hot-dog stand operator, if it turns out he has just produced the greatest book of poetry his age has seen.
 

The end of the book was one of the better parts. I did enjoy it.

Overall, I'm glad I read the book. The writing is amazing despite the story being unappealing to me. 

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spoookycat's review against another edition

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challenging dark slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5


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directorpurry's review against another edition

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dark reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

CW: There are so many in this bad boy... Pedophilia and victim blaming, mostly, but also SO MUCH statutory rape, Spoilerdeath of a parent, kidnapping, description of a corpse, stalking.
Updated 2020 rating: 3.5 stars

This is one of a short list of books where I can understand why some school districts and governments choose to ban it. While I find the writing to be absolutely amazing, at times almost breathtaking, the contents contained are questionable at best, atrocious at worst.
At times, Lolita is a book that can feel necessary to defend the reasons why you like it. I'll do my best to explain here:

Not to knock down the high-brow element of my review, but there's a Tumblr joke that has made the rounds about how the opposite of a "Manic Pixie Dream Girl" (usually a film trope character) is a "Depressed Goblin Nightmare Man" and how that is often a trope character of literature.
Not only that, it's often a popular trope character. (I'm looking at you, Erik, from The Phantom of the Opera.) Humbert Humbert is absolutely a "Depressed Goblin Nightmare Man" (DGNM from here on out).
He has combination of what it takes to make a DGNM, such as the cocky attitude. While HH spends most of the book degrading himself as "weak" or non-confrontational, he also spends the majority of the book strutting around like Lolita owes herself to him. Whenever she does something he doesn't like, he emotionally manipulates her into sleeping with him or forgiving him. HH also constantly blames his victims, these "Nymphets," who have done nothing more than behave like themselves, children who have no concept of the way he watches, stalks, and harasses many of them. Although he says he knows what he's doing wrong, HH ultimately places the blame on everyone but himself.

And Nabokov clearly knows what he's doing.
I've often noticed that many writers of "high" literature explore taboo topics far, far past the bounds of normalcy or even understanding. But it takes both an excellent writer and a committed reader to see past the surface topic to find the commentary underneath. Which isn't to say I blame anyone who hates or chooses not to even attempt this book because of the topic - I absolutely understand why people would want to chuck this book off a cliff.
But when I read it, I can see Nabokov's sarcastic attitude behind the words, the way he twists HH's own words against him as a narrator, making him at once unreliable and perfectly believable in his earnestness.
Lolita is clearly a girl suffering intense distress from her, at times, neglectful mother to her constant abuse and rape at the hands of HH. She shows many signs of abused children, from hiding food and money to her acting out in school and losing interest in hobbies.
There are many marks of Nabokov's deep involvement with these characters. I love the way he wrote this terrible book, and his characters are completely fascinating to me.

Additionally, I read this book for the first time just as I graduated high school, when I was personally quite enraptured by man DGNM in media. Outside of school work, this was one of the first "adult" "literature" books I elected to read on my own and I was completely swept away by the writing.
I'd like to think I've matured enough now as a reader to critique HH's status as a DGNM and as a writer to really absorb and understand the craft that went into this novel.
It's hard to say I "like" this book, but I would, perhaps, say I respect it. While perhaps no longer a 5-star because of my more nuanced understanding of the actual topic, rather than reading it when I was, in fact, still a teenager/child myself, the strong writing will always push it close to 4-stars for me.

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13octopus's review against another edition

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challenging dark slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.25


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davidrb's review against another edition

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challenging dark sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes
Not giving this one a rating.

One of my favorite books when it comes to technical skill and the clear love and talent Nabokov has for his craft, a marvel of characterization that is almost too strong, and at the same time the worst book to actually read. This is my first time returning to it since I was about Dolly's age, and it's as profoundly upsetting as it gets. Nobody wins.

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irese_s12's review against another edition

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dark emotional reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0


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